BijouBlog

I wonder if the announcement that Tumblr was banning pornographic content was perhaps inevitable, but not for the official and unofficial reasons currently being disseminated by the media.

The surface reasons seems to be tied into the confluence between technology and profits. The IOS App Store would no longer allow the Tumblr App because of an isolated child pornography incident. Since most Smartphone users rely on Apps, not allowing it would seriously lessen Tumblr’s overall use and scope. But why target Tumblr? Was it simply the, according to some sources, the 20 percent porn content?

It may seem that Tumblr was directly put between the proverbial rock and hard place, even though the microblog is a free service. An article in The Verge succinctly paraphrases the new policy:

“Banned content includes photos, videos, and GIFs of human genitalia, female-presenting nipples, and any media involving sex acts, including illustrations. The exceptions include nude classical statues and political protests that feature nudity. The new guidelines exclude text, so erotica remains permitted. Illustrations and art that feature nudity are still okay — so long as sex acts aren’t depicted — and so are breastfeeding and after-birth photos.” The wording of Tumblr’s announcement seems to both evoke and invoke arguments about obscenity that occurred in the 1950s and 1960s.

LGBTQ sexual pioneer Chuck Renslow started out as a physique photographer, and he definitely was pushing social boundaries during the 1950s with his homoerotic (as close to nude was possible, and one could often see that the posing straps were painted on) photos. He, like many other in this line of work, were “coding” their visuals, because it was one of the few ways gay men could experience their erotic desires and fantasies safely and privately. Many outfits mailed nude photos and films in plain envelopes, but these were often confiscated by the Post Office and the perpetrators, both the senders and receivers, punished.

Some of these incidents ended up in the court system. Renslow’s case ended in victory, as the judge made the ruling that if one deemed these photos obscene, so would certain masterpieces of art, especially from the Graeco-Roman period.

The Manual vs. Day case, which went to the United States Supreme Court, held that magazines consisting of semi-nude or nude males are not obscene and the Post Office cannot interfere with their dissemination through the mail. The case is notable for its ruling that photographs of nude men are not obscene, an implication which opened the U.S. mail to nude male pornography, especially those whose audience was gay men.

Tumblr of course is certainly not contained physically in brown, unmarked envelopes, but what is interesting is that Tumblr seems to be agreeing with that 1950s judge. Agreeing to some extent, yes, but also opening up once more some of the time-worn arguments about the complex relationship between sexuality, artistic expression, violence, and how this relationship builds and shapes an audience.

Going back to my initial statement, it seems inevitable that something of this nature would happen, because it’s obvious our means of communication have changed drastically since the days of postage stamps and nudie photographs and envelopes, and later, moving images of sexual acts in theaters that charged admission only to adults: physical mediums that exist in a controlled spatial situation.

What Tumblr and those who support restricting what they deem porn (for them, porn equals genitals which equals sexual acts) fail to recognize is not of course the nanosecond dissemination of mostly amateur depictions of sex which could result in more potentially dangerous situations: no, they fail to recognize the aesthetics (which tie into social contexts, of course) of a wide variety of LGBTQ pornography from the 1970s and 1980s, especially.

For example, Al Parker responded to the AIDS crisis by combining sexual acts and documentary in his film High Tech. Jack Deveau offers what one could claim is a documentary of gay life during the "hippie" era in Left-Handed. So many others of that period usually offer narrative structures: the sex acts aren’t just sex acts per se, but components in forms that explore the larger social issues of the time. And even some of the J. Brian films, which were not made to specifically address any social or moral issues, could be seen as living documents of gay sexual history.
 

The question remains as to how one could apply any standard of evaluation to any medium which communicates the erotic universally, but it seems a rather generalized case could be made that the older the porn, the more chances it could be determined to be aesthetically or historically significant. But the burden of proof would fall on the user, and in today’s lightning-paced communication environment, time is an enemy, rather than, as before, space.

