David's Chicago Sexual Underground 8/10/22 & P(r)ick of the Week

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Greetings P(r)icksters!

Long time, I know. Haven’t fallen off the planet (yet), just an incredibly crazy spring and summer. Things have somewhat settled down, but I have branched out into a new focus.

Life got overwhelming in the spring. After two years of covid interruptions, we at Touché had planned to host our Mr. Chicago Leather contest in January. That was until omicron came along at the beginning of the year. So we postponed the contest to April.

In the intervening time, I had staffing issues, trying to bring on new staff while others came down with covid and/or had time off for vacations, etc. I spent several nights behind the bar and, a couple of times, just limited hours of operation based on who was available to work.

We hosted a huge, huge MCL contest weekend. While we did not sell out the contest, the bar was packed all weekend and I literally just stood by the bar and watched my crew frantically serve the crowd. It was almost like watching the numbers turn at Mc Donald’s (remember when they used to post number of burgers served?).

All this made me behind schedule in planning parties for Memorial Day weekend when Chicago hosts International Mr. Leather. We figured we would see a pent-up increase in folks wanting to get out after this event was put on hold for two years, too. It was just that!

I was just as frantic trying to line up events, porn stars, dancers and everything else that goes into a six-night run of parties. Not kidding, it was just on Friday the week before everything would kick off on the following Wednesday when I nailed down the last details.

Then we jumped right into Pride planning, including lining up our local clubs to host our leather & kink contingent in the parade. On the heels of the Pride parade, I was also putting together my family reunion back in Ohio over the 4th of July weekend.

Coming back after that is where I took on my new focus, namely monkeypox. After IML & Pride, cases began to take off here in Chicago and it was a scramble to get ahead of it.

I first reached out to Chicago’s Department of Public Health but could only get a “leave a message” response. I could not speak to an actual live person.

Then I reached out to Howard Brown Health Center, they have a clinic just a half block from Touché.

A little history here, Howard Brown was here back in the 1970’s when I first arrived in Chicago. Back then, their focus was on STDs. It was basically a doctor and a nurse in the basement of a church. You had a drippy dick, they’d swab it and give you a shot of penicillin. Gay sex was taboo, most guys didn’t want to go to a doctor who would want to know how you got gonorrhea in your ass. Howard Brown was gay providers taking care of our community discreetly. It was drop in, no appointments, no fees, simple. You needed care and they did it.

Then came HIV/AIDS in the early 80’s. Howard Brown ramped up their efforts to care for gay men in the early days of this disease as some mainstream healthcare was paranoid of this new and deadly unknown illness. In the early days, Howard Brown would line up a medical van to pull up in front of a bar to offer free STD tests and eventually HIV testing in the 80’s. Howard Brown went from a small group of volunteers to a full fledged health clinic. Still lots of volunteers but a growing staff of doctors, nurses and more.

Howard Brown secured federal grants to treat and develop research into HIV/AIDS and continues to play a pivotal role. As they succeeded in treating people with AIDS, they took a more traditional role of healthcare, primary care, women’s healthcare as agencies like the Lesbian Cancer Project were brought under its organization. Howard brown expanded from one clinic in the gay neighborhood to several spread across Chicago. Also, HB would develop connections with other healthcare businesses; you can find a Walgreen’s pharmacy in their clinics.

I thought after our early days of working with Howard Brown on STDs and then HIV/AIDS, they would be jumping on this latest health crisis centered on our community. My first call to the clinic by the bar should have been a indication. This poor kid answering the phone had no knowledge of Howard Brown’s history or mission. He just answers the phone at this health clinic.

Eventually I got a name and email address (not a phone number) and began trying to get something set up to help keep our customers and community safe. Several back and forth emails over a week led to an actual conversation on setting up vaccine events at Touché.

In the meantime, I was contacted by Project WISH at the University of Illinois Chicago about hosting vax events. In a couple of days, we set a day and time for our first Vax Party. Before this, the local bathhouse Steamworks had begun hosting vax events there in late June. This Project WISH would offer vax shots at the baths, usually 100 shots at a time and there was at least twice that number showing up.

