BALL BROTH

By Josh Eliot

**WARNING: Contents May Upset Your Stomach **

 

It was my love of movies and movie-making that brought me out to San Francisco at age 17 to try to make a go of it. For some reason, my brain retains movie trivia like nobody's business. Things I shouldn’t remember, but just do. Having said that, there are a few things I would like to forget about my time working for Catalina Video from 1987-2009. Not anything related to my co-workers, our ethics, or decisions we made, but things that grossed me out. I often felt like an impostor when I was working in the industry, because my focus was easily shifted if something I was watching made me a little squeamish. For example: when one of our directors was shooting a hot sweaty scene, I would focus on the sweat. Sweat in general grosses me out. I don’t want to see it, I don’t want it dripped on me during a moment of passion, all I want to do is wipe it away. I don’t know if I’m alone in this thought process, but it is one of the many turn-offs I witnessed on the set over the years. The sex we were shooting could be super-hot, but as soon as I saw something that triggered my squeamish side, it was my focal point, it would throw me off my game.

When I started with Catalina Video in 1987, they hadn’t yet embraced the condom. However, director John Travis and producer Scott Masters where trying their best to be responsible by using a spermicidal ointment when we shot fucking. Conceptrol with Nonoxynol-9 came in a tube, much like a tampon, and was a vaginal contraceptive to prevent pregnancy. In our studio, the shower had a douche attachment for the models to use prior to shooting the anal portion of the scenes. Once clean as a whistle, the model would come onto the set and the director or make-up man would insert the tube of Non Oxy 9 into their butt and push the gel up into them. This was short lived, and condoms came a few movies later. While using the Non-Oxy 9, it wouldn’t just magically stay inside - at any given moment it would fly out, most often when I was shooting the underneath shot. It would fly out and land on my camera lens, my arm, my ankle (if I was sitting instead of kneeling) or the top of my head. I made damned sure to keep my head down and mouth shut. An underneath cum shot with a load splattering, not a problem, but this stuff? UGHHHH.

 

The Young Cadets (L); Conceptrol (R)

The Young Cadets (L); Conceptrol (R)

 

In one of Scott Master’s movies, The Young Cadets, Mike Ryan‘s co-star could not keep a boner to save his life. Scott Masters made some calls and got Chris Burns to come in to do the fucking. Chris Burns (Below the Belt, Dangerous, Men of the Midway) had worked for Catalina Video in These Bases Are Loaded, Skin Deep and NightCrawler, but didn’t have the current “pretty faced jock” look that Catalina was now casting. He did, however, agree to come in as a “stunt dick.” It was very lucky for me that Dan Allman was doing the camera work for the insertion shots, because it went on forever and poor Mike Ryan was screaming his lungs out because Chris’s fat dick was ripping him a new one. Mike was a gay for pay model and really didn’t have a lot of anal experience, and probably could have used a lesson on how to properly douche. Chris was merciless, but the worst thing was that the damned Non Oxy 9 kept flying out and landing on the fill light. 400 watts of burning Non Oxy 9/butt juice that was literally smoking and filling up the studio, and it did not smell like Fabreze! Poor Dan got a cloud of smoke right in his face.

 

Chris Burns (L); Men of the Midway poster (R)

Chris Burns (L); Men of the Midway poster (R)

 

If you are still with me, it’s time to move onto another repulsive (in my book) liquid: spit. For some unknown reason, Chi Chi LaRue came up with this idea that spitting was hot. Now, I was fine over the years with a little appropriate spitting, like in someone’s ass crack, perfectly fine. But for a good year, all of Chi Chi’s movies - straight, gay and bi - had this non-stop spitting all over the place. Chi was also directing projects for Catalina during that period and I happened to be filling in on camera when the spitting started. Luckily, I was able to use my producer card and stopped that shit tout suite. Sorry “girl,” we don’t do that in Catalina productions, think of something else. Chi Chi obliged without an argument because he knew how much that churned my stomach. He did, however, like to keep the sweat on the boys instead of calling for make-up to wipe them down (like I always did), but I just grinned and bore it.

