BijouBlog
The AMERICAN Way
By Josh Eliot
The 1999 movie The American Way and its sequels made in the early 2000’s were a pinnacle in producer/director Kevin Clarke’s career in the gay adult video business. From 1995 to 2006, Kevin Clarke directed 14 movies with one thing in common: cute, athletic and boyish young men. Within the course of his career in the adult industry, he met or worked alongside most of the major players and calls those days “the best times of my life.” But Kevin wasn’t initially destined to become a porn director; in fact, Kevin’s career from 1973 until his first adult project in 1995 was as a manager for musicians. He was introduced to David Forest, who at the time was managing Stevie Nicks, Lindsey Buckingham and Ozzy Osbourne’s guitarist, Randy Rhodes. Of course, I know of David Forest as a porn star agent – of Ryan Idol, to be exact, as well as others. Kevin’s other initial connection was with Vicki Wickham, who was managing the group Labelle's member Nona Hendrix, along with Dusty Springfield and Marc Almond of Soft Cell. Kevin credits Vicki with teaching him everything he knows about the music management business. His first client was Scott Gatewood, and he parlayed that into working with countless musicians throughout the years, including Ronny Drayton and Sarah Dash from Labelle. He and Sarah became close friends all the way until her death.
A music connection that had “six degrees of separation” to the gay porn world was Kevin’s encounter with gay porn model Tony Young. Kevin was working with a young band from Pawtucket, RI that had just fired their drummer (Tony Young) because they found out that he worked in some gay pornos: Backyard Boys (1990), Tempting Tommy (1990), Summer School (1990), Hot Summer Knights (1990), Beat Street Boys (1991), Sparky O’Toole’s Excellent Adventure (1991) and Takin’ Care of Mike (1992). The band regretted firing “Tony” and Kevin was playing negotiator. Tony Young wanted to make music, his focus, and to stop working in the movies, but the conversation between the two parties went south. In 1994, Tony Young worked in the movie Hip Hop Hunks in a scene with co-star Billy Houston. It was the last movie either one of them would ever make and Tony Young was never heard from again. Billy Houston is currently serving two life sentences for numerous murders. A haunting premise for Tony’s disappearance that has stuck with Kevin all these many years.

The following year, Kevin Clarke had his first introduction into adult gay video when he took a position as an offline editor for Richard Morgan’s movie Feels So Good (1995). A couple years later, his regular position was working as an editor at Delta Productions with Barry Knight and Russell Moore. Barry Knight worked with Monroe Beehler (aka Mark Aaron, director of Grease Monkeys) at Jaguar Films since the early 1970s. Barry and Russell wanted to bring back the Jaguar line of movies and asked Kevin to direct their initial effort. The idea from the beginning was to compete with Bel-Ami Studios whose founder, George DuRoy, specifically shot hairless young men with athletic bodies and boyish charm, mostly from Eastern Europe. The movie Kevin would debut his directorial skills in was called Pleasure Principle (1997), and upon its release became enormously successful and garnered Best Picture and Best Director nominations. Kevin rode the wave of acclaim and went on to direct Tony Donovan in Something Very Big (1998) for Odyssey Video, with our favorite gal-pal Sharon Kane in the credits for “make-up.” Kevin followed up with titles Heartland and The American Way in 1999, produced by Richard Morgan and starring Ashton Ryan for Rad Video. The American Way was extremely well received, won Best Twink Video at the Grabby Awards and birthed two sequels, The American Way 2: Lust and The American Way 3: Love.

From 2000 to 2003, Kevin directed Ashton Ryan’s B-Boys, Freshman Diaries and Kevin’s favorite movie by far, A Young Man’s World. In his movie A Young Man’s World (2000), he tells the story of five young men through the lens of their older selves. Playing the older version of the young characters in non-sexual roles are Ron Aaron, Barry Knight, Russell Moore, Kevin himself and, most surprisingly, 1980’s icon Derrick Stanton. Looking studly at (I would assume) age 44, Derrick Stanton featured a classic haircut, shaved on the sides, which made his facial features look striking. His physique in a black tank top was in peak condition as well!

In 2004, Kevin relocated back home to New York City and finished off his career with five more movies for Latino Fan Club and IOP Productions: The American City (2004), Seduction of a Surfer (2005), American Boys (2006), Something Much Bigger (2006) and College Boys (2007). College Boys was his last before retiring from the adult film industry. During his tenure, he mixed and mingled with the likes of George Duroy, Jerry Douglas, John Travis, John Summers, Tom DeSimone, William Higgins and more. He has amazing stories to tell with great info that filled in a lot of cracks for me regarding the industry back then. I swear he knew everyone, and everything about them! Not to shoot myself in the foot but if Kevin were writing blogs for BijouWorld, I would venture to say that his stories would blow mine out of the water!