Other than Steamworks and now us, folks were scrambling to find vax shots at their doctors’ offices, some city health clinics and hospitals to get vaccinated. Even Howard Brown was offering vaccines on an appointment basis, but they stipulated in the first few weeks that you had to be displaying symptoms to get a shot. As you might expect, it has been just nuts to get ahead of monkeypox. Guess we learned nothing from covid.

Anyway, Project WISH has hosted two vax nights already at the bar, with more to come every week. They run it pretty simple. Folks need to fill out a two-sided form, then line up for a shot. No restrictions on whether you live in Chicago, Illinois, whatever. Our first night was crazy; we planned to start at 9pm but when we opened at 5 that night, the bar filled quickly. (I had to scramble to get staff behind the bar and open the second room.) We learned right away to be ready.

Our second vax party was last Wednesday, and we began prepping right at 5 pm. Had to, as when I arrived at 1:30 that afternoon, there was a line outside. To make it run smooth, I stood outside when we opened and handed each person a numbered ticket and the form they needed to fill out. I was told we would get 140 vax shots that night and I handed out tickets to the first 140 in line.

Once folks got inside, they could mingle around and wait until their number was called. We tried our best to make it a party with music and drinks. Even the medical team administering the shots enjoyed the night. It took them about 90 minutes to jab all 140 doses into arms. They’ll be back today, Wednesday the 11th, with hopefully 200 doses, and back again this Thursday the 11th.

Knowing monkeypox spreads by close extended physical contact, we’ve encouraged guys to slow down at the bar. We stopped showing porn on our screens and backed off some promotions that may entice guys to get touchy feely. It has hit us in the pocketbook, but we survived AIDS and now covid. We’ll keep working to get folks vaccinated and put this pox crap down. It may take a bit more time than we hope, but we can do it. Besides, we still have covid to contend with as well. Guess you can call me Dr. David now.

I’ll be back soon, as our Pride was fun and I have stuff from that to share. First, I’m going to get another round of vax parties lined up and set a couple of days aside to go rider some roller coasters.

Take care, get your vaccines for covid and monkeypox. If you have to quarantine or just hold back till we get the pox vax out, you can still grab my P(r)ick and enjoy yourself. Here’s a couple of fun choices for you to consider.

David

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Prick of the Week header - images from M.A.G.I.C.

M.A.G.I.C. images
M.A.G.I.C. (D01681) - On DVD and Streaming

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Inches (D00044) - On DVD and Streaming
 

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Retrostuds of the Past: Bob Blount Poses for Playgirl

posted by Madam Bubby

 

A while back, when going through our extensive collection of gay porn history files, I discovered a Playgirl magazine from as long ago as April 1979. Yes, Playgirl, the magazine for women and gay men. But what's particularly fascinating and exciting about this issue is the centerfold: Robert (Bob) Curtis Blount, aka Lloyd Kasper.

 

Bob Blount as Playgirl's Man of the Month, April 1979

 

Bob Blount as Playgirl's Man of the Month, April 1979
 
Bob Blount in Playgirl

 

Bob Blount was a gay porn actor who appears in a few great classic porn films (all from 1979) that are available to watch through Bijou Video: The Frenchman & the LoversInches (paired with the legendary Al Parker), and Joe Gage's famous L.A. Tool & Die, which was just added on DVD and Streaming on our websites!

 

Bob Blount with Eric Clement in The Frenchman & the Lovers and with Al Parker in Inches
Bob Blount with Eric Clement in The Frenchman & the Lovers (left) and with Al Parker in Inches (right)
 
Bob Blount and Chuck Cord in L.A. Tool & Die

Chuck Cord and Bob Blount in L.A. Tool & Die

 

Yes, Bob, whose hairy body and full beard and easy masculine presence (he doesn't need to flaunt six pack abs or tattoos or make duck faces) exemplified 1970s gay macho, was the centerfold in this Playgirl issue, which focuses on a young Jane Fonda and Michael Douglas (the duo had recently appeared in The China Syndrome).

