Come to the Cabaret

Come to the Cabaret

“Come to the cabaret ...”

I watched the movie Cabaret when I was in high school under adult supervision (I guess it was beyond my parents to figure out that Sally Bowles was not at all judgmental about her gay friends).
 

The I graduated in college to the gender bending Victor, Victoria, much of which takes place in nightclubs/gay bars which seem to be pretty much be synonymous with cabarets.

Live entertainment … torchy songs around the piano … lamps with shades on the tables … people smoking … all dressed up in evening gowns and tuxedos …. scenes that were also commonplace in mainstream Hollywood movies of the 30s and 40s, except in those movies, they were pretty much heterosexual, though the usual sultry contralto (low, almost masculine) voice of the lead female singer singing songs usually about elusive romance and hidden passions and perhaps a “sissy” waiter hinted at gender bending.
 

When I first came out in the eighties, there was a big gay bar that I guess you could also call a cabaret in Chicago, called Gentry. It was rumored to be the place to pick up a rich husband. Now, apparently, such places were not at all uncommon in Chicago, strictly gay cabarets often featuring drag performers, as far back as the 1930s.

According to Lucinda Fleeson in an article called “The Gay 30s,” there was place called Diamond Lil's, at 909 North Rush Street (get the reference to Mae West?), that was so popular people ended up being turned away. And the high society people flocked to those places; the Chicago Gray Line Sightseeing Company included gay pick up venues such as Bughouse Square in front of the Newberry Library as part of its package, appealing to the allure of what is strange, different, “queer.”


Yes, Chicago was Sin City, until mayor Edward Kelly decided to “clean up” the nightlife, and the moral panic of 1936 (everyone was a potential sex predator; remember the 1980s Satanic day care crisis? Same mentality) pretty much ended what was called “The Pansy Craze.”

Tastes have changed, and cabaret seems to have become a more specialized entertainment, not because of its audience, but because of its musical appeal. Some claim that piano bars/cabarets in general declined by the late eighties because of the popularity of electronic music, disc jockeys, bands, and even live karaoke.

In fact, I can't think of a specifically gay cabaret in Chicago since the closing of Gentry (it tried to revive itself in Boystown after leaving the Rush Street area, but it has since closed). There's a place called Davenports in the hipster area Wicker Park which is a piano bar not specifically gay (I noticed on its schedule a gay tribute for Pride Month, focusing on gay icons of the past, but no drag acts), and Mary's Attic, a gay venue in the now heavily gay area of Andersonville often puts on cabaret acts.

 

Perhaps the fascination with retro for these demographics might have something to do with the popularity of these venues … but tastes (and gay icons) have changed, or one might even claim, they've become more eclectic, especially for millenials who can stream practically anything in a millisecond.

Still, it's awesome to be able to find places in Chicago that keep cabaret, now taking on the status of a tradition, alive in the Chicago area.

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Retrostuds of the Past: Focus on Pierce Daniels

Retrostuds of the Past: Focus on Pierce Daniels

“Pierce is quite stunning and every time I look at him I do get a bit weak. Looking at his photos that night I began to want to see him naked immediately.” – randyblue.com

I must say I agree with the above quote, especially after looking at some of the photos in our files.
 

In 1985, Pierce did a spread for Honcho magazine, challenging the viewer to touch, yes, just touch his virile, richly textured cock: “I know what you want; you're not the only one who wants it. But not everyone can have it. What makes you so special? … This is what you want. It takes something special to make me give it to you. Show me your hidden talents. Not bad; go ahead and touch it. If you're real good I'll let you do more than touch it.”

Getting aroused? I hope so. Sometimes the hunger is actually the satiation. Like Gypsy Rose Lee, he'll take it off, ever so slowly, but by doing to edge you to the point of ecstasy.

Pierce Daniels, aka Rusty Wolshez (Russell Wallace), was born on September 5, 1958 in Fresno, California. He was active as a performer from 1985 to 1994.

I don't have any more biographical information. Pierce's legacy, however, lives on in several movies Bijou Video carries (on DVD at bijouworld.com and streaming instantly at bijougayporn.com), including Gotta Have It, Perfect 10, Therapy, Lovers and Friends, Windows and Century Mining. He doesn't take on the starring role in these movies, but his “gay macho” look combined with his effortless sexual technique (he's so confident wielding his uncut manmeat) make him stand out.

In Gotta Have It, a silent Pierce Daniels (“rugged, bearded and pretty all at the same time”) is shown voyeuring the massive black hunk Tyrone Washington and Bobbie Davis,while jerking off his uncut dick.

In Perfect 10, Pierce Daniels gets a vigorous butt-pounding by Chaz Holderman while he's swallowing Chad's hard-on (he swallows all of it too, only matched (at least on video) by Gino Del Mar in that feat). Strong jabs encompass this hot fuck and the camera zooms in to show him pulling all the way out of Pierce's hole.

In Therapy, a guy enters an alley where two men are hanging out and sucks one of them off through his chaps. The second man (Daniels) whips out his foreskinned, cockringed meat and gets it beat off while watching the blowjob. Anal sex leads to a three-way and squeezed balls leading to orgasms.
 

