David's Chicago Sexual Underground 09/21/22 & P(r)ick of the Week

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Greetings P(r)icksters!

Been busy hosting a vaccine party every week at the bar on top of all our other parties. I keep getting thanked by guys passing through the vax line and felt I just had to explain why. So here's what I sent out to my Touché posting this week. I may have covered some this in a previous blog, but it is all part of my "
why."

We are continuing our drive to get folks vaccinated against monkeypox. We want all of you to be able to socialize, meet up and find a fuck buddy, enjoy some hot passionate sex and not end up with a case of this virus. Trust me, I have heard from many who contracted the virus, and the symptoms were PAINFUL.

You like a dick down your throat, up your butt, and guess what? That's where this virus ends up. Sure, they have presented photos on the news about sores on guys' hands, chests, feet or faces. Well, what they haven't shown you are the guys with pox sores inside their dicks, up their asses or down their throats. If we hadn't started pushing guys in our community to get vaxxed, a lot more of you could have experienced this. So, we urge you to keep it in your pants and changed up our video programming and party events at the bar to help you keep yourself in check.

AIDS came to town unannounced and spread quickly and decimated our leather community. We didn't know it was here, what caused it and had no vaccine to stop it.

Today, we know monkeypox is here, how it can spread, and we have a weapon to stop it: a 2-dose vaccine shot. I wish we had this when AIDS hit; I would have a lot more friends still with me. We can stop this now from becoming an ongoing threat, but you all have to get vaxxed to make that happen.

Here's a link to the Chicago Department of Public Health's dashboard for monkeypox. It is updated on Mondays and shows the number of cases falling dramatically. It also shows the number of people vaccinated so far. It is the second dose that I focus on, because it is the second dose that allows your body to develop immunity after a couple of weeks.

9,375 is the number of Chicagoans that have received a second dose as of Monday. 9,000+ folks are fully vaxxed. Out of how many gay men that live in this city? Just think for a moment - how many gay men are there just in Chicago? All of a sudden, 9,375 seems like a good start but way short of what may be needed to keep us from a resurgence of cases.

Let's not forget the guys coming to Chicago because they live in states that haven't done jackshit about monkeypox. I checked IDs last week during our Vax Party and I can state that about 1/2 of those in the bar that came for a shot were from out of town. Florida, Minnesota, Iowa, Indiana, Texas were just some of the IDs I saw.

If these guys feel it is so important to travel this far for a shot (hopefully they had a couple more at the bar), then I would hold that all of you that live here in Chicago would feel just as strongly and make the effort to cross town if need be and get vaccinated.

We had a Pox Vax Party last night, Tuesday, September 20th, and the upcoming one is next week on Wednesday, September 28th. As we have been doing, doors open at 5pm with shots beginning at 6 pm. We start with 100 doses but have been averaging 120 or more these past few weeks. The vax teams leave with doses unused. So don't let the early days of long lines and limited vax shots deter you. You need not line up for hours, just get here by 9pm and get a shot.

We will be adding Vax Party dates in October. Our partners at Project WISH and Rush are lining up teams to provide the shots, and once I have those dates confirmed, we will post them.

Now as to WHY?

We have been thanked repeatedly the past couple of months for hosting these Vax Parties. As guys pass through the line, they let me know how much they appreciate our effort to care for our community. There's a very simple reason why we are doing this.

We are LEATHER.

Time for a little history lesson, sorry if this gets long. I came to Chicago in the mid-70s and began working at Touché shortly after it opened. Some of my early leather mentors were already in their 60s. Which meant they had participated in WWII, and they shared their experiences with me.

Before the World Wars of the last century, travel abroad was the luxury of the wealthy. The average guy lived in his town, worked there and most likely died in that same town. The thought of going to Europe or anywhere else in the world was an unlikely dream of some, but most others just lived their life where they were. You could have urges for men, but you either had to ignore them or on the "down-low."