The text of the issue offers some tantalizing information about his background, of course omitting the gay porn career. He was from Charlotte, North Carolina and moved to New York City, where he worked doing graphic layouts for department stores. He later moved to Los Angeles because he found the Big Apple too stressful and fast-paced. There, he worked as a bartender (the text does not indicate what kind of bar), and, according to another source, a hair stylist.

Bob embraced, according to the article, a “pleasure-filled, me-first lifestyle.” Bob said, “I do exactly what I please when I please. If people want to follow along, fine.” How very 1970s power of positive thinking: I'm OK, you're OK. Not being sarcastic, but very much in tune with the pop culture of the times.

 

Bob Blount nude

 

I'm actually glad Bob did live each day to the fullest, true to himself, because in September of that same year, he was killed in a motorcycle accident. I found his obituary, which gives great detail about his family. He's buried in North Carolina, far from the sunny beaches and hot gay sex he embraced.

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1970s & 1980s Porn Directors on Porn Filmmaking

 

posted by guest blogger Miriam Webster

 

Jack Deveau:
[Credits include Left-Handed, Drive, Ballet Down the Highway, Good Hot Stuff, Wanted: Billy the Kid, A Night at the Adonis, Rough Trades, Sex Magic, Fire Island Fever, Dune Buddies, Times Square Strip]

 

"We were looking for a while to describe the porno movie because it doesn't really relate to anything else. it is only starting to find its milieu, or genre, whatever you want to call it. It's a musical comedy, but now instead of singing, they fuck. Now that I've been able to make that generalization I think, well, are they going to sing a happy song now or a sad one? What condition is this character in? And then we try to structure the sex in those terms... Good or bad, gay or straight, this is becoming a literature that you can't ignore. Now there are 40 films in our library and there are a number of other organizations or companies who have the same thing. There are magazines in Europe who are devoting whole issues every other month to critiques of the erotic cinema. Eventually this will have to become a literature." -- Soho Weekly News, 1975
 

Jack Deveau
Jack Deveau on the sets of Ballet Down the Highway and Sex Magic
Jack Deveau shooting Ballet Down the Highway & Sex Magic


Peter de Rome:
[Credits include The Erotic Films of Peter de Rome, Adam and Yves, The Destroying Angel]

"I think that we've barely scratched the surface of pornography in filmmaking, and that it has become a sort of mandatory thing in sex films to show a positive view of sex and all of the sex is supposed to be the ultimate, the pinnacle of excitement and life simply isn't like that. It seems to me that sometime we've got to get honest about sex and admit to ourselves that very few sexual encounters do work out agreeably or are compltetely successful. I think we can learn from our failures as from our successes. I have a very simple if not simplistic attitude toward sex films, and that is that sex is just as much a part of life as living, eating, breathing, sleeping. It's just another function of life and I don't see why it can't be depicted dramatically just as those other functions are and as honestly, too. And I think we have to show every aspect of sex in films before we can really say we are making sex films."
 

Peter de Rome
Peter de Rome directing the stars of The Destroying Angel

Peter de Rome directing the stars of The Destroying Angel



Michael Goodwin:
[Credits include The Goodjac Chronicles, Goodjac Too]

"Filmmakers have prettied-up and candy-coated male sex so much that most people who do get off on it don't think that they're worthy of being photographed or seen. That's a real putdown of the community. I don't think it was planned that way, but everybody just got on the bandwagon. Good-looking sex and tantric moments are going on with people who have pot bellies, have hair in the wrong places, or don't have hair in the right places. I believe people want to see that kind of good sex... I'm stepping into this the way those people stepped into those rockets: they believed in what they were doing, they believed it was for a good cause, they believed it would do some good for people, and they just stepped in and did it." -- Mandate, 1986

Goodjac series logo
Michael Goodwin shooting The Goodjac Chronicles
Michael Goodwin shooting The Goodjac Chronicles