In Lovers and Friends, Pierce Daniels rims and fucks Joel Curry (the lover of Ron Pearson in this movie) in a kitchen. Cole Taylor, playing a waiter, joins the twosome and throws a second fuck into the insatiable Curry. Kinkiness in the ensuing threeway includes Daniels turning Curry over, spreading vanilla topping all over his ass, and licking every bit of it off. Now, that is true food porn!

And in Century Mining, Daniels is in the opening scene. Eric Ryan lies in bed. His fellow mine worker, a ravishing Pierce Daniels, enters and scolds Ryan, "you're gonna be late!" Ryan has other things on his mind, mainly the throbbing boner beneath the sheets. He attempts to lure Daniels into bed, but is denied, as Daniels wants to keep his job and pre-shift sex will surely get them fired!

Daniels appears in the last scene of the movie, the orgy that occurs after the mine collapse. Yes, sex and death, always a combo! He spends what might be the last few hours of his life stroking his snake and twisting his low hangers around his shaft while fantasizing about some hot fuck-piggery he'd engaged in with Eric Ryan.

Tragically, the sex-death combination caught up with Pierce literally.

 

Like many of his compatriots, he died of AIDS-related complications, in his case, on July 8, 1995.

If anyone has any more information about this totally hot retrostud, please email bijouvideo@gmail.com.

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Retrostuds of the Past: Focus on Gino Colbert

Retrostuds of the Past: Focus on Gino Colbert

I first encountered Gino Colbert in his youthful glory, in a spanking fetish film Bijou Video carries called Disciplining the Undisciplined Athlete. Gino, playing a short in stature boxer with a chip on his shoulder, and Michael Ryan spank each other.

Little did I know Gino was also a phenomenal director and producer with a multitude of porn films to his credit, including straight and bisexual ones. In fact, according to an interview in a February 25, 2004 issue of Unzipped, he even cast the legendary Jack Wrangler in several straight flicks.

 

He also worked with the famous straight porn actor and director Ron Jeremy on several pictures.

 

Gino was born in 1957 in Toledo, Ohio, and like many guys and gals from the Heartland, wanted to to to Holllywood to make it big in pictures. He ended up making it big in adult films, beginning in 1980, but eight years later made an extraordinary transition to directing. He is best known for directing Men in Blue, Blue Blake's final film appearance.

I culled some interesting tidbits from two interviews Gino did for Manshots magazine in October 1989 and December 1990. I'll let him speak for himself about sexual chemistry between actors in porn movies and also about Bijou's classic “story porn:”

“You have to hire people who like to suck and fuck and enjoy it. And if they don't, you're gonna have a dead sex scene. I'm hot because I like sex. In a sex scene, I really go crazy, the moment the clothes are off. Even if the guy is mediocre, I can get something out of him while acting.”

“I choose my actors by the chemistry techniques. I have to find guys who will work with other guys. I just can't put Guy A with Guy B and expect them to have a good time. It's a very personal thing – they have to have sex together, and one guy may not be turned on to another.... You learn all that by talking to them ahead of time and asking them straight out, 'What turns you on? What kind of guys do you like?' I focus on heat. I like my sex scenes hot, so you have to have the right chemistry.”

Manshots: “Is the younger consumer aware of the stuff that was made in the past?"

Colbert: I don't think so, because if it's a new consumer, chances are he only knows video. He doesn't know film. He doesn't know about the days when we were taking time to make movies. And a typical x-rated film, whether it be gay or straight, was shot over four days and the budgets were more … we're talking about five and even six figures. I remember one gay flick that was shot over a week, and it cost six figures – Centurians of Rome. And it's still on the market and it's doing well, because a lot of people claim the consumer doesn't care about the story, as I said earlier, but those movies that have the good stories and really went to town with the quality, those are the ones that are still on the shelf and still selling.”
 

Gino no longer acts, but he still directs and currently owns his own production company, Gino Pictures.

 

We recently remastered a mostly black-cast movie called Black Jacks; Gino produced the film, and he also is a performer, doing a couple of hot scenes with the black guys in the cast.

 

Check out more of our titles that feature Gino and also stand the test of time with their combination of hot sex and engaging stories.

 

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The Real Benefit of Same-Sex Marriage: Human Dignity

The Real Benefit of Same-Sex Marriage: Human Dignity

 

This scenario is unfortunately all-too familiar: a gay man dies, and his partner ends up having to fight the “blood family” for property, a dwelling place, even a burial space. Unless a gay couple takes extraordinary, expensive legal measures, which in some cases means even adopting each other (see this link for a famous case), they are not legally protected, which protections and benefits would happen automatically if they were a heterosexual couple.
 

I know one person the above scenario happened to. He had to leave his dwelling of twenty-five years. His partner's homophobic family banned him from the funeral, and stole the burial plot. Why? He was not legally protected.

 

In another case, another friend of mine was much more fortunate. They lived in Florida, a state notorious for its homophobia (hello, Anita Bryant). Luckily, the partner's sister and brotherin-law were on good terms with him and followed his instructions about the sale of the house and other matters of the estate. Regardless of the financial situation, they respected the relationship. Their respect showed they saw my friend as a person, not an enemy “other” or an impersonal commodity.