Heading to Europe and other places to fight in either war allowed these servicemen a chance to broaden their view beyond our American shores. In particular, during WWII, these men experienced a lot more than what their hometowns had to offer. Food, for one, drink another and lifestyles even more. Far from home and expectations they may had lived under (get a job, get married, have a family), many got a chance to explore their sexual feelings.

One of my favorite photo books is At Ease: Navy Men of WWII. These guys were out at sea for months at a time. It is not hard to imagine that physical contact between them would become common. Not just sexual; lots of the photos show guys relaxing, just laying side by side, or in some contact with each other. As humans, we feel the need to touch others.

Naturally this lead some to sexual relations with other men; after all, these guys were in their early to mid-twenties and just as horny as you guys are today. It was just there, unmentioned and tolerated as a phase. But they got over it once they returned home to their girls or wives (supposedly).

One other thing men fighting abroad may have learned was riding motorcycles. It was quick method of communications within the services. A lot of servicemen would probably never have learned to ride if it wasn't for their time in the service.

So, when guys came home from WWII, some had experienced gay sex or at least developed an affinity to being with guys. The late 40s and 50s were not a time of accepting homosexuality. These guys had to live in their closets.

Which is where our leather community sprang from: those guys that had learned to ride while in the service and continued to ride when they got back. They met other guys that served and shared experiences. So, they would ride together, forming clubs with guys they could relate to, who shared their experiences. And sometimes, far from others, they would engage in man-on-man sex.

When I come to Chicago, we had a few gay bikers’ clubs. Others like myself that did not ride were drawn to the camaraderie, the friendship, the "family" of these clubs. Other leather clubs formed for those that did not ride but felt the kinship of leather.

You didn't just drop in, you had to be invited in. It was not that hard. These clubs hung out in bars like the old Gold Coast, The Redoubt, Snake Pit and eventually Touché. The back bar at Touché is called The Club Room and the walls are covered with the colors of the various clubs that have called Touché home or out of town clubs that we have supported over the years.

You could meet these leathermen and get to know them. If they felt you were their kind of guy, they would invite you to join them and once they felt you earned the right, they would present you with patches of their colors to wear on your leather.

As a member of one of these clubs, the other members were your brothers, your family. You take care of your family. If they needed a roof over their head, they bunked with you. If they were sick, you cared for them. Helped them find a job if needed. A lot of times it meant caring for those of other clubs, too. Being part of this community meant you would step up and take care of each other.

This is Touché’s 45th year. My 45th year as being part of Chicago’s leather community. And neither Touché nor I can stand by and do nothing when we have this threat to our community. Leather stepped up when AIDS hit in the 80s. Unfortunately, we lost a huge part of our leather community at that time. A lot of those club colors represent a whole group of 30-40 guys that were wiped out by AIDS. None of them are still with us, but we will never forget them.

Those of us that made it through AIDS were a part of the efforts to respond to AIDS. Just feeding folks brought us Open Hand. They made meals every day and delivered them to guys at home. Many early volunteers were leathermen and they still volunteer today through Open Hand's GroceryLand Pantry.

Being too sick to work and keep a roof over your head led to Chicago House. We raised money and bought a house, again led by a leatherman Thom Dombkowski. Now Chicago house provides roofs for PWAs across the city.

Figuring out what was causing this disease that was killing our community meant Howard Brown ramping up, from STD testing and treatment to research and healthcare, led by another leatherman, Harley McMillan.

The last couple of years brought us covid and we responded, urging all to take care, get tested, vaccinated and caring for those afflicted. Now we've got monkeypox. Just as we have in the past, we are doing what we can to take care of not just our family but our entire community. Because we are leather. It's not a fashion choice, it is how we define ourselves, the identity of the bar and how I see myself.