Al Parker:
[Credits include Dangerous, Therapy, Head Trips, One in a Billion, Rangers, Oversize Load, Strange Places Strange Things, High Tech]

"Surge is a small company - very small. People are amazed when they find out that Surge was basically two people, my lover, Steven [Steve Taylor], and me. When you think of a studio, you think of M-G-M or Warners, but all of our sets were built in our living room in the house at Hermosa Beach, which was a 1500 square foot house that had a wonderful cathedral ceiling. But if you pulled up my carpets, my floors were ruined. I mean, there were nail holes everywhere. We trashed that house - but that house was our studio. And all of our successful films from One in a Billion to High Tech were done in that house." -- Manshots, 1990
 

Al Parker on the set of Strange Places Strange Things
Al Parker on the set of Strange Places Strange Things


Steve Scott:
[Credits include Track Meet, Rough Cut, Twelve at Noon, Gemini, Inches, Wanted, Games, Turned On!, A Few Good Men, Screenplay, Non-Stop]

"We're trying to create an erection. Now, to me, that's a feat in itself. It's a harder job than legit films. A lot of people may talk down porno, but I'll stand up to David Lean, to all of 'em, because what we do, in the limited time we do it in... Why, we're now doing 70 to 75 minutes on Inches for maybe ten, twelve thousand dollars. That's unheard of! That's lunch! So, it's an undertaking, and what we've done to date we're proud of, and hopefully we'll go on making milestones. And we don't like to cheat the audience. At least when they come out of the theatre from watching one of our films they're satisfied, they're entertained, and they don't feel like they're ripped off... and they may come back to see the next one." -- Skin, 1980
 

Steve Scott filming Twelve at Noon
Steve Scott filming Twelve at Noon
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Names in Lights: Porn Stars Live at the Bijou Theater

I was looking at some footage on YouTube of Chicago in the 1940s (my nostalgia kick keeps kicking and kicking and kicking, ouch!), and I noticed, as most of the footage was of tourist sites like “State Street, that great street” and its plethora of movie theaters.

And these were not movie theaters hidden inside in decaying malls or bland multistory cineplexes with parking garages, but both glitzy and palatial structures (quite a combo!) that beckoned to passersby (yes, people walked more, it seems, to entertainment) through signs.
 

Chicago's Oriental Theater in the 1940s showing the Jane Russell film, The Outlaw
Chicago's Oriental Theater in the 1940s showing the Jane Russell film, The Outlaw

Yes, the marquee, the name in lights, oh so Old Hollywood. In fact, on one of the videos, I saw theaters whose marquees displayed Leave Her to Heaven with Gene Tierney, and on another one, Joan Crawford in A Woman's Face. Heady stuff for a gay Old Hollywood fan!

The adult movie houses, and in the gay world, often called porn palaces, followed suit when censorship restrictions were lifted in the wake of the 1960s sexual revolution. Even though such venues were usually ghettoized "red light” districts (think 42nd Street in New York City) and often shared buildings and neighborhoods with the seedier peep shows and massage parlors (live sex, less cinematic content) and the like, they still boasted the marquees and the names in lights.
 

42nd Street theaters in the 1960s
42nd Street theaters in the 1960s

In fact, I remember in the camp classic Valley of the Dolls, Neely O'Hara sees her friend Jennifer's (now a star of soft-core French porn) name lighting up that ubiquitous XXX signage as she wanders drunkenly through what is probably the Nob Hill area of San Francisco.

Gay XXX's home in Chicago was the Bijou Theater, and in its heyday, it showed some of the famous, finely crafted classics of gay porn (shot on film, of course). A premiere there was akin to a red carpet event, like it was in Old Hollywood.
 

42nd Street theaters in the 1960s
The Bijou Theater, 1976

Midwest premiere of Michael, Angelo and David at the Bijou Theater with a live appearance by star Marc Stevens
Bijou premiere of Michael, Angelo and David & live appearance by Marc Stevens

Porn studios like Hand in Hand Films and Falcon and, later during that Golden Age, Al Parker's Surge Studios were definitely producing more substantive work, but the assembly-line, amateurish product with mostly anonymous participants (like that being churned out in Europe these days) were confined to peep show booths.

