BijouBlog

By Josh Eliot

Castro Street Fair, 1980s

You would see large groups of partygoers hanging out the windows of their flats and overcrowding the fire escapes and overhangs on the apartment buildings above Star Pharmacy, Valley Pride Market and Market Liquors. The bars, of course, were packed to the brim with large crowds surrounding the doors. The Main Stage was on Market Street and the corner of Castro and featured performances by artists like Sylvester, comedians like Ellen DeGeneres and Danny Williams as well as local and somewhat well-known bands. The whole event was just slightly over the top and refreshingly not overly political.

The Folsom Street Fair, by contrast, was a full-on South of Market “sexperience.” Some would call it sleazy, others would say it was the ultimate middle finger to society. It was a bit of both. If you’ve read Will Seagers' last two blogs, Diving Into SoMA/Folsom: Hamburger Mary's and Long Live the Stud!, you’ve already got a first hand account of some hot spots in the neighborhood. Spanning the blocks on Folsom from 8th to 13th streets and splintering off between Howard and Harrison streets, there was quite a large area for bad behavior to take place. To say that Folsom street really brought the grit is a major under-statement. I think the first rule of thumb we learned was don’t even think about showing up without putting on a cock ring, because you would definitely not be in the majority. You would always expect to see bare asses in chaps, tits galore, random whipping displays, hoods, ball gags, leather jockstraps, and chains, but a street fair wouldn’t go by without some shocking outfit or action that you never saw coming!

Whereas the Castro fairgoers would separate to let the square dancers dance, the Folsom fairgoers would crowd in and form an impenetrable circle to shield the circle jerk or blow job that spontaneously started happening in the middle of the road, keeping out anyone who was looking to stop it. I don’t know if all that happens these days but it was very commonplace in the 1980s. I remember going into one bar and seeing someone squatting on top of a cigarette machine while getting rimmed. Dore Alley sat smack dab in the middle of the street fair map and surprisingly it looked much different in the light. Dore Alley and close by Ringold Alley were notorious “last chance” cruise spots for bar patrons once they closed at 2am.

In 2014, Mike Skiff’s (videographer and director for Catalina Video under Mark Jensen) documentary Folsom Forever was released by Breaking Glass Pictures. I was so proud to see what he had accomplished after we all parted ways when Catalina Video was sold to Channel 1 Releasing in 2007. I recently viewed the movie on TUBI, the free streaming service, which documented the behind the scenes actions and adventures of the fair organizers and volunteers. The Folsom Street Fair organizers' self-proclaimed mission statement reads, in part, as follows:

“Folsom Street is committed to cultivating a safe, open and inclusive environment for kink, leather and alternative sexuality. We are dedicated to sexual liberation and the right to pleasure as a crucial part of the whole liberation movement. Folsom Street is an explicitly anti-racist organization and we are committed to decolonizing our practices.”

 

No Folsom Street Fair would be complete without the appearance and contributions of Mr. Markus. Marcus Hernandez, a longtime leather columnist for the Bay Area Reporter, was always front and center throughout the fair and on the Main Stage. Mr. Markus, through his column and international ventures, influenced the leather/BDSM subculture, its ethics, traditions and fundraising efforts. His smart and sarcastic column shone a light on the culture that had long been demonized and suppressed by mainstream gay and straight cultures, generating respect by showing that the leather community was among the most dedicated to their tribe. Even though he passed away in October of 2009 at the age of 77, his voice and message of pride for the LGBT and his beloved leather community reached far beyond San Francisco to like communities internationally. I remember seeing him several times at the International Mr. Leather Contest in Chicago when we shot it to release on DVD. It had been so many years since I heard his distinctive voice across the loud speaker and it brought me right back to those dirty, nasty, fabulous days that my roomies and I let our inhibitions fly at the Folsom Street Fair.

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

Greetings P(r)icksters!

Been pretty busy at the bar, still training new staff. I have also been hosting regular vax parties for this monkeypox mess. Lots of guys have been coming round getting a shot and thanking me for doing this.

When I came to Chicago back in 1976, I checked out several bars, looking to make new friends in a new town. Then I walked into a leather bar and after a while, I found what I was looking for.

Back then, gay bars were pretty much low key. They didn’t draw attention to themselves, and they were easy targets for police raids and harassment. A gay press was just developing at the time, so finding where bars were in any town wasn’t easy, more word of mouth.

Folks could be friendly in most gay bars but when things went down, a bar raid for example, patrons would dash off and look for another bar to hang out at. The concept of a cohesive community was not quite there yet. One bar getting the spotlight and folks ran to another, being as they were just as much in a closet.

The thing about leather bars back then was the leather clubs that called them home. I’ve talked before about how biker clubs formed up after our GIs returned from Europe and abroad from WWII. These close-knit clubs looked out for their club brothers and, when needed, brothers in other clubs. They were my mentors that brought me to this scene and taught me that we take care of each other as no one else would.

These clubs did a lot of support for members like helping them put a roof over their head or a find job to pay for it. When one got sick, their brothers would take care of them. And a lot of times, when it was serious, say a major accident that had one laid up for a spell, they all stepped up to help. Early fundraisers were just for this, paying someone’s rent or car payment.

As our community grew, so did the leather circle, and our financial support went towards early community efforts. One of my favorite memories from that era was a Toys For Tots Show the various clubs came together and put on. Image a bunch of bearded bikers singing, dancing, some in drag, while raising thousands of dollars for a worthy cause. (Unfortunately, the Salvation Army returned our donation because it came from gay men; why I never put a nickel in one of their kennels)

Most people these days are familiar with Howard Brown Health Center here in Chicago. A huge operation, with clinics across the city providing medical care for LGBTQ+ folks from the northside to the southside and west. But back in 1976, Howard Brown’s focus was on STDs in the gay community. You got a drippy dick, you went to Howard Brown for a swap and a shot. They operated in the basement of a church, one a day a week. There was no charge, just a place to receive care that gay people were fearful to ask for from their doctor or city health clinics. After all, we were just a bunch of queers and because we had sex with other men, we deserved what we caught.

We would host tag nights at the bar where we’d ask for a buck at the door so Howard Brown could get the medical supplies and penicillin to treat us. We did that for Howard Brown and other small groups trying to serve the gay community as it grew.

When HIV/AIDS struck in the 80s, Howard Brown grew from a doctor and nurse in a church to one of the leading efforts to figure out what was causing this unknown disease that was killing gay men. Early on, the leather community put a lot of effort towards support for Howard Brown’s work to help us survive.

Covid came around a couple of years ago and we stepped up to educate and take care of those stricken with this disease. Even during shutdowns, we would check up on each other, get friends to doctors when needed, make soup, shop for others and encourage others to pitch in and get vaccinated.

Now it is monkeypox. Just like HIV/AIDS, this one hit gay people first. It started spreading around before we knew it was here. But, we are leathermen and we take care of our own. That’s why the only gay bars in town hosting vaccination events are the leather bars. Not one other gay bar here has done so.

It is what I have been taught and shown, and as a leatherman we will continue to take care of our own. Even those that have never stepped inside the bar before. Of course, I am making sure they understand Touché is the only bar hosting weekly vax parties, suggesting maybe they should check out what we are all about. More than just hot kinky sex.

So for all my horny bastards out there reading this blog, get a pox vax. It’s two shots, four weeks apart. Once you do that, in another two weeks your body will develop the immunity you need to avoid getting monkeypox. Six weeks and we can put this mess to rest and end the spread.

While you are waiting out those six weeks, grab my P(r)ick and keep it hot.

David

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