We always save the best for last, don’t we? I was shooting the movie Furry Men Do and there was a Latino actor named Gabriel Rocas that we used from time to time who had the biggest balls I’d ever seen. Like many models, he had his own specific routine to get himself hard prior to running onto the set and shooting a few moments of video with his erect penis. I learned about it on his first pair of movies for us, BEAR Skin & Latin Men Do, in 1999.

 

Gabriel Rocas & Mike Cesar in Latin Men Do

Gabriel Rocas (and his huge balls) & Mike Cesar in Latin Men Do

 

He would disappear into the adjoining room and soak his giant nuts in a bowl (that he brought with him) of warm water while he stroked his dick to get hard. Ok, no big deal, sounds pleasant enough. It worked, the scenes were completed and we all went home happy. Then on the set of Furry Men Do in 2000, Gabriel returned, bowl in hand, to shoot another scene. This time, one of my crew members was assisting him in the adjoining room. Always up for a good chuckle, Brad Austin and I snuck a peek into the room to see the crew member carefully blowing Gabriel, being extra cautious not to spill the water out of the bowl that his nuts were soaking in. I wish I had a photo. We finished the scene quickly, the models went to shower and we started to pack up. The crew member came walking into the room with the bowl of water and we turned our heads to look at him, when we heard him say, “Ahhh… Ball broth!” Without missing a beat, he put the bowl of water, pubic hairs and all, up to his mouth and drank the entire thing. Brad and I nearly lost our lunch. That was the very last time I ever booked Gabriel; nothing against him, but I just couldn’t ever witness another serving of Ball Broth!

 

Balls in broth

 

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment
That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders
7 Years with Colt Model MARK RUTTER
Super NOVA
Whatever Happened to NEELY O’HARA?
Is That AL PARKER In Your Photo?
DOWN BY LAW: My $1,000,000 Mistake
We Waited 8hrs for a Cum Shot... Is That a World Record?
Don't Wear "Short Shorts" on the #38 Geary to LANDS END
How Straight Are You Really?
BEHIND THE (not so) GREEN DOOR
The BOOM BOOM Room
CATCHING UP with Tom DeSimone
Everybody’s FREE to FEEL GOOD
SCANDAL at the Coral Sands Motel
DEEP INSIDE THE CASTRO: The Castro Theatre
DEEP INSIDE THE CASTRO: The Midnight Sun
RSVP: 2 Weeks Working on a Gay Cruise Ship
VOYAGER of the Damned
I'M NOT A LESBIAN DIRECTOR
Diving Into SoMa/Folsom: THE FOLSOM STREET FAIR
Diving into SoMa/Folsom: A TALE OF TWO STUDS

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How Straight Are You, Really?

By Josh Eliot

 

Early on in my career with Catalina Video, we had a pretty regular list of repeat actors we used in the movies we were shooting. As I mentioned before, a number of those actors were gay for pay or bisexual. I was 25 when I started with Catalina and before actually meeting these models, which included Johnny Davenport, Eric Manchester, Mike Gregory, Derek Jensen and Chad Knight, my friends and I would always scoff at the fact when someone said they were bisexual. It’s was just how the world reacted to the word bisexual at the time. We would roll our eyes on the set when the models had to watch straight porn to get hard in between shots. We thought that they were doing it for appearances' sake but they were really getting hard looking at the guys. You know, the way silly ass 20 somethings thought back then. In our minds it was always “cut and dry” - you were straight or you were gay, there was no in between. They were performing a gay sex scene so of course they were gay, right? Luckily life experience has shown us all to have a different perspective on things. Bisexuality is alive and well in the world.

 

Kurt Bauer and Mike Gregory

Kurt Bauer & Mike Gregory

 

I became aware of a director named Paul Norman, a pioneer in the industry who some would call “The King of Bi-Sexual Movies.” He made The Big Switch and Passion By Fire in 1986, turning the industry on its head, and Bi and Beyond in 1987. I worked with Kurt Bauer from my first day on the set and many times afterwards in the movies Top Man, My Best Buddy, and The Big One, and he even did a non-sexual walk on in my directorial debut Runaways. Kurt also so happened to grace the cover of Bi and Beyond, which Catalina was distributing at the time, and it happened to be in our pile of tapes for models to watch while jerking their dicks to get hard. I borrowed it from the studio one day and took it home to watch. This was my first time watching a bisexual feature. The movie also featured Mike Gregory who I had literally just finished shooting for a movie called The Young Cadets. Watching Kurt and Mike performing with girls added another layer of understanding for me, opening my cynical mind to the fact that the world was not so black and white as one might think.