The Bijou Theater thus showcased some groundbreaking gay porn films, but in tandem it also showcased the stars of those films. Again, think Old Hollywood. Fans, autographs. Stars!
 

Ad for a live appearance by porn star Peter Berlin at the Bijou Theater
Live apperance by Peter Berlin at the Bijou Theater

For example, when Al Parker, the greatest of them all, appeared at the the theater in the early 1980s, he did a live sex show (a live orgasm to complement so many of those on-screen orgasms), but according to Steven Toushin, owner of the theater, he spent most of the time there signing autographs and talking to fans.
 

Vintage poster for the Al Parker film Inches
Vintage poster for the Al Parker film, Inches (Steve Scott, 1979)

And the uber-Daddy of them all, Richard Locke, also appeared at the Bijou Theater in 1984. Here's a description of the event, which, as with many other events that showcased porn movies and their stars, blurs the lines between on and off screen performances in an enticing, exciting way:

“The screen on the Bijou screen – a dimly lit room at truck stop, fitted with grimy cots, where truckers catch forty winks before they hit the road again. [A scene from Joe Gage's 1976 classic, Kansas City Trucking Co.] In this case, however, the truckers are not sleeping; they are fucking and sucking with a vengeance. The center of the action is the older, experienced trucker, played by Richard Locke, muscular, masculine, bearded and obviously enjoying himself on screen. The light on the movie screen fades, and suddenly a figure appears from behind the screen. A cool blue light silhouettes a muscled body and music builds. A new kind of show is in progress at the Bijou Theater — but Richard Locke is still the center of attention... Richard turns to face the audience, clad only in a leather harness, stroking his erect penis... Finally he reaches orgasm, shooting onto the mesmerized audience. He turns back, the lights fade, he exits and the film Richard Locke returns to the movie screen.”
 

Kansas City Trucking Co. poster
Vintage poster for Kansas City Trucking Co.

Photospread of Richard Locke stritease from suit and tie to leather harness
Richard Locke striptease

Now, the above event may be unique to the dynamic of gay porn and its purpose of sexual exploration and gratification, but what happened after that movie/performance links to that Old Hollywood world:

“After his live show, Richard meets his public, signing autographs and talking to a group of eager fans. He is friendly and unassuming as he talks. One young man asks Richard to autograph his back and tells Locke that he will have a tattoo made of the signature. (A later encounter with the same man proves the truth of his boast.) One by one the crowd drifts away and another day's work is finished for Richard Locke, erotic entrepreneur.”

Amazing, and so exciting! Joan Crawford would have been thrilled (perhaps more by the method rather than the content!). Richard, like she did, was working a publicity machine, one of his own making. And he understood that what fuels that machine are the fans and their fantasies, hopes, and dreams. The young man with the tattoo in the quote above was living embodiment of these emotions.

Yet, unlike Joan, he skillfully kept his “divo-hood” on the screen, but at the same time let that larger-than-life screen persona become real in the flesh when he appeared live in that brief moment of ecstasy.

Some say home video (and then the internet) and the tragedy of AIDS killed this world. Perhaps, on the surface, yes.

But in hindsight I think it's a deeply complex issue revealed in today's cultural climate as red carpet events still unfold, and the culture of celebrity has become something like a 24/7 fuck fest. But the cinematic magic that thrives on finely-crafted illusion that elicits an audience's deeper intellectual and emotional responses gets lost in a weird combination of special effects and banal cynicism.

The great porn stars like Al Parker and Richard Locke created and crafted a visual and sexual magic in their films and in their performances and in their audiences.

Bette Davis said in her movie The Star, “If you're a star you don't stop being a star.” And thanks in great part to the Bijou Video's preservation and revitalization of their legacies, Al and Richard still shine.

Look for their movies on DVD at BijouWorld.com and streaming at BijouGayPorn.com, including our brand new release The Best of Richard Locke!

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