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Retrostuds of the Past: Focus on Gino Colbert

Retrostuds of the Past: Focus on Gino Colbert

I first encountered Gino Colbert in his youthful glory, in a spanking fetish film Bijou Video carries called Disciplining the Undisciplined Athlete. Gino, playing a short in stature boxer with a chip on his shoulder, and Michael Ryan spank each other.

Little did I know Gino was also a phenomenal director and producer with a multitude of porn films to his credit, including straight and bisexual ones. In fact, according to an interview in a February 25, 2004 issue of Unzipped, he even cast the legendary Jack Wrangler in several straight flicks.

 

He also worked with the famous straight porn actor and director Ron Jeremy on several pictures.

 

Gino was born in 1957 in Toledo, Ohio, and like many guys and gals from the Heartland, wanted to to to Holllywood to make it big in pictures. He ended up making it big in adult films, beginning in 1980, but eight years later made an extraordinary transition to directing. He is best known for directing Men in Blue, Blue Blake's final film appearance.

I culled some interesting tidbits from two interviews Gino did for Manshots magazine in October 1989 and December 1990. I'll let him speak for himself about sexual chemistry between actors in porn movies and also about Bijou's classic “story porn:”

“You have to hire people who like to suck and fuck and enjoy it. And if they don't, you're gonna have a dead sex scene. I'm hot because I like sex. In a sex scene, I really go crazy, the moment the clothes are off. Even if the guy is mediocre, I can get something out of him while acting.”

“I choose my actors by the chemistry techniques. I have to find guys who will work with other guys. I just can't put Guy A with Guy B and expect them to have a good time. It's a very personal thing – they have to have sex together, and one guy may not be turned on to another.... You learn all that by talking to them ahead of time and asking them straight out, 'What turns you on? What kind of guys do you like?' I focus on heat. I like my sex scenes hot, so you have to have the right chemistry.”

Manshots: “Is the younger consumer aware of the stuff that was made in the past?"

Colbert: I don't think so, because if it's a new consumer, chances are he only knows video. He doesn't know film. He doesn't know about the days when we were taking time to make movies. And a typical x-rated film, whether it be gay or straight, was shot over four days and the budgets were more … we're talking about five and even six figures. I remember one gay flick that was shot over a week, and it cost six figures – Centurians of Rome. And it's still on the market and it's doing well, because a lot of people claim the consumer doesn't care about the story, as I said earlier, but those movies that have the good stories and really went to town with the quality, those are the ones that are still on the shelf and still selling.”
 

Gino no longer acts, but he still directs and currently owns his own production company, Gino Pictures.

 

We recently remastered a mostly black-cast movie called Black Jacks; Gino produced the film, and he also is a performer, doing a couple of hot scenes with the black guys in the cast.

 

Check out more of our titles that feature Gino and also stand the test of time with their combination of hot sex and engaging stories.

 

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Retrostuds of the Past: Focus on David Ashfield

Retrostuds of the Past: Focus on David Ashfield

The facts (courtesy of Back2Stonewall.com):


David Ashfield was one of the biggest names of 1980s porn, making dozens of movies and appearing in plenty more as a stunt dick.

He was slim, born in 1960, had a huge and thick cut penis and topped (although he started off as a bottom in early Falcon loops). 
 

David starred in movies like Below the Belt, and was famous for big ejaculations.

David speaks for himself; passages from an interview in the October 1987 issue of Hot Shots:

“Fantasies started to come along when I was about 12 years old … I grew up in the desert in Arizona. So of course, I had dreams and fantasies of long blonde-haired country boys; and grass and trees; playing in the woods; you always dream of what you don't have.”

“Do you find it more exhilarating with a live audience?"
"No, because it's a totally different trip. When we're doing the movies we're in a corner, just us and the cameraman; it's still pretty much private, even though there are people there. Everyone knows exactly what's going on, and are all part of the deal. Whereas when I'm on stage I'm a spectacle. I try to be a trouper and do a good job of it, bring out the Scorpio side of my image, but, a lot of times I still get the willies.”

 

“For the record, what is the main feature about your cock that makes you stand out in a crowd?"
"A lot of guys have a dick as long as mine, but most people don't have one as fat as mine. It's 6-1/2 inches around. And in the movies I can really fuck.


"Do you find a lot of guys can't take you?"
"Some can, some can't. About an even number, I guess.”
 

“Do you believe you are more open to different types of sexual situations now because of changes to your lifestyle, or do you think it is a result of getting to know yourself better?"
"I'm still pretty simple-minded when it comes to sex. I'm not real kinky or anything. I don't get sex drunk … Oh let's tie each other up, and dildoes, and dildoes, and cock rings, and all that stuff. One naked boy across the bed and I'll suck his dick and he'll suck my dick.”


“Do you like to get if off more now than you did before becoming a porn star?"
"I would like to but couldn't. Shit, when I was a kid, I used to beat off between four and nine times a day. Now once is fine with me. Once, maybe twice.”

“What does a director look for in a new talent?"
"Hot sex. If you can prove you do it lovingly is what counts. People who want to work."


"Can you elaborate on what you mean by 'Do it lovingly?'"
"Sure. There are a lot of boys in porn who get in there to do it just for the money. When you watch the film they look bored. This is because most movies are shot one piece at a time. Between the director saying, 'This is what I want you to do. Move this way, say this at a certain point, insert your dick into that hole.' This is all done piece, by piece, by piece. And if at the edges of each little scene you lose character, then it will be conveyed in each little segment of the movie. When you work with another model who knows how to stay in character, espcially when the camera is off, then we can keep the scene going between us. Keep it hot so as soon as they click back in they're coming right into frame.”

“You cannot help warming up to David Ashfield. He's totally unaffected and extremely masculine. He says that at some point in the future he would like to settle down with someone special.”
 

Also, like Joan Crawford, according to the interview, he answered every fan letter.


In fact, oddly, he kind of reminds me of her, not physically of course, nor did he put on the glamorous movie star persona, but because he took his work, revealed in his technique, so seriously. He was his technique.

 

And it worked, gloriously, in more than a hundred videos.

 

Also, like Joan Crawford, according to the interview, he answered every fan letter.

 

And, as well, Joan suffered stage fright; like David, she preferred to work in the studio.

At Bijouworld.com we carry many movies that feature David Ashfield, such as Therapy; Strange Places, Strange Things; Classmates; and our newly remastered Hot Splash.

Also check out our streaming site, Bijougayporn.com, for more hot David Ashfield action.

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