BijouBlog

Interesting and provocative thoughts on gay history, gay sexual history, gay porn, and gay popular culture.

Forty Years Ago: Fred Halsted and Jack Wrangler Debuts

Forty Years Ago: Fred Halsted and Jack Wrangler Debuts

In the spring of 1975, states were repealing sodomy laws, though on April 12 the Arizona House passed an emergency measure to ban same-sex marriages, and the Colorado Attorney General ruled such marriages were illegal too.


Despite these setbacks the gay liberation counterculture was in full swing, despite so many setbacks, and the gay porn industry, at that time a major outlet for expressing openly (and often artistically) gay men's sexuality, was flourishing in its film to movie theater format.

 

For example, on April 30, Fred Halsted's film Sextool came out. Its definitely experimental approach - which involved surrealistic imagery, BDSM sex, and disjunctive editing - turned off rather than on many reviewers, but it did get a write up in the mainstream press. Variety actually claimed Halsted was “the Ken Russell of S & M homoerotica.” Bijou's review is here.

On May 19, Jack Stillman made his debut as Jack Wrangler when he performed a striptease on cowboy gear at the Paris Theater in Los Angeles. He was dressed like a cowboy. He took his surname from those cowboy jeans that really show off a cute ass, of course.

 

Later that year, he starred in his first gay porn film, Ranch Dudes, a 15-minute loop where he jacks off his big member in a corral. He must have really been into that cowboy look early in his career. We have remastered an edit of this loop, calling it Cowboy, in our Magnum Griffin 14 compilation.

 

Here at Bijouworld.com and Bijougayporn.com (where both of these titles can be found) we are dedicated to the preservation and dissemination of key artistic mediums that shaped and continue to shape gay sexuality.

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Come to the Cabaret

Come to the Cabaret

“Come to the cabaret ...”

I watched the movie Cabaret when I was in high school under adult supervision (I guess it was beyond my parents to figure out that Sally Bowles was not at all judgmental about her gay friends).
 

The I graduated in college to the gender bending Victor, Victoria, much of which takes place in nightclubs/gay bars which seem to be pretty much be synonymous with cabarets.

Live entertainment … torchy songs around the piano … lamps with shades on the tables … people smoking … all dressed up in evening gowns and tuxedos …. scenes that were also commonplace in mainstream Hollywood movies of the 30s and 40s, except in those movies, they were pretty much heterosexual, though the usual sultry contralto (low, almost masculine) voice of the lead female singer singing songs usually about elusive romance and hidden passions and perhaps a “sissy” waiter hinted at gender bending.
 

When I first came out in the eighties, there was a big gay bar that I guess you could also call a cabaret in Chicago, called Gentry. It was rumored to be the place to pick up a rich husband. Now, apparently, such places were not at all uncommon in Chicago, strictly gay cabarets often featuring drag performers, as far back as the 1930s.

According to Lucinda Fleeson in an article called “The Gay 30s,” there was place called Diamond Lil's, at 909 North Rush Street (get the reference to Mae West?), that was so popular people ended up being turned away. And the high society people flocked to those places; the Chicago Gray Line Sightseeing Company included gay pick up venues such as Bughouse Square in front of the Newberry Library as part of its package, appealing to the allure of what is strange, different, “queer.”


Yes, Chicago was Sin City, until mayor Edward Kelly decided to “clean up” the nightlife, and the moral panic of 1936 (everyone was a potential sex predator; remember the 1980s Satanic day care crisis? Same mentality) pretty much ended what was called “The Pansy Craze.”

Tastes have changed, and cabaret seems to have become a more specialized entertainment, not because of its audience, but because of its musical appeal. Some claim that piano bars/cabarets in general declined by the late eighties because of the popularity of electronic music, disc jockeys, bands, and even live karaoke.

In fact, I can't think of a specifically gay cabaret in Chicago since the closing of Gentry (it tried to revive itself in Boystown after leaving the Rush Street area, but it has since closed). There's a place called Davenports in the hipster area Wicker Park which is a piano bar not specifically gay (I noticed on its schedule a gay tribute for Pride Month, focusing on gay icons of the past, but no drag acts), and Mary's Attic, a gay venue in the now heavily gay area of Andersonville often puts on cabaret acts.

 

Perhaps the fascination with retro for these demographics might have something to do with the popularity of these venues … but tastes (and gay icons) have changed, or one might even claim, they've become more eclectic, especially for millenials who can stream practically anything in a millisecond.