 

Some of Paul Norman's bisexual movies

Some of Paul Norman's bisexual movies

 

Unfortunately, an open mind was not something the straight porn industry was experiencing when it came to the idea of bisexual features. I felt like any connection to the gay world was just not something the industry would embrace, on any level, at that time in history. I think Paul Norman brought a sense of legitimacy to them, but they were not having any of it. At the yearly adult video conventions in Las Vegas, the gay and bisexual companies were literally in a completely different room or building! It was hard to get straight porn actors to even consider performing in a straight scene for a bi movie for fear they would be shunned. Paul and his fiancé Tori Wells became the toast of the town after she became a mega-star in the 1989 movie from director Andrew Blake called Night Trips. Blake shot it entirely on 35mm film, while most others were shooting on video. If you’ve never seen it and appreciate straight porno, it’s a “must.” Winner of the AVN Award for Best Film, Cinematography and Editing, it is truly the most stylish adult film I have ever seen. Tori Wells led a star studded cast including: Porsche Lynn, Victoria Paris, Randy Spears and Peter North. Did her mega stardom help move forward the acceptance of Bi movies, directed by her fiancé, within the industry? I’m not sure, but I feel like it opened the door.

 

Night Trips and Paul Norman and Tori Wells

Night Trips and Paul Norman & Tori Wells

 

Two actors that were able to go from gay movies to decades-long careers in straight movies under the radar without any push back from the industry were Jamie Gillis and Jack Wrangler. Back then, things weren’t streamed or online so it was easy to sweep the fact they performed in gay movies under the carpet. One of Jamie Gillis’ best roles was in Boynapped, re-released by Bijou - a Hand in Hand classic directed by Spencer Logan. Jack Wrangler (Gemini, Hot House, Heavy Equipment), well we all know his success story, and Bijou has tons of content featuring his hot-ass-self! Gay for pay? Or bisexual? I’m truly stumped. Another star that comes to mind is Matt Ramsey, made iconic from the desktop scene in The Bigger the Better with Rick Donovan, who went from gay movies to straight movies under the name Peter North. Luckily, by the time I met Peter North, the industry had come to its senses about bisexual movies and Peter was on my set shooting a straight scene with Leanna Foxxx for my Bi-Dolls series. I asked if I could credit him as Matt Ramsey instead of Peter North, but he respectfully declined, we came a long way getting him to act in the movie, but that might have been pushing it.

Then there is Paul Barresi (alleged lover of John Travolta and porn icon). Now, that hot number is in a league all onto himself! YOWZA! I saw him in person once, wearing super tight black slacks, at a movie cinema in West Hollywood some hot chick. I was with Catalina editor Chet Thomas and he pointed him out to me while we were in line... Gay for pay or bisexual? Who the hell cares!!! All Chet and I could focus on was that hot hairy chest and tight ass on him! I’m sure there are dozens more examples I could give of guys who were or could have been gay for pay or bisexual, but quite honestly I can’t stop thinking about Paul Barresi right now, I think I need to go stream Men of the Midway.

 

Paul Barresi in Men of the Midway and more

Paul Barresi in Men of the Midway and more

 

Correction: Bi-Coastal, previously cited as a Paul Norman movie, was a 1985 movie by director Tom DeSimone. We at Bijou apologize for the mix-up. We do make mistakes and are happy when they are pointed out so we can correct them so that we can make sure that the history is properly recorded.

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment

That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders
7 Years with Colt Model MARK RUTTER
Super NOVA
Whatever Happened to NEELY O’HARA?
Is That AL PARKER In Your Photo?
DOWN BY LAW: My $1,000,000 Mistake
We Waited 8hrs for a Cum Shot... Is That a World Record?
Don't Wear "Short Shorts" on the #38 Geary to LANDS END

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Somebody, Call a FLUFFER!

