I’M NOT A LESBIAN DIRECTOR!

By Josh Eliot

 

At the same time I started shooting Valley of the Bi-Dolls, the general manager of Catalina Video had a light bulb go off in his head. Let’s just say that light bulb was more of a fluorescent, as opposed to a tungsten lamp that we used for filming to give us fabulous lighting. The fluorescent may have been a practical option when GE developed it from the discoveries of Jacques Risler in 1934, but the execution never really materialized as top notch. I always feel like I look ten years older and twenty years more exhausted when standing in a room lit by fluorescents. The idea from my general manager ended up being just as disappointing.

When I was casting for Valley of the Bi Dolls in 1993, thanks to Chi Chi LaRue, I was able to connect with the main agent representing the very top straight adult film starlets of the time. Though it was exciting to think about working with top-notch girls for Valley, I was turned down time after time by most of them. As I mentioned in the past, there was a stigma involved when it came to bisexual movies. Even though by this point things were slightly turning around, the straight industry was slow to get on board the “acceptance wagon.”

I had already cast Sharon Kane in the lead, who in turned recommended Gloria Leonard for the non-sexual “Helen Lawson” character and luckily, through an agent, Leanna Foxxx was on board. In addition, which was shocking to hear at the time, Peter North (Matt Ramsey) also agreed to do the straight scene with Leanna Foxxx. It really was a coup for me to have all these big names, which was unheard of at the time in a bisexual movie. I was pouring everything I had mentally into this movie and I wanted the cast to be all A-List! So I kept trying, but was turned down by Diedre Holland, Melanie Moore, Debi Diamond and Teri Divers. When I shared some of the names that turned me down with Catalina’s manager, that’s when the light bulb went off in his head.

 

A-List stars of the 1990s Debi Diamond, Teri Divers, Diedre Holland and Melanie Moore

A-List stars of the 1990s

 

Catalina had long wanted to tap into the girl-girl market; not the straight girl-girl audience, but the lesbian audience. The idea of having all A-List girls in our movie, in his mind, would give us an edge, and he proposed that it would be directed by a lesbian director for a lesbian audience. The top starlets had no problem whatsoever shooting an all-girl movie, so getting them to sign on the dotted line was easy. Of course, there was the small technicality of not having a lesbian director on staff to coincide with our manager’s plans to publicize the movie in the gay press as lesbian-made. I told him I would start the search for a lesbian director to join our team, but he wanted that gal to be me (not so forward thinking after all, was he?). We bantered back and forth but he was adamant, so I to accepted the assignment. Catalina’s instant new director “Tori Sterling” was born. A pseudonym I came up with by combining Tori Spelling and Matt Sterling, and the movie would be called The Women.

 

The Women original one-sheet

The Women original one-sheet

 

I came up with the title based on the Joan Crawford / Norma Shearer / Rosalind Russell / Paulette Goddard / Joan Fontaine 1939 film from director George Cukor. Get the connection? The actresses in the 1939 film (fabulous movie, I might add) were all A-List or up-and-coming A-Listers of the time. The Women would be a classy, glossy, high end production... albeit with its slashed budget of only $10,000, because he knew we could shoot multiple sex scenes in fewer days as there were no hard-ons or cum shots needed. We shot in two days. The girls were fabulous, creative, inventive, and great with their lines, which was really quite a delight! They taught me some really good positions and actions that I could apply to all-male movies, especially with their pussy eating techniques, which I could apply to future boy-boy rim scenes. It was exciting for me to be around and work with the “it” girls of the time and I never really felt intimidated by their presence, which was a nice surprise. All in all, the movie looked beautiful, top-notch and well shot. The only problem? I’m not a lesbian director!

 

Ad for The Women in Nightlife Magazine, 1994

Ad for The Women in Nightlife Magazine, 1994

 

We ran several promotions for the movie in the press, including the one shown here in Nightlife Magazine. Really pressing home the “made in the USA” vibe of “lesbian-made.” You can walk like a duck, fuck like a fuck, suck like a duck, but you’ll never taste as delicious as Peking Duck if you aren’t a duck inside and out. There’s no way, as a 31 year old gay man at the time, that I could have channeled properly the thought process or life experiences of a gay woman. It was really stupid to even try and this is where we blew our shot, because we weren’t honest with ourselves or our audience. I’m sure the movie made some money because, let’s face it, it’s no big challenge to make money with a $10,000 investment! But I dare anyone to find this movie in print anywhere today. I don’t even have a copy anymore - I loaned out my VHS to some girlfriends and never got it back. Well, at least it might have worked for that gay couple! I should have really tried harder to convince our manager to go big or go home with his idea of a lesbian director, really make this movie in the right way. Who knows, it might have pulled in that market that no one was catering to, if it had only taken that audience into consideration.

 

 

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment
That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders
7 Years with Colt Model MARK RUTTER
Super NOVA
Whatever Happened to NEELY O’HARA?
Is That AL PARKER In Your Photo?
DOWN BY LAW: My $1,000,000 Mistake
We Waited 8hrs for a Cum Shot... Is That a World Record?
Don't Wear "Short Shorts" on the #38 Geary to LANDS END
How Straight Are You Really?
BEHIND THE (not so) GREEN DOOR
The BOOM BOOM Room
CATCHING UP with Tom DeSimone
Everybody’s FREE to FEEL GOOD
SCANDAL at the Coral Sands Motel
DEEP INSIDE THE CASTRO: The Castro Theatre
DEEP INSIDE THE CASTRO: The Midnight Sun
RSVP: 2 Weeks Working on a Gay Cruise Ship
VOYAGER of the Damned

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P(r)ick of the Week - 5/20/20

David's Chicago Sexual Underground header

 

Greetings P(r)icksters!

