The Many Faces of Adult Film Star SHARON KANE

By Josh Eliot

 

Hands down, the very best part of my career with Catalina Video was the projects I shot with adult film icon Sharon Kane. Muse is a word that comes to mind when I think back about all the projects we worked on together. We first met when Chi Chi introduced her to me. The movie was Valley of the Bi-Dolls and I was casting the role of Ceily Fontana based on the Neely O’Hara role, as you probably already know if you’ve read my previous blog, “Whatever Happened to Neely O’Hara.” I’m pretty sure anyone reading this knows and loves the performance Patty Duke gave in Valley of the Dolls, and as things turned out, Sharon was able to get right up there with her, in my book, and take things up a notch with the original music she wrote and performed in the movie. We took things to a whole other level in Revenge of the Bi Dolls, where I got to imagine how things would have progressed had Jacqueline Susanne written a sequel. Neely gets her revenge on all those who rubbed her the wrong way. Sharon has the ability to say a particular line fifteen different ways. I would create entire movies around her. In the boy/boy movies where she would do a non-sexual role, I made her a central focal point. Case in point, the music agent Nance Freely in Boy Band and the school superintendent Ms. Narkwurst in the Rascal series. In the bisexual movies, she was not only a central character but also a screen vixen, even playing three different characters in Night of the Living Bi-Dolls: Zombie Ceily, Tanya and Margo Peyton. In between my projects, Sharon also worked with other Catalina directors like Brad Austin and Chi Chi LaRue on roles with very diverse personalities.

In The Big Switch 3: Bachelor Party, Chi Chi LaRue’s bisexual movie, Sharon played a stripper jumping out of a giant fake cake we rented, playing upon her days as a dancer at Alex DeRenzy’s Screening Room Theatre in San Francisco where, she recently told me, Desiree Cousteau also worked and was quite a wild child. In Brad Austin’s Cockpit 2, Sharon played Mama, a hillbilly with two sons who held a couple of survivors from a plane crash hostage on their psycho farm. She stole the show in a scene where she was talking to her sons on a two-way radio. In order to get a better signal, she improvised by raising one of her pigtails (wrapped around a metal hanger to keep them firm) into the air and adjusting it like an old TV antenna! The crew roared with laughter! It was moments like this where we fell more and more in love with this fabulous actress. She would literally become her characters and try to think and react how they would, always bringing a surprise and delight to every situation.

In the Rascal series (click link for trailer), she played Ms. Narkwurst, an Ilsa She-Wolf knock off who ran Rossmore Academy where little Ricky Haskell attended. She took him under her wing to her own detriment, as he was too much of a “little monster” for anyone to handle. She nailed the role with her accent, and when her character went blind because she had an itch during her Lasek surgery, she improvised on set again with a show-stopping scene of her falling out of bed then tripping and smashing into anything and everything in her way. In Cracked (trailer link), She played Joan, a bitter mother-in-law who is “dead-set” on getting her deceased son’s fortune away from his surviving wife. Based on the Patty Duke movie You’ll Like My Mother and the Joan Crawford movie Strait-Jacket, this movie is not straight nor will you like this ax-wielding mutha.

 

In Boy Band (trailer link), Sharon as Nance Freely, music director, stole the show away from the boys with her over the top, fouled-mouthed, spoiled rich-bitch character, who would instill fear in anyone and everyone she dealt with. As Miranda in His Terrible Twin (trailer link), she took a different approach as a very grounded, down-to-earth theater performer and singer, drawing upon more of her real life persona. It didn’t pay off for her, unfortunately, because that dirty rotten twin, who was so sweet with her during their duet of “When Trouble Calls,” stuck it to her in the end - not in a nice way. Now, Ms. Challenger, on the other hand, from SwitchCraft (trailer link), was all about handing out the punishment and abuse. Sharon didn’t hesitate to chop off her beautiful golden locks to get into the character of the butch gym teacher from hell, obsessed with firm and tight muscular bodies. When frump Edwina Simplestein, played by Chi Chi LaRue, crossed her path, it sent Ms. Challenger into a frenzy! Challenger smacked around and wrestled to the ground poor Edwina, humiliating her in front of the other students. The tables turned when Edwina got her revenge on the gym teacher in the end, turning her firm body to flab, and breaking bones in her body through (s)witchcraft.

The movie The Hills Have Bi’s (trailer link) was the most different type of role I wrote for Sharon - that of Clarice. She played a rich Beverly Hills matriarch whose husband’s behavior with other women, including their son’s fiancé, causes her to lose her self-esteem. The son’s fiancé, looking like a young Heather Locklear, has a secret in that her mother and relatives are hillbillies, played by Chi Chi LaRue and Moist Towelette. Their visit to the mansion contributes positively to Clarice’s growth as a sexually charged, newly independent and proud woman. Sharon performed two songs, one as a duet with Clint Yeager (“Desires of the Heart”) as well as the theme song (“The Hills Have Bi’s”). That’s caviar on her face in the photo, in case you were wondering.

This is but a quick bullet point blog about my favorite gal in the adult film business. It’s just the tip of the iceberg as she has worked with incredible directors and co-stars for many decades. There is an amazing podcast with her, which was recorded recently and released through The Rialto Report. I was truly blown away with all the information and experiences this wonderful woman has lived through and experienced. If you click on only one link in this blog, this is one to pick. It’s amazing!

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002.