Still, it's awesome to be able to find places in Chicago that keep cabaret, now taking on the status of a tradition, alive in the Chicago area.

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The Real Benefit of Same-Sex Marriage: Human Dignity

The Real Benefit of Same-Sex Marriage: Human Dignity

 

This scenario is unfortunately all-too familiar: a gay man dies, and his partner ends up having to fight the “blood family” for property, a dwelling place, even a burial space. Unless a gay couple takes extraordinary, expensive legal measures, which in some cases means even adopting each other (see this link for a famous case), they are not legally protected, which protections and benefits would happen automatically if they were a heterosexual couple.
 

I know one person the above scenario happened to. He had to leave his dwelling of twenty-five years. His partner's homophobic family banned him from the funeral, and stole the burial plot. Why? He was not legally protected.

 

In another case, another friend of mine was much more fortunate. They lived in Florida, a state notorious for its homophobia (hello, Anita Bryant). Luckily, the partner's sister and brotherin-law were on good terms with him and followed his instructions about the sale of the house and other matters of the estate. Regardless of the financial situation, they respected the relationship. Their respect showed they saw my friend as a person, not an enemy “other” or an impersonal commodity.

The Edie Windsor case publicized and created much-needed discourse at the highest level the fundamental injustice of our defining only by gender civil marriage (yes, civil, not religious/sacramental). Edie would have had to pay an astronomical amount of inheritance tax on her wife's estate (yes, wife) because, as above, they were not a heterosexual couple. In response to this case, the Supreme Court struck down DOMA.

In other words, the civil society essentially treats those who do not fit heteronormative social structures as second-class citizens in a country which purports (and has failed and still fails to do) to operate under a claim that all people are created equal.

What I've said so far is not new, but I think it is really about not just the issue of same-sex couples being able to enjoy the economic, social, and psychological benefits of civil marriage, but about human dignity.

Human dignity transcends the physical ties of blood and the laws people make to be able to live together (which often results in people using each other as commodities, rather than persons). We experience human dignity by showing empathy and compassion for a person outside yourself, which means being able to find a piece, however difficult that may be, of that person in you, a process of growing, really becoming. To use the language of the famous Jewish philosopher Martin Buber, we need to enter into an I-Thou relationship, rather than an I-It one.
 

It's unfortunate that many of the benefits that those who enter into marriage are commodities (and in the past, remember, the wife [and the children] were essentially property of the husband), but I am hoping that we will get to the point that marriage equality is not just about a legal transaction. It's the recognition of the dignity of each human person as a complex, imperfect, non-binary becoming.
 

 
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Gay Pool Party, 1940s Style

 


It's pretty much a given, that, as humans, we often laugh at what others think is taboo, or in fact, anything that really makes us uncomfortable.

 

(My students, though technically adults, still laugh at the word toilet.)

The greatest comedians have known that a joke about sex usually gets a laugh, and the best ones don't always have to necessarily be that graphic.

Here are a few zingers from The Big Book of Famous Sex “Quotes.”

 

Mae West

A terrible thing happened to me last night – nothing. – Phyllis Diller

Home is heaven and orgies are vile
But you need an orgy once in a while. – Ogden Nash

The perfect lover is one who turns into a pizza at 4 a.m. – Charles Pierce

I know so much about men because I went to night school. – Mae West

Sex is more exciting on the screen and between the pages than between the sheets. – Andy Warhol

Pornography is in the groin of the beholder. – Anonymous

Oral sex: the taste of things to come. – Anonymous

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Retrostuds of the Past: Focus on Gordon Grant

Retrostuds of the Past: Focus on Gordon Grant

 


Gordon Grant! He's the total rock solid muscle hunk with a 9 inch uncut cock who's featured in several magazines and brochures we carry and on the covers of our titles Pleasures in the Sun and Hot Truckin'. In Hot Truckin', tough-looking Gordon, called Buck, is a handsome deliverman who sucks and fucks blue-collar types while on the job - first a carpenter, then a painter - both young, handsome, and horny. He and his co-worker (Nick Rodgers) end up picking up a hitchhiker … in more ways than one.
 

Born in Alaska of Dutch and Nez Perce Indigenous heritage, he appeared in such films many of the FalconPacs, like The Lifeguard, Working