Whether you are leather or not, get the damn vaccine. Yes, case numbers have fallen, but it is still out there. If we just ignore, it will rear its ugly head again and we will be back to square one. The shots are free. We offer them every week. If you don't want to come here, can't get here, then get vaccinated wherever you are. Demand it. We did, and that is how we are able to host our Vax Parties week after week.

I want all my P(r)icksters out there to get vaccinated against monkeypox. You wouldn't be reading this unless you are a horny bastard, too. Let's keep this from going any further. While you wait for your second dose and immunity to develop, you can safely grab my P(r)ick this week and stay horny with me.

David

To order from Bijou, visit bijouworld.com, call 800-932-7111, or email bijou.orders@gmail.com

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The Reverse Story of Dorian Gray

By Will Seagers

 

This blog, “The Reverse Story of Dorian Gray,” where the pictures remain fabulous but their subject goes through the ravages, is an addendum to the Bijou Blog, "Chasing the Boys and Chasing the Sun." I had a great time in my early years in the beginnings of my porn career. I thought that part of a sexy body and face was to be perpetually tan. Maybe so, but there is a price to be paid for that notion.

 

Al Parker and Will Seagers

This duo with Al Parker was still in the early stages of my career. One thing that we did share was beautiful satin-like skin. I do acquiesce that he was a "bigger" man than I. But, there were never any shortcomings on film nor in private.

 

Will Seagers early modeling photo

Going way back to pre-publication. I believe that this was shot in the basement of a photographer friend. The hairstyle definitely gives me a clue to the timeframe. Just a kid toying with the idea of modeling!

 

Will Seagers Falcon modeling shot

Alabaster - yes if I were to describe my skin back then - alabaster. This was early on in my work with Falcon Studios. Sultry and unblemished! (Not ready for my close up, Mr. Gray.)

 

Will Seagers Fire Island photo

My first year working in The Pines, Fire Island - 1976. To my recollection, this was originally a Polaroid that a friend took on one of the many wooden walkways in The Pines. During my breaks from The Boatel, where I worked, it was off to the beach to work on that tan that I thought was quintessentially needed for my “other job!"

 

Will Seagers Fire Island modeling shot for Hand in Hand

Although a black & white print that was used for the cover of Michael's Thing, a mini-mag in the 1980s, this pic was shot on a deck on Fire Island following the wrapping up of Fire Island Fever and Dune Buddies for Hand in Hand Films. Living and working on Fire Island gave me prime ammo on the assault of my skin. I was actually quite dark in this photo!

 

Will Seagers and Hugh Allen in Dune Buddies

Also, from the movie Dune Buddies, my co-star and I were taking a dip. Although there are a lot of other things to look at, please note the tan line... Mr. Dorian Gray is beginning to play.

 

Will Seagers outdoor headshot

Here in the beautiful open air (and SUN!) of Northern California, one of my last magazine shoots took place. Credits to Mr. Wilde, but no telltale payments to the Devil, as yet.

 

Will Seagers and Terri Hannon in L.A. Tool & Die publicity photo

Giddyup, pardners! A shot from L.A. Tool & Die. Carefully morphing into a new age category, the subtle signs of years of sun are starting to make their appearance. That movie was the highlight of my porn career. I had a great time working with some very professional people.

 

Will Seagers and Richard Locke driving in L.A. Tool & Die

Once again from the set of L.A.Tool & Die, with heartthrob and co-star Richard Locke, this was the infamous truck used in the love scene as well. I use the term 'love scene' because I thought that the scene transcended a regular or even hot sex scene! Once again, that pearly clear skin prevailed. If my dermatologists and surgeons could have only seen this! Ha.

 

Will Seagers close-up in L.A. Tool & Die

This is the epitome of a Dorian Gray scenario. The very perfect left cheek featured in this photo is the one that was "the payback" of years of neglect and abuse to my skin. On July 14, 2022, the most recent of six radical Mohs procedures leaving a 4" scar now occupies that cheek. Hindsight is 2020.

