She Turned the World on With Her Smile

 

Mary Tyler Moore as Mary Richards, smiling

Now, by turned on, I mean something more wholistic than sexual, but I think you know, if you grew up in the seventies and stayed home on Saturday night to watch CBS' awesome line-up, to whom I am referring. 

Mary Tyler Moore, whom I remember especially in her television incarnation as the character Mary Richards, that midwestern, Presbyterian, single, associate producer of WJM News in Minneapolis, passed away on Wednesday, January 25, 2017. I join the multitudes of mourners (I feel like I lost a best friend), but I also rejoice that she will always be an iconic presence in the lives of so many people. 

Yes, the character Moore created is a true feminist icon, but I think there's so many other facets not just to the character, but the show as a whole. The situation comedy, I argue, was just as much about people as about issues of equal pay, gender roles, sexual freedom, journalistic freedom, and even, in one episode, anti-Semitism. 

And these were people we all to hang with, to laugh with, and in the case of the admittedly boorish Ted Baxter, to laugh at, but recognizing that beneath his bluster, as his wife on the show Georgette said, “Someone has to love him.” 
 

Mary and Ted

The phrase in the show's theme song, “Love is All Around You,” became in the show not a sentimental cliché, but a dynamic emerging out of relationships where the characters, following the lead of Mary Richards, accepted each other's human foibles with grace and subtle humor but also knew when and where to assert their own self-respect and human worth. 

As I mentioned above in the case of Ted, even characters like Phyllis and Sue Ann Nivens which could have become caricatures of narcissism and nymphomania, were not, because they were ultimately viewed from the perspective of Mary, and the brilliant actresses who played them understood the show's unique dynamic. 

So many moments on this show exemplify what I am trying to say. One episode that stands out include the first episode where Sue Ann appears, “The Lars Affair.” This predatory “other woman” whose public persona is the Happy Homemaker has an affair with the unseen husband of Phyllis. What makes this episode so interesting is that it's clear Phyllis is the wronged woman, but both Mary and even Rhoda (Phyllis' enemy), actually find an interesting, humorous insight into the situation: Phyllis, who is always trying some newfangled, ephemeral scheme (even encouraging Ted to run for public office at one point), seems to be, because of her quirkiness, more the “other woman,” while Sue Ann with her mom, apple pie, frilly apron persona, looks more like the cliché of the wronged wife. 
 

Phyllis and Sue Ann

At one crisis point in the episode, Phyllis tries to emulate Sue Ann by baking an apple pie (with disastrously funny results), bemoans her husband's clothes are cleaner after his nights with Sue Ann. We see Phyllis' combination of narcissism and vulnerability here, and also, the show's emphasis on a community of friends that transcend conventional views of family to whom she can turn in a time of personal crisis. 
Rhoda, Mary, and Phillis


Phyllis gets her revenge (a brilliant move using food), but only after Mary intervenes. Mary, always tactful, tried to stay out of it, but she finally took action, telling Sue Ann that Ted knows about the affair, and thus everyone knows, and that an extramarital affair would not exactly be the best image for the Happy Homemaker. Mary does this on the spur of the moment, and her intentions are not vicious (she does not spread the rumor), but she knows that it is time to hopefully do something to preserve everyone's self respect. 

I could go on even more, emphasizing what so many others have done the evolution in Mary's relationship with Mr. Grant (I just knew on the next to last episode when they dated that they would never finish that kiss without laughing), and the show's brilliant use of belly laugh humor in the Chuckles the Clown episode to wrestle with the usually unfunny death and mortality. Ah, that scene at the funeral. Young lady … askes the minister. Young lady … Mary looks back. And then her most perfect Mary Richards (so consistent to the character when she was torn between not making a scene or saying her mind) flustered, plaintive moan. 
 

Funeral scene from Chuckles the Clown

I mentioned earlier the unique sense of community that the show revealed, in the interactions of Mary with her her neighbors who were also her friends and with her coworkers who were also her friends. I always envied that dynamic, especially later in life when, like many other LGBTQ persons, I had to create my own family, when, like Mary, I moved to the big city to be on my own and hoped to find love all around me. 
 

Mary Tyler Moore cast embracing

Yes, Mary Tyler Moore and her character of Mary Richards, you made it after all with an amazing combination of strength and sweetness (and intuitively knowing when to use either one or both), and you gave hope to so many that they could do the same. 

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Grow Up! Sleep (And Do Other Activities) in a Bed!

I've heard so many random comments about how some people need to and never graduate from college student physical student sleeping structures. Think futons, mattresses on the floor, twin bunk beds. A friend of mine was actually completely repelled by a person who now makes good money (first “real job” after freelancing) who is still sleeping on a mattress on the floor. (And apparently doesn't suffer from back problems, like one friend, who would be sleeping in agony on most conventional beds.) 

 

Futon on floor

I guess maybe the whole adult bed issues ties into marriage. You know, the marriage bed, and dowry chests often contained linens and other items to furnish the bed. And this bed would be for the couple only, a major rite of passage, as for many centuries siblings and unmarried family members routinely slept together in the same bed. Why? Most people were poor. Privacy was lacking. Bedding was expensive. 

Of course, in the United States, most young adults live with each other, cohabit before marriage. In fact, I even remember when I was living in the dorms, the sign when a guy and a girl (two guys was of course taboo at that time) began to cohabit was the double bed. Sometimes two beds pushed together, and usually in the guy's room. Apparently the guy's dorm was a more acceptable place for sex than the girl's dorm. The few times guys even visited the girl dorms was for let me eat with or even fix dinner for you in my room. Sexist, oh yes! 

I've often wondered if a certain type of bed makes better sex. I mean, some bed sex fantasies involve frills and canopies and flowers but also rough sex. Really rough. I think of those bodice-ripper historical romance novels, where the guy who ends up being Prince Charming, but not after some often an often mind-boggling I love him, I hate him, I love her, I hate her, and the result of this confusion is a heroine deflowered before the wedding, sometimes on the same bed where she ends up after the marriage. 
Bodice ripper cover art


In contrast, the man-eating, predatory Sue Ann Nivens on the Mary Tyler Moore Show ended up doing the deflowering on her indescribable bed. We see this bed in one episode, where the WJM-TV gang congregate to comfort her when she realizes her sister will be staying in Minneapolis to host a rival cooking show. Erosville, USA. Cupids, flowers, pink satin. It vibrates. And when the climax occurs (and in Sue Ann's world, her climax is the goal), the florid theme from Tchaikovsky's Romeo and Juliet sounds forth. 
 

Sue Ann Nivens' bed

I'm not entirely sure how LGBTQ persons fit into this dynamic, because for ages they were banned from participating in traditional heterosexual rites of passage. In the days of the closet, when lovers had to present themselves as “roommates,” I'm sure a double bed would more than raise eyebrows. But then, those were the days when heterosexual icons Lucy and Ricky had to sleep in separate twin beds after the first season of I Love Lucy as a double bed was too risque. 

I just bought some bed risers for my futon frame. I sleep on a futon, which used to be on the floor, then on a low wooden frame, then on a black metal sling frame (still low). Now the sleeping structure resembles a bed, at least the height. Have I grown up? Maybe, but the best sex I've had occurred on the floor of a van. 
 

 

 

Hot nude guy in front of van

 

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