The Edie Windsor case publicized and created much-needed discourse at the highest level the fundamental injustice of our defining only by gender civil marriage (yes, civil, not religious/sacramental). Edie would have had to pay an astronomical amount of inheritance tax on her wife's estate (yes, wife) because, as above, they were not a heterosexual couple. In response to this case, the Supreme Court struck down DOMA.

In other words, the civil society essentially treats those who do not fit heteronormative social structures as second-class citizens in a country which purports (and has failed and still fails to do) to operate under a claim that all people are created equal.

What I've said so far is not new, but I think it is really about not just the issue of same-sex couples being able to enjoy the economic, social, and psychological benefits of civil marriage, but about human dignity.

Human dignity transcends the physical ties of blood and the laws people make to be able to live together (which often results in people using each other as commodities, rather than persons). We experience human dignity by showing empathy and compassion for a person outside yourself, which means being able to find a piece, however difficult that may be, of that person in you, a process of growing, really becoming. To use the language of the famous Jewish philosopher Martin Buber, we need to enter into an I-Thou relationship, rather than an I-It one.
 

It's unfortunate that many of the benefits that those who enter into marriage are commodities (and in the past, remember, the wife [and the children] were essentially property of the husband), but I am hoping that we will get to the point that marriage equality is not just about a legal transaction. It's the recognition of the dignity of each human person as a complex, imperfect, non-binary becoming.
 

 
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Retrostuds of the Past: Focus on David Ashfield

Retrostuds of the Past: Focus on David Ashfield

The facts (courtesy of Back2Stonewall.com):


David Ashfield was one of the biggest names of 1980s porn, making dozens of movies and appearing in plenty more as a stunt dick.

He was slim, born in 1960, had a huge and thick cut penis and topped (although he started off as a bottom in early Falcon loops). 
 

David starred in movies like Below the Belt, and was famous for big ejaculations.

David speaks for himself; passages from an interview in the October 1987 issue of Hot Shots:

“Fantasies started to come along when I was about 12 years old … I grew up in the desert in Arizona. So of course, I had dreams and fantasies of long blonde-haired country boys; and grass and trees; playing in the woods; you always dream of what you don't have.”

“Do you find it more exhilarating with a live audience?"
"No, because it's a totally different trip. When we're doing the movies we're in a corner, just us and the cameraman; it's still pretty much private, even though there are people there. Everyone knows exactly what's going on, and are all part of the deal. Whereas when I'm on stage I'm a spectacle. I try to be a trouper and do a good job of it, bring out the Scorpio side of my image, but, a lot of times I still get the willies.”

 

“For the record, what is the main feature about your cock that makes you stand out in a crowd?"
"A lot of guys have a dick as long as mine, but most people don't have one as fat as mine. It's 6-1/2 inches around. And in the movies I can really fuck.


"Do you find a lot of guys can't take you?"
"Some can, some can't. About an even number, I guess.”
 

“Do you believe you are more open to different types of sexual situations now because of changes to your lifestyle, or do you think it is a result of getting to know yourself better?"
"I'm still pretty simple-minded when it comes to sex. I'm not real kinky or anything. I don't get sex drunk … Oh let's tie each other up, and dildoes, and dildoes, and cock rings, and all that stuff. One naked boy across the bed and I'll suck his dick and he'll suck my dick.”


“Do you like to get if off more now than you did before becoming a porn star?"
"I would like to but couldn't. Shit, when I was a kid, I used to beat off between four and nine times a day. Now once is fine with me. Once, maybe twice.”

“What does a director look for in a new talent?"
"Hot sex. If you can prove you do it lovingly is what counts. People who want to work."


"Can you elaborate on what you mean by 'Do it lovingly?'"
"Sure. There are a lot of boys in porn who get in there to do it just for the money. When you watch the film they look bored. This is because most movies are shot one piece at a time. Between the director saying, 'This is what I want you to do. Move this way, say this at a certain point, insert your dick into that hole.' This is all done piece, by piece, by piece. And if at the edges of each little scene you lose character, then it will be conveyed in each little segment of the movie. When you work with another model who knows how to stay in character, espcially when the camera is off, then we can keep the scene going between us. Keep it hot so as soon as they click back in they're coming right into frame.”

“You cannot help warming up to David Ashfield. He's totally unaffected and extremely masculine. He says that at some point in the future he would like to settle down with someone special.”
 

Also, like Joan Crawford, according to the interview, he answered every fan letter.


In fact, oddly, he kind of reminds me of her, not physically of course, nor did he put on the glamorous movie star persona, but because he took his work, revealed in his technique, so seriously. He was his technique.

 

And it worked, gloriously, in more than a hundred videos.

 

Also, like Joan Crawford, according to the interview, he answered every fan letter.

 

And, as well, Joan suffered stage fright; like David, she preferred to work in the studio.

At Bijouworld.com we carry many movies that feature David Ashfield, such as Therapy; Strange Places, Strange Things; Classmates; and our newly remastered Hot Splash.

Also check out our streaming site, Bijougayporn.com, for more hot David Ashfield action.

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