 

Will Seagers contemporary photo with scar

Stitches out and ready to take on the fine art of aging. This final shot in the sequence is from the present, age 71. It is not meant to garner sympathy or horror. It is a simple statement of fact... the Sun is not your friend. And, your skin remembers all......Will Seagers.

 

Thank you to Will Seagers for use of his photos.


Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.

 

Will Seagers, present day image

 


You can read Will Seagers' previous blogs for Bijou here:
Welcome Matt/Will
What's For Dessert?
On and Off the Set of L.A. Tool & Die
Wanted, Weekend Lockup and Weekends in Hermosa Beach
Honeymoon in the Palms
Birds of a Feather
The Stereo Maven of Castro Street
The Pass Around Boy
The Ecstasy and the Agony
Fitness and Fantasy: The Early Gyms
Chasing the Boys and Chasing the Sun: My Story of Sun Worship and Where It Got Me
Becoming Invisible

 

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Is That AL PARKER In Your Photo?

By Josh Eliot

 

My spouse Tony Fontana and I are super-organized. We keep the place spotless. All things of importance have their own binders. The filing cabinet folders get edited yearly, and our desk calendar is always up to date. One thing we did during the initial Covid-19 lockdown was go through our photos and separate them into categories inside manila envelopes. A bit much? All that aside, the other day I was going through the envelopes to pull pictures for a recent blog about my past partner, Mark Rutter. Tony worked with Mark Rutter at the Gold Coast Bar and they shared a history as well, so I was looking to see if there were any shots in his envelopes with Mark. I didn’t find Mark, but I came across this one shot that kind of blew my mind. I pulled it out and went up to Tony and said: “Is that AL PARKER in your photo?”

 

Al Parker and friends at a Renaissance Fair, 1980s

Al Parker and friends at a Renaissance Fair, 1980s

 

It was, in fact, Al Parker in the photo. Al and his group of friends were photographed at a Renaissance Fair in the 1980s. My partner Tony is standing in the photo facing the group of friends, which included the woman wearing the blue outfit. Probably a Fred Segal outfit, as she loved to shop there. Her name was Nancy Cole Sawaya, and she was the “glue” that united this large group of friends.

 

Al Parker's friends at Ren Fair

Al Parker's friends at Ren Fair

 

Nancy lived in a mansion off of LA’s infamous Mulholland Drive. A typical weekend for the group would be to start Saturday night off at Greg's Blue Dot, a Hollywood gay hot spot, whose clientele was the crème de la crème of the best looking studs. Around 1 a.m., the group would walk a few doors down to the members only disco Probe and stayed there until well past dawn. The Probe would feature “A-list” divas like Viola Wells , Angela Clemmons (“Give Me Just a Little More Time”), Fun Fun, Linda Clifford, Madleen Kane and many more. When Nancy and the boys showed up there, the staff would see to their quick entrance. After dancing the night away they would all end up at Nancy’s place poolside, where the party would go on throughout the day; even the DJs from Probe and Blue Dot would follow and spin records.

 

Nancy at Probe and a backyard pool

Nancy at Probe and a backyard pool

 

In October of 1982, Nancy and her friends Matt Redman, Ervin Munro and Max Drew attended an emergency meeting featuring a presentation from the San Francisco Kaposi’s Sarcoma Foundation about Gay Related Immunodeficiency Disease. Stunned by what they learned, these four friends set up a telephone hotline to answer questions from the community, because fear about the new disease was rampant. Over the holidays, Nancy and her small group of friends threw a Christmas party at her place called “A Christmas Present,” where guests were asked to donate money in the spirit of the season. Shortly after, Nancy took Tony to a small office in Hollywood on Cole Avenue she was thinking of renting to get his opinion. With the funds earned from the Christmas party, around $8000, she leased the office with her team of friends and offered counseling services to about twenty people known to have Acquired Immune Deficiency Syndrome, making it a first in Los Angeles County to do so. This small office, through it’s hard work and dedication to the gay community, became APLA, AIDS Project Los Angeles. APLA’s early fundraisers were held in gay bars and discos and they went on to raise millions of dollars over the next few years with the help of such celebrities as Joan Rivers and Elizabeth Taylor. Nancy served on the Board of Directors for nearly two years while continuously offering one-on-one counseling to the members.

Co-founders Nancy Sawaya and Max Drew tested positive for the disease and by August of 1986. Nancy had been hospitalized six times. Nancy and her husband Lou adopted a baby girl named Morgan who was two years old when her mother passed away in October 1986 at age 40. This was the same year Al Parker lost his partner of eleven years, Richard Cole aka Steve Taylor, with whom he started Surge Studios. Surge Studios was one of the first studios to mandate safe sex practices. Al Parker passed away on August 17th 1992, also at the age of 40, and his ashes were scattered near the nude section of San Gregorio State Beach. Seeing both Al and Nancy in this random photo and hearing these stories about them was really quite extraordinary. They both became icons of gay history, giving so much of themselves to the gay community. Such a tragedy to lose them both so early in life.

 

Al Parker and Richard Cole (Steve Taylor); Nancy on Newsweek cover

Al Parker and Richard Cole (Steve Taylor); Nancy on Newsweek cover

 

As I started to put away the photos, I saw a manila envelope labeled “Tony and Friends,” so I thought I would look in that one to see if there were any more shots of Al or Nancy. I carefully scanned each and every photo, checking to see if I could recognize any faces when suddenly... I saw another one! Tony was facing the camera making a silly face, but it was the person who was to the right of the shot that again blew my mind. I took the photograph, marched down the hallway to the office, went up to Tony again and said : “Is that ESTELLE GETTY from GOLDEN GIRLS in your photo?”

 

Estelle Getty at a West Hollywood party, 1980s

Estelle Getty at a West Hollywood party, 1980s

 

Thank you to Josh Eliot for use of his photos.


Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment

That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders
7 Years with Colt Model MARK RUTTER
Super NOVA
Whatever Happened to NEELY O’HARA?

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David's Chicago Sexual Underground 9/2/22 & P(r)ick of the Week

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Greetings P(r)icksters!

Been pretty busy at the bar, still training new staff. I have also been hosting regular vax parties for this monkeypox mess. Lots of guys have been coming round getting a shot and thanking me for doing this.

When I came to Chicago back in 1976, I checked out several bars, looking to make new friends in a new town. Then I walked into a leather bar and after a while, I found what I was looking for.

Back then, gay bars were pretty much low key. They didn’t draw attention to themselves, and they were easy targets for police raids and harassment. A gay press was just developing at the time, so finding where bars were in any town wasn’t easy, more word of mouth.

Folks could be friendly in most gay bars but when things went down, a bar raid for example, patrons would dash off and look for another bar to hang out at. The concept of a cohesive community was not quite there yet. One bar getting the spotlight and folks ran to another, being as they were just as much in a closet.

The thing about leather bars back then was the leather clubs that called them home. I’ve talked before about how biker clubs formed up after our GIs returned from Europe and abroad from WWII. These close-knit clubs looked out for their club brothers and, when needed, brothers in other clubs. They were my mentors that brought me to this scene and taught me that we take care of each other as no one else would.

These clubs did a lot of support for members like helping them put a roof over their head or a find job to pay for it. When one got sick, their brothers would take care of them. And a lot of times, when it was serious, say a major accident that had one laid up for a spell, they all stepped up to help. Early fundraisers were just for this, paying someone’s rent or car payment.

As our community grew, so did the leather circle, and our financial support went towards early community efforts. One of my favorite memories from that era was a Toys For Tots Show the various clubs came together and put on. Image a bunch of bearded bikers singing, dancing, some in drag, while raising thousands of dollars for a worthy cause. (Unfortunately, the Salvation Army returned our donation because it came from gay men; why I never put a nickel in one of their kennels)

Most people these days are familiar with Howard Brown Health Center here in Chicago. A huge operation, with clinics across the city providing medical care for LGBTQ+ folks from the northside to the southside and west. But back in 1976, Howard Brown’s focus was on STDs in the gay community. You got a drippy dick, you went to Howard Brown for a swap and a shot. They operated in the basement of a church, one a day a week. There was no charge, just a place to receive care that gay people were fearful to ask for from their doctor or city health clinics. After all, we were just a bunch of queers and because we had sex with other men, we deserved what we caught.

We would host tag nights at the bar where we’d ask for a buck at the door so Howard Brown could get the medical supplies and penicillin to treat us. We did that for Howard Brown and other small groups trying to serve the gay community as it grew.

When HIV/AIDS struck in the 80s, Howard Brown grew from a doctor and nurse in a church to one of the leading efforts to figure out what was causing this unknown disease that was killing gay men. Early on, the leather community put a lot of effort towards support for Howard Brown’s work to help us survive.

Covid came around a couple of years ago and we stepped up to educate and take care of those stricken with this disease. Even during shutdowns, we would check up on each other, get friends to doctors when needed, make soup, shop for others and encourage others to pitch in and get vaccinated.

Now it is monkeypox. Just like HIV/AIDS, this one hit gay people first. It started spreading around before we knew it was here. But, we are leathermen and we take care of our own. That’s why the only gay bars in town hosting vaccination events are the leather bars. Not one other gay bar here has done so.

It is what I have been taught and shown, and as a leatherman we will continue to take care of our own. Even those that have never stepped inside the bar before. Of course, I am making sure they understand Touché is the only bar hosting weekly vax parties, suggesting maybe they should check out what we are all about. More than just hot kinky sex.

So for all my horny bastards out there reading this blog, get a pox vax. It’s two shots, four weeks apart. Once you do that, in another two weeks your body will develop the immunity you need to avoid getting monkeypox. Six weeks and we can put this mess to rest and end the spread.

While you are waiting out those six weeks, grab my P(r)ick and keep it hot.

David

To order from Bijou, visit bijouworld.com, call 800-932-7111, or email bijou.orders@gmail.com

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Pictures from the Black Dance (DK0047) - On DVD and Streaming

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Mr. Chicago Leather Contest 1988 (D00568) - On DVD and Streaming

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Whatever Happened to NEELY O’HARA?

By Josh Eliot

 

I have absolutely no idea if the Gen X or Millennials have icons that they worship. You know, the Baby Boomers – the Marilyn Monroe, Judy Garland and Bette Davis obsessed group - they erected a fabulous 26 ft tall Marilyn Monroe statue in downtown Palm Springs, which is the new selfie spot for locals and tourists. It’s that great image from The Seven Year Itch where her billowing white dress blows up in the air from the subway grid below. There was a small delegation that picketed her installation (of course… so annoying) because her underwear-covered ass is facing the walkway leading from the museum. Whatever! Under her dress is the most popular selfie spot in town! Palm Springs also has an amazing show at The Purple Room Club starring impersonator Michael Holmes as Judy Garland - it’s called The Judy Show. In the show, Judy gets more and more “lit” as the night goes on, talks shit about her daughter Liza and has great guest stars like Bette Davis, Pearl Bailey and Carol Channing. If in town, it’s a “must-see” dinner theater experience.