Really in a weird space this week. We should be gearing up for 6 big crazy nights for the coming Memorial Day weekend. But we are still shuttered here in Chicago.

For the past 40 years, the International Mr Leather Contest took over our Memorial Day weekend bringing 1,000s of visitors to town. Which made us very busy at Touché with parties night after night and several afternoon functions, too.

We would begin with a welcome party on the Wednesday before the weekend as all the IML contestants, most vendors and others arrived early to prepare for the weekend. Then it was Thursday, Friday, Saturday and Sunday nights going strong. By Memorial Day many would be departing Chicago, but we still had great crowds that afternoon for our big cookout and even into the night on Memorial Day.

I will miss many friends this year, the guys from Off Ramp Leathers, friends from other bars that have contestants at IML and many others won’t be visiting Chicago this week. For the first time in years, I’ll have Memorial Day off.

In the beginning IML was not this weekend. The first couple of years it was held over Mother's Day Weekend. IML began as a bar event. Chuck Renslow, owner of the Gold Coast, came up with the idea of a Mister contest for Leathermen.

Back in the mid 1970s before IML started, Chicago bars hosted Mister contests as a way to attract a crowd. The old Gay Chicago Magazine helped develop this promotion of Mister contests by hosting the Mr Windy City Contest each spring. During the winter months, various bars would host a contest to select their Mr, who would then go on to compete for the title of Mr Windy City. During my tenure as manager of the old Carol’s Speakeasy in the 80’s (that was next door to the Bijou Theater), I had 2 Mr Carol’s that won the Mr Windy City title.

Seeing the success of this program, Renslow took that idea and morphed it into a leather titleholder contest. Since you only had 3 or 4 leather bars in Chicago, he made it an international competition to allow for more contestants.

In 1979, Touché was also part of Chicago’s leather bar scene, so Chuck Renslow approached Chuck Rodocker, owner of Touché, to team up and sponsor the contest. Basically the contest was held on one night with bar parties at both places Friday, Saturday and Sunday. Back then, Touché only had a 2 am license while the Gold Coast had a 4 am license. Things started at one bar and then continued at the other.

Being 1979, gay events out in public were still rare; not many places were comfortable having a bunch of queers in their place of business, it would scare off the straights. So there was no host hotel, no big dances in ballrooms, no big display of leather gear and sex toys in convention halls. The early weekend was basically cocktail parties at the bars and fuck parties at the baths (Chuck Renslow also owned Man’s Country).

But as a big advocate of his hometown, my boss Chuck Rodocker (no opportunity to shorten reference to either man, they were both Chuck R, both owners of a leather bar, people still get confused between the two of them) had the staff of Touché host some daytime excursions to add to the weekend activities. We did bus tours around town (have you ever tried to mix drinks on a moving vehicle?).

The logic back then was that Touché closed at 2 am (3 am on Saturday) while the Gold Coast was open till 4 or 5 am. The Touché staff had time for more rest to get back out and going early the next day. The problem with this was that while we may have closed earlier, that didn’t mean we would not wind up at the Gold Coast to enjoy the party there and end up closing that bar, too.

So hungover or still up after fucking some of the visiting leathermen, we would be out there herding folks onto a bus or serving up bloody marys while a local leather club or group of clubs prepared a breakfast buffet of some kind. It was a more intimate weekend than it has become.

As I stated, IML was first held on Mother's Day weekend. Again, you have to visualize Chicago in 1979. White flight had left the city pretty vacant around what we call River North today. The Gold Coast and many other gay bars were in the area, the rest old warehouses, business places that were deserted nights and weekends.

Except...... across the street from the Gold Coast was a renowned restaurant, Gordan’s, that hosted a big Mother's Day brunch every year. Folks would line up outside for the opportunity to treat dear old Mom to a nice brunch. And there we’d be in full leather gear piling guys onto buses, drinks in hand. It was quite a show and I loved being part of it.

And once the IML weekend was over, we still had Memorial Day weekend to kick off summer, just not as crazy as it has been these past few years. I’m going to have to figure out what to do with a long weekend of nothing. Kind of hard, as we have already gone over two months without something, anything. Just hoping I don’t get too comfortable with this, hope to be “back in the saddle” again next May.

So while I ponder my Memorial Day weekend plans, grab my P(r)ick this week with a nod to the men in uniforms - soldiers, sailors and marines - and wave your flags.

My first P(r)ick is A Few Good Men directed by Steve Scott. Released in 1983, this is definitely one of the best grunts fuck films of all time. The Philadelphia Gay News raved about the film on its release, "this gay sex film wins the prize for best treatment of two common gay porn themes: the repressed sexuality of an all-male military setting [including authentic costumes and underwear] and the thin line between fantasy and reality. Scott's style is at its most poetic, in both image and sound."

For a second helping check out Seamen directed by Matt Sterling for Brentwood Studios. Its four pre-condom episodes play with the theme of sailors on leave. There's a good deal of spanking, armpit and foot licking and hearty oral and anal sex. The actors' eager performances ought to get you drop-dead horny.

Before I go this week, I do want to assure you that I do get your comments about my writings for Bijou Video, even if it makes you feel some guy from a porn site is smarter than you. I’m not that smart, just curious to learn more. Thanks for the many compliments, responses to my thoughts and letting me know that you enjoy reading these blogs. I get a kick out of writing them and hearing what you have to say..

Enjoy your Memorial Day weekend and stay safe, my friends.


David

To order from Bijou, visit bijouworld.com, call 800-932-7111, or email bijou.orders@gmail.com

 

A Few Good Men images
A Few Good Men (D00316) - On DVD and Streaming

Seamen images
Seamen (D00228) - On DVD and Streaming
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