Kevin and I were recently talking about William Higgins' The Boys of Venice and Derrick Stanton’s name came up. I mentioned that I recently watched a YouTube video featuring Derrick being interviewed at the Abbey in West Hollywood. Without missing a beat, Kevin offered to give me Derrick Stanton’s contact information, stating that he was a nice guy and would love to talk with me about his career. The thought of reaching out to Derrick intimidated me initially, so it took me a few weeks to muster up the courage, but I did. Derrick replied to my message within moments, which absolutely thrilled me, and when he agreed to do a Q&A about his 11 movies for William Higgins, I was over the moon! I am happy to say that our question and answer session is complete and will debut in two weeks on the BijouWorld Blog.

Derrick discussed his time on the set of the following William Higgins movies: Jack Wrangler Jocks (1979), The Boys of Venice (1979), Rear Deliveries (1980), Class of ’84 (1980), Class of ’84 Part 2 (1981), Brothers Should Do It (1981), These Bases Are Loaded (1982), Members Only (1982), Printers Devils (1982), Class Reunion (1983) and Route 69 (1984).
His recollections are vivid and intriguing. Thank you, Kevin Clarke for connecting me with icon Derrick Stanton and for your amazing contributions as writer, producer and director in the gay adult video industry!
Bio of Josh Eliot:
At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002.
You can read Josh Eliot's previous blogs for Bijou here:
Coming Out of my WET SHORTS | FRANK ROSS, The Boss | Our CALIGULA Moment | That BUTTHOLE Just Winked at Me! | DREAMLAND: The Other Place | A Salty Fuck in Saugatuck | Somebody, Call a FLUFFER! | The Late Great JOHN TRAVIS, My POWERTOOL Mentor | (Un)Easy Riders | 7 Years with Colt Model MARK RUTTER | Super NOVA | Whatever Happened to NEELY O’HARA? | Is That AL PARKER In Your Photo? | DOWN BY LAW: My $1,000,000 Mistake | We Waited 8hrs for a Cum Shot... Is That a World Record? | Don't Wear "Short Shorts" on the #38 Geary to LANDS END | How Straight Are You Really? | BEHIND THE (not so) GREEN DOOR | The BOOM BOOM Room | CATCHING UP with Tom DeSimone | Everybody’s FREE to FEEL GOOD | SCANDAL at the Coral Sands Motel | DEEP INSIDE THE CASTRO: The Castro Theatre | DEEP INSIDE THE CASTRO: The Midnight Sun | RSVP: 2 Weeks Working on a Gay Cruise Ship | VOYAGER of the Damned | I'M NOT A LESBIAN DIRECTOR | Diving Into SoMa/Folsom: THE FOLSOM STREET FAIR | Diving into SoMa/Folsom: A TALE OF TWO STUDS | BALL BROTH | My 1992 “Porn Set” Diary | Out of Print | There’s a Gloryhole WHERE??! | LUNCH HOUR: When the Big Boys Eat | IN and OUT and All ABOUT | UNDER the COVERs with Tom Steele | 8 Is Enough on Sunsex Blvd | Steve Rambo & Will Seagers For Breakfast | The Many Faces of Adult Film Star SHARON KANE | The ALL-MAN Magazine Interview: The Man Behind Catalina Video | Captain Psychopath | BAD BOYS SCHOOL | VAMPIRE'S GRAVE | The Making of CatalinaVille (PART 1) | The Making of CatalinaVille (PART 2) | Private Dick & The Young Cadets | Meet RAY HARLEY | The GOLD COAST Gold Rush Boys | Colt Model MARK RUTTER: In His Own Words | Bringing in the BIG GUNS | “WHAT THE F@CK?” Moments | You So RUSSO | Bond, SCOTT BOND | I Just Watched: KILLING ME SOFTLY | Sex in Tight Places | Calling GLORIA | DOWN FOR THE COUNT | More Than a Mouthful | When JON KING Returned to Catalina Video | Junior Meets the BEAR Patrol | A Taste for Leather and Fur | Straight to Bed | The Hills Have Bi’s | The Malibu Pool Boy: Cody Foster | New England Summer | The Making of RUNAWAYS 1989 | The Making of FULL SERVICE 1989 | Hot Buttered Cop | The Making of HARD TO BE GOOD 1990 | The Real CONJURING HOUSE | It’s Not a Crime, It’s a SCORE | I Just Watched: Steve Scott’s SCREENPLAY (1984) | Wet and Wild | 69: Discover the Secret | What Really Happened BEHIND THAT BARN DOOR! | I Just Watched AL PARKER & WILL SEAGERS in WANTED | Secret Boys Club | Jawbreaker Pt. 1 | Jawbreaker Pt. 2 | I Just Watched CRUISIN’ THE CASTRO | 80s/90s Porn Star RYAN YEAGER | ADAM Film World’s GAY VIDEO GUIDE | ERIC STONE: Ranger in the Wild | THRILL ME with a SINGLE WHITE MALE... | The SPOILED BRAT | BUSTER & STEVE YORK | LANCE, TEX ANTHONY & MICHAEL GERE | KIP NOLL: The First Real Twink Superstar | THE GREASE MONKEYS | The "Other" Idol
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