 

Marilyn statue in Palm Springs

Marilyn statue in Palm Springs

 

I appreciate all of those fine women, but for me there is only one gal that is and has always been on the top of my “worship” list. She’s not an actress, but a character - the fabulously damaged NEELY O’HARA from Jacqueline Susann’s epic Valley of the Dolls. But my obsession undoubtedly is because the actress that gave her life, Patty Duke, nailed the role. I first saw a heavily edited version back in the 1970’s on TV, some random Saturday afternoon. There were a lot of “show-stopping” moments, but I couldn’t rewind the scenes or watch them on a VCR because it wasn’t invented yet (VCR - released by RCA in 1977). Maybe that’s why the experience really stuck with me; it wasn’t watered down by replaying it. Neely could sing and dance like the ladies above and ended up tortured, broken and ______? And what? Whatever happened to Neely O’Hara? When we left her at the end of the movie she was wasted, emotionally drained, near collapse and screaming her own name into the night sky of the New York City Theatre District. How could Jacqueline have left us hanging like that? I’ve often wondered, did she die there in that alley? We will never know. Or will we?

In 1993, I recreated Neely’s story as an adult bi-sexual movie called Valley of the Bi Dolls. The movie starred Sharon Kane as “Ceily Fontana” (the Neely character) and Gloria Leonard as ”Lana Dawson” (the Helen Lawson character). Originally played by Judy Garland, then replaced with Susan Hayward, Helen Lawson was the ultimate arch enemy to Neely. I also included Sharon Tate’s “Jennifer” character played by Leanna Foxxx. The character “Ann Wells” played by Barbara Parkins was just too boring to make the cut. The movie basically ends with the same fate for Ceily/Neely, but her story goes on from there. To take her journey a step further, in 1994 I released Revenge of the Bi Dolls, where Ceily/Neely sets in motion a series of events to shame and humiliate Lana Dawson, which seals both their fates in a gunfight that results in their deaths. Case closed. But was it?

 

Neily & Ceily

Neily & Ceily

 

Not according to the General Manager at Catalina Video. Because both movies won Best Bi-Sexual Picture, Director and Music for Kane, Non-Sexual for Leonard and Screenplay, he told me I needed to make a third installment, turning the series into a trilogy. I thought I had finally given Ceily/Neely a proper ending, but evidently not! I dragged my feet, but in 1997 I released Night of the Living Bi Dolls. I guess I was still in my rebellious stage. I had killed all the main characters in the sequel, and to me Ceily was larger than life, so I brought her back from the dead as a zombie in the midst of a zombie apocalypse. The movie won Best Bi-Sexual Picture and Director so I figured it was over and that was it! Or was it?

 

 

Bi Dolls Trilogy

Bi Dolls Trilogy

 

Not likely. Recently I released on my YouTube Channel (The Josh Eliot), in a PG rated version, Far Beyond the Valley: The Complete Bi-Dolls Trilogy. It’s all three movies edited together into a 95-minute PG rated feature. It includes the famous “pulling off the wig” scene, Ceily’s stint in the sanitarium, an original duet with Sharon and Chi Chi LaRue and even a Dynasty style fight in the lily pond scene thrown in for good measure. Chi Chi LaRue was in all three movies playing the character “Nurse Ratshitt,” whom Ceily meets in the nut-house. The nurse gives Ceily a taste of her own medicine before being crushed by a 1-ton sandbag on the movie set. Not to worry, she becomes a zombie in the tail end of the feature, which literally makes her lose her “head.”

 

Chi Chi in the recreated wig scene

Chi Chi in the recreated wig scene

 

This Trilogy, to me, reflects the best of the best of times during my 20+ year adventure working for Catalina Video. Easily the most fun you could ever have on a porn set without getting a load on your face. Heavily influenced by Russ Meyer, the campiness in this movie is next level. If you want to see Neely O’Hara turn the tables on Helen Lawson and go far beyond anything resembling sanity, then click the following link to see THE OFFICIAL TRAILER. Once on my channel, check out the FULL FEATURE as well as lots of fun trailers, interviews and music videos from some of my favorite Catalina movies of the past, and don’t forget the popcorn.

 

Trailer for the Bi Dolls Trilogy
Click here to watch the Official Trailer for the Bi Dolls Trilogy and click here for the Full Feature


Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment

That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders
7 Years with Colt Model MARK RUTTER
Super NOVA

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