By Josh Eliot

 

I can’t tell you how many times over the years I get asked about fluffers on the set. It seems once someone found out what I did for a living, their first words were, “Do you need a fluffer?” or “Are there really fluffers for the actors?” It’s almost like the impression of a fluffer is a cool and positive one. Well, let me tell you, the reality couldn’t be further from the truth. In fact, the only thing worse than needing a fluffer on the set is when you need to hire a stunt dick (yes, that’s a real thing). I’d like to think that when I hear the word fluffer, it takes me back to the time when my mother packed our school lunches with a fluffernutter sandwich. A peanut butter and fluff sandwich on Wonder white bread, a true American classic and staple of the East Coast. The only place you can buy fluff in California is at a specialty market, and every year or so I have a craving for it. The sandwich is dripping with white creamy marshmallow fluff, the complete opposite of what we want to happen when a fluffer goes to work.

I’ve said “fluffer” so many times in the last paragraph that I’m starting to have anxiety, so let’s just change the word to Mr. F. As a director of gay porn movies, when a model needs the services of Mr. F, we know our shoot day will extend from 5 to 6 hours for a full scene to anywhere from 8 to 10 hours. Your heart drops and you realize that all your hopes and dreams of a hot sexy scene have gone right out the window in an instant. The worst part of shooting porn is when there are erection problems, especially in gay porn where there is not a cute “vag” you can shoot to take up some screen time. You cannot move forward without a hard on, and all the momentum is lost. There is a place and purpose for flaccid dicks to be photographed and a porn movie is not that place.

 

fluffernutter

 

In the late 1980's when I started with Catalina Video, William Higgins' vision for the company was to cast young collegiate men with fit bodies and All-American looks. The model pool in the late 80’s with Scott Masters (Nova Video) as our producer and sometimes director was mostly made up of guys who were gay for pay. This made the chemistry on the set between the models very wooden. If we matched a gay guy with a straight guy, sometimes things would work out, but straight with straight... forget it. Because of this dynamic, our sets had no similarity to what I (and probably everyone else) thought a porn set would be like. I’d always envisioned Joe Gage’s Closed Set as the epitome of a California gay porn shoot. Or even 1984’s Best Picture Winner, Steve Scott’s classic Screenplay, with hot sexy gay actors portraying directors and casting agents. Our sets did not have that sexual energy.

 

Stills from Closed Set
Stills from Closed Set (DVD | Streaming)

Screenplay VHS cover

Screenplay VHS cover (DVD | Streaming)

 

With our gay for pay models, Mr. F was not a man but a VCR, unless one of the model’s girlfriends happened to be on the set (I can count on one hand the number of times that happened). A man’s mouth would not do the trick, so we would wheel out the TV/VCR combo from the make-up room onto the set. We would shut off the 1k soundstage lights to make the model comfortable and let him watch a porn scene to get hard. Oh the hideous memories of models rewinding and fast forwarding the tape, trying to find their “perfect shots to watch.” The clock is ticking! Take your hand off that fucking remote and put it on your dick already! Once the model was fully erect, we would turn the lights back on and run to our cameras as the model jumped into the set, stuck his dick in his co-star’s mouth or ass, while we'd shoot for 10 to 15 seconds until it was flaccid again. Over and over and over, angle, after angle, after angle. Torture.

As time progressed, more gay guys with the All-American look got into the model pool. Sexy passionate sex was now a regular occurrence on our sets because the guys were actually into each other. That’s not so say that Mr. F wouldn’t show his ugly face, but that was usually in the form of a magazine to help a hard dick get rock hard or, on the rare occasion, a crew member’s mouth (or piece) would come in handy. Then on March 27th, 1998, a miracle happened in the form of a little blue pill. This was awesome! The cob web covered TV/VCR combo was thrown right into the trash and we could make real plans for the evening because we knew we would get out of work on time. Hell, we could even add a third fuck position into the scene we were shooting, just because we knew we could! Mr. F simply faded away out of our lives and took all that anxiety with it.

 

Man holding Viagra pill

 

Fluff now has it’s good name back and Mr. F is more than welcome on the set... as a sandwich.
 


Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment

That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck

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Featured

What Exactly is Rough Trade? Inquiring "Sissies" Want to Know

 

Hairy Old Reliable model flexing


In the recent funny and campy and touching movie Florence Foster Jenkins, Cosme McMoon, her naive waif-life closeted gay accompanist (played by the absolutely adorable Simon Helberg), is late to Madame Florence's infamous 1944 Carnegie Hall recital. Why? He claims breathlessly, implying perhaps post-coital euphoric exhaustion, he was “jumped” by a bunch of sailors, and that they were “most disrespectful.” (Interestingly enough, the real McMoon later in his life was a judge at ostensibly straight bodybuilding contests; some even claim he also ran a gay escort service or even brothel, but the latter is probably more faux news.) 
 

Scene from Florence Foster Jenkins

Madame Florence of course has her mind on other matters, and Cosme's chum, Florence's common-law husband St. Clair Bayfield played by a suave Hugh Grant, also ignores the remark. But one gets the sense he knows what really happened. 


So, apparently, that “little McMoon” was into rough trade. I've thrown the term around a bit in blogs and tweets and other communiques, but I've always wondered what it actually meant, and, as it turns out, it isn't just the cliched doin' it with sex-starved sailors on the wharf (apparently, by the time McMoon experienced the joy of rough trade brothels for women weren't located seaside, another cliché, or were they?) 
 

Sailor with knife in Querelle

Trade (also known as Chow) is a gay slang term originating from Polari (a gay slang encoded language) and refers to the (usually) casual partner of a gay man or to the genre of such partners. Often, the terms trade and rough trade are treated as synonymous. Often the attraction for the gay male partner is finding a dangerous, even thuggish, straight, or bisexual partner who may turn violent. That is not to say that people necessarily desire to be physically hurt, but the danger of seeking a partner in a public park, restroom, or alleyway may be exciting. For example, in the Chicagoland area, the suburban forest preserves (especially on Sundays) supply a convenient local for such trade. How do I know this? I've seen it (that's all I am going to say). 


Another variation is in comparison to regular trade, rough trade is more likely to be working-class laborers with less education and more physical demands of their work, therefore with a body developed naturally rather than in a gym. They may also exhibit a less polished or clean-cut style than an office worker or professional businessman. 

For example, remember that book Maurice by E.M. Forster and the movie made of it starring Hugh Grant as well? Aristocratic Maurice Hall, after being rejected by the bisexual Clive Durham (Grant's role) falls in love with Alec Scudder, the lower-class gamekeeper, played by Rupert Graves. Maurice and Alec's future as a couple is thus doubly doomed, not just because of their gayness, but because of the social division. It would be more acceptable if Alec was just a rough trade fling rather than a partner in a loving relationship. 
 

Maurice and Alec in Maurice

In the world of Bijou gay porn, the Old Reliable series (available on DVD,streaming instantly, and on audio CD) made by David Hurles reveals one of the more authentic “rough trade” or “trade” scenarios captured for posterity before the days of down-low and overt (and thus lacking the real danger of actual trade) Sean Cody gay-for-pay DVDs. Hurles hired admittedly rough-looking, blue-collar, conventionally “thuggish” guys to talk dirty for the camera and also beat their usually awe-inspiring meat for the audience. 

 

Director David Hurles

According to a couple of sources, "David likes psychos. Nude ones. Money-hungry drug addicts with big dicks. Rage-filled robbers without rubbers. And of course, convicts." Apparently these guys were really dangerous, like they could kill him. Yet somehow David could manage them and get them to perform. Wow! However, Hurles also said: "There have been several thousand models. When they are not in prison, or very married, it has been my practice to stay in touch with many of them, often over decades. They are my friends." On another occasion he said that one of the hardest parts of his job was not getting caught up "in the miserable lives of my models." The gay viewer could vicariously experience rough trade without subjecting himself to the very real, terrifying dangers. 

 

Two muscular Old Reliable models
Three Old Reliable models, two smoking cigars and one flipping off the camera
Three Old Reliable models, one tattooed, one with boxing gloves, one smoking a cigar
Hairy Old Reliable model flipping off the camera

 

In fact, rough trade sexual encounters resulted in the deaths the gay silent film icon Ramon Navarro and the famous Italian cinematographer Pier Paolo Pasolini. 


Now, based on the above tragedies, I might think twice about the phrase “dick of death,” but I also remember how sex and violence and even death can erupt as one terrifying conflagration. Orgasm is after all le petit mort, both beautiful and terrible. 

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