BALL BROTH

By Josh Eliot

**WARNING: Contents May Upset Your Stomach **

 

It was my love of movies and movie-making that brought me out to San Francisco at age 17 to try to make a go of it. For some reason, my brain retains movie trivia like nobody's business. Things I shouldn’t remember, but just do. Having said that, there are a few things I would like to forget about my time working for Catalina Video from 1987-2009. Not anything related to my co-workers, our ethics, or decisions we made, but things that grossed me out. I often felt like an impostor when I was working in the industry, because my focus was easily shifted if something I was watching made me a little squeamish. For example: when one of our directors was shooting a hot sweaty scene, I would focus on the sweat. Sweat in general grosses me out. I don’t want to see it, I don’t want it dripped on me during a moment of passion, all I want to do is wipe it away. I don’t know if I’m alone in this thought process, but it is one of the many turn-offs I witnessed on the set over the years. The sex we were shooting could be super-hot, but as soon as I saw something that triggered my squeamish side, it was my focal point, it would throw me off my game.

When I started with Catalina Video in 1987, they hadn’t yet embraced the condom. However, director John Travis and producer Scott Masters where trying their best to be responsible by using a spermicidal ointment when we shot fucking. Conceptrol with Nonoxynol-9 came in a tube, much like a tampon, and was a vaginal contraceptive to prevent pregnancy. In our studio, the shower had a douche attachment for the models to use prior to shooting the anal portion of the scenes. Once clean as a whistle, the model would come onto the set and the director or make-up man would insert the tube of Non Oxy 9 into their butt and push the gel up into them. This was short lived, and condoms came a few movies later. While using the Non-Oxy 9, it wouldn’t just magically stay inside - at any given moment it would fly out, most often when I was shooting the underneath shot. It would fly out and land on my camera lens, my arm, my ankle (if I was sitting instead of kneeling) or the top of my head. I made damned sure to keep my head down and mouth shut. An underneath cum shot with a load splattering, not a problem, but this stuff? UGHHHH.

 

The Young Cadets (L); Conceptrol (R)

The Young Cadets (L); Conceptrol (R)

 

In one of Scott Master’s movies, The Young Cadets, Mike Ryan‘s co-star could not keep a boner to save his life. Scott Masters made some calls and got Chris Burns to come in to do the fucking. Chris Burns (Below the Belt, Dangerous, Men of the Midway) had worked for Catalina Video in These Bases Are Loaded, Skin Deep and NightCrawler, but didn’t have the current “pretty faced jock” look that Catalina was now casting. He did, however, agree to come in as a “stunt dick.” It was very lucky for me that Dan Allman was doing the camera work for the insertion shots, because it went on forever and poor Mike Ryan was screaming his lungs out because Chris’s fat dick was ripping him a new one. Mike was a gay for pay model and really didn’t have a lot of anal experience, and probably could have used a lesson on how to properly douche. Chris was merciless, but the worst thing was that the damned Non Oxy 9 kept flying out and landing on the fill light. 400 watts of burning Non Oxy 9/butt juice that was literally smoking and filling up the studio, and it did not smell like Fabreze! Poor Dan got a cloud of smoke right in his face.

 

Chris Burns (L); Men of the Midway poster (R)

Chris Burns (L); Men of the Midway poster (R)

 

If you are still with me, it’s time to move onto another repulsive (in my book) liquid: spit. For some unknown reason, Chi Chi LaRue came up with this idea that spitting was hot. Now, I was fine over the years with a little appropriate spitting, like in someone’s ass crack, perfectly fine. But for a good year, all of Chi Chi’s movies - straight, gay and bi - had this non-stop spitting all over the place. Chi was also directing projects for Catalina during that period and I happened to be filling in on camera when the spitting started. Luckily, I was able to use my producer card and stopped that shit tout suite. Sorry “girl,” we don’t do that in Catalina productions, think of something else. Chi Chi obliged without an argument because he knew how much that churned my stomach. He did, however, like to keep the sweat on the boys instead of calling for make-up to wipe them down (like I always did), but I just grinned and bore it.

We always save the best for last, don’t we? I was shooting the movie Furry Men Do and there was a Latino actor named Gabriel Rocas that we used from time to time who had the biggest balls I’d ever seen. Like many models, he had his own specific routine to get himself hard prior to running onto the set and shooting a few moments of video with his erect penis. I learned about it on his first pair of movies for us, BEAR Skin & Latin Men Do, in 1999.

 

Gabriel Rocas & Mike Cesar in Latin Men Do

Gabriel Rocas (and his huge balls) & Mike Cesar in Latin Men Do

 

He would disappear into the adjoining room and soak his giant nuts in a bowl (that he brought with him) of warm water while he stroked his dick to get hard. Ok, no big deal, sounds pleasant enough. It worked, the scenes were completed and we all went home happy. Then on the set of Furry Men Do in 2000, Gabriel returned, bowl in hand, to shoot another scene. This time, one of my crew members was assisting him in the adjoining room. Always up for a good chuckle, Brad Austin and I snuck a peek into the room to see the crew member carefully blowing Gabriel, being extra cautious not to spill the water out of the bowl that his nuts were soaking in. I wish I had a photo. We finished the scene quickly, the models went to shower and we started to pack up. The crew member came walking into the room with the bowl of water and we turned our heads to look at him, when we heard him say, “Ahhh… Ball broth!” Without missing a beat, he put the bowl of water, pubic hairs and all, up to his mouth and drank the entire thing. Brad and I nearly lost our lunch. That was the very last time I ever booked Gabriel; nothing against him, but I just couldn’t ever witness another serving of Ball Broth!

 

Balls in broth

 

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment
That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders
7 Years with Colt Model MARK RUTTER
Super NOVA
Whatever Happened to NEELY O’HARA?
Is That AL PARKER In Your Photo?
DOWN BY LAW: My $1,000,000 Mistake
We Waited 8hrs for a Cum Shot... Is That a World Record?
Don't Wear "Short Shorts" on the #38 Geary to LANDS END
How Straight Are You Really?
BEHIND THE (not so) GREEN DOOR
The BOOM BOOM Room
CATCHING UP with Tom DeSimone
Everybody’s FREE to FEEL GOOD
SCANDAL at the Coral Sands Motel
DEEP INSIDE THE CASTRO: The Castro Theatre
DEEP INSIDE THE CASTRO: The Midnight Sun
RSVP: 2 Weeks Working on a Gay Cruise Ship
VOYAGER of the Damned
I'M NOT A LESBIAN DIRECTOR
Diving Into SoMa/Folsom: THE FOLSOM STREET FAIR
Diving into SoMa/Folsom: A TALE OF TWO STUDS

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CATCHING UP with Tom DeSimone

By Josh Eliot

 

I remember my first Tom DeSimone movie: Reform School Girls. A large group of us were going on a Friday night and the film was a lot of fun, especially when Wendy O. Williams rode on top of a bus after barreling through the gates. In San Francisco, 1980s, when you had moments like that on film, the whole audience would scream and applaud in delight. My friends and I were constantly at the Castro or Market Street movie houses that would regularly show John Waters, Andy Warhol and other cult movies. When I saw actress Pat Ast was in Reform School Girls, I knew we were in for a good time. I remembered her from Andy Warhol’s movie Heat, shot mostly at the old Tropicana Motel in West Hollywood, where my friends and I stayed on previous visits to L.A. Tom made many popular mainstream movies including The Concrete Jungle, Hell Night, Prison Girls and the cult classic Chatterbox, to name a few.

 

Reform School Girls poster and stars Pat Ast and Wendy O. Williams
Reform School Girls poster and stars Pat Ast and Wendy O. Williams
 
Posters for The Concrete Jungle and Chatterbox

Posters for The Concrete Jungle and Chatterbox

 