Yet at this juncture, it seems like the only possible solution here is diversification. Perhaps Tumblr’s free-for-all ethos caused this implosion. Given the fluid nature of social media, those who used Tumblr, especially LGBTQ persons who still exist in various states of marginalization, will have to regroup, and unfortunately, some might claim, not return to closets or ghettos, but establish in their own tech-savvy ways other spaces for erotic expression.

If you've been following the LGBT media in particular, you've undoubtedly heard for some time about the Fascist-style scapegoating of LGBT persons in Russia by forbidding “gay propaganda” that supports “non-traditional sexual relations,” pretty much an excuse for police state tactics ranging from censorship to house searching to arbitrary arrests of protestors beaten up by homophobic thugs. 

In the early stages of their power, the Nazis burned books and shut down museums that showed “decadent art” (like Picasso and the Bauhaus school). They left one modern art museum open on the third floor of ramshackle building, according to James Shirer in The Rise and Fall of the Third Reich, to show how offensive it was in comparison to the official state art; the lines were so long to get in that the Minister of Culture had to, much to his embarrassment, shut it down! 
 

The decadent art of Putin's Nazi-style Russia is exemplified by the now infamous “Putin in Women's Underwear” painting by artist Konstantin Altunin.

Altunin's painting was seized by the Russian police from the “Museum of Power” gallery in St Petersburg for breaking unspecified laws. 
 

The police also removed from the gallery, housed in two rooms of a flat in the city, a picture depicting the head of the Russian Orthodox Church with his torso covered in tattoos, and two artworks mocking anti-gay lawmakers Vitaly Milonov and Yelena Mizulina. 

St. Petersburg deputy mayor Vitaly Mironov, who features in a further painting where his face is merged with the rainbow flag of the gay rights movement, said that the pictures were inappropriate and “of a distinctly pornographic character." How is a rainbow pornographic? 

Gallery owner Alexander Donskoy said as well as seizing paintings, the police also shut down his gallery and offered no explanation for their acts. 

The parallels here to the Nazi regime are obvious, but what's even more disturbing is Altunin's fate. Like most exiled artists of the past, he found refuge in Paris.

But he's not lounging around in cafes sipping cafe au lait or hobnobbing with gallery owners by the Seine; according to his wife Elena (who still lives in Russia with their young daughter), he is living rough on the streets. 

There are so many issues of serious concern here, but I do wonder if boycotting vodka and the Winter Olympics or a presidential reprimand of the dictator's policies is going to ease up on the oppression. There's a strong contingent of Westerners (mostly those holy haters) who support Putin's policies.

And despite outcries from popular celebrities like Lady Gaga and others, the average fan may pay lip service to the endorsements, but he or she is more concerned with the latest song. Social media both aids and harms the cause (the antigay thugs in Russian are using the Internet to lure unsuspecting gay victims to beat and kill). 

Many people these days don't know about the St. Louis, a ship that carried 900 Jewish people ostensibly to asylum in Cuba in the 1930s as part of a Nazi propaganda campaign to show that the government was willing to take care of the “Jewish problem” in a humane way. The Nazis knew full well, however, that neither Cuba nor, if Cuba refused them, the United States would accept them. The ship had to turn back, but luckily France, Belgium, the Netherlands, and the Britain took the exiles in. This incident has been called by many “The Voyage of the Damned.” 
 

Would the United States (or any Western country) be willing to do the same if Putin wanted to dispose of his current scapegoat en masse in the same way? That's the question all citizens of the West need to wrestle with.

The answer might not be a resounding yes, even in a time where all forms of pluralism, including sexual, are becoming the norm.

Who? What? Where? 

Why would this story make the front cover of the then fledgling gay newspaper, The Advocate, in September 1967? 

 

 

 

The 1960s may have been swinging and sexually liberating for some heterosexual segments of the population (were there any openly gay hippies?), but a gay person could still get arrested for kissing a member of the same sex in public, could not join the military (which could be a way to avoid the draft, then going on because of the Vietnam War), and could be fired from a job because of his/her orientation.