Once I moved from San Francisco to West Hollywood and got settled into the Catalina offices, it was a fun surprise to find out that Catalina released and distributed gay adult movies made by Tom DeSimone, under the name Lancer Brooks. In my first blog: “Coming Out Of My Wet Shorts” I wrote about how much that movie poster influenced me. Wet Shorts, Flesh & Fantasy, The Dirty Picture Show, Skin Deep, NightCrawler and Bi Bi Love (with one of my favorite scenes ever in a bisexual movie, featuring Crystal Evans) were all sold by Catalina. I would say my VHS tapes of Tom’s movies were like a “video tutorial” on how to make a great adult movie. His movies had just the right combination of comedy, drama, and titillation, seamlessly edited to create these gems. In Wet Shorts it was the traveling salesman scene, Flesh & Fantasy the jacuzzi scene and Skin Deep’s minimalist yet multilayered story of a writer who befriends a sex worker spoke volumes about his internal thought process. It goes without saying that I was truly inspired. Where John Travis taught me the value of lighting and cinematography, Tom DeSimone’s movies inspired me to write and direct stories with a quirky flair to them. I know the adult movies of today don’t really embrace the “storyline” concept, but we did back then and I always tried to make the most of it.

 

Tom DeSimone DVDs from Catalina

Tom DeSimone DVDs from Catalina

 

After completing my final movie for Catalina Video called Hot Buttered Cop Porn in 2006, my partner Tony and I moved to Palm Desert and continued editing and remastering Catalina movies for release on DVD, until the company was sold to Channel 1. One random afternoon, I spoke to my friend Kurt about how I was remastering Skin Deep for DVD release and out of the blue he told me that he knew Tom DeSimone from The Desert Film Society, as Tom was a founding member and served on the board. I was shocked and elated when Kurt followed up to tell me that Tom said I could contact him. The order of things is a little fuzzy but meeting Tom was so exciting for me, and Chi Chi LaRue (who of course I told immediately when this all came about). I was working for Channel 1 Releasing at this point and Chi Chi was part owner. In addition to being a warm and wonderful guy, Tom was very generous in sharing his experiences within the adult and mainstream industry. Channel 1 gave me the go ahead to set up video interviews with Tom discussing the behind the scenes working of his movies released by Catalina. We shot four interviews, one for each movie - Wet Shorts, Flesh & Fantasy, The Dirty Picture Show and Skin Deep - which were added to the DVD releases of each movie as “Bonus Extras.” Chi Chi and Tom sat on my couch and we recorded them conversing with each other while watching NightCrawler, which then became a “Bonus Director’s Commentary” on that DVD. It was all very exciting to have our Idol (excuse the pun) spending time with us. Tom even invited us to a party at his house where he projected a classic old movie on the big screen in his backyard to a large group of partygoers. I have both the Skin Deep interview and full interview on my YouTube channel if you would like to view them.

 

Tom DeSimone's Skin Deep interview

Tom DeSimone's Skin Deep interview

 

Having access to Bijou Video's amazing streaming service, I recently watched the restored and remastered version of The Idol, and now I know what all the hype is about. This is one great, timeless classic which felt very much like a mainstream movie. Bijou’s streaming catalog also includes many other Tom DeSimone movies like: Dust unto Dust, Confessions of a Male Groupie, The Frenchman & The Lovers (formally titled: The Harder They Fall), Station to Station, and of course my personal favorite Hot Truckin', with Gordon Grant! The Bijou catalog’s vast number of movies never ceases to amaze me! So much content! I’ve heard through the grape-vine that Tom DeSimone’s Catching Up is a real crowd pleaser as well. That is the next one on my list to stream this weekend. Look at this, here I am retired from adult video making and yet I am still obsessed with watching more Tom DeSimone movies to see if I can still learn more from one of the best!

 

Catching Up poster and Tom DeSimone editing

Catching Up poster and Tom DeSimone editing

 

For more on Tom DeSimone's career, see also Bijou's 2019 interview with him: Part 1 and Part 2

 

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment
That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders
7 Years with Colt Model MARK RUTTER
Super NOVA
Whatever Happened to NEELY O’HARA?
Is That AL PARKER In Your Photo?
DOWN BY LAW: My $1,000,000 Mistake
We Waited 8hrs for a Cum Shot... Is That a World Record?
Don't Wear "Short Shorts" on the #38 Geary to LANDS END
How Straight Are You Really?
BEHIND THE (not so) GREEN DOOR
The BOOM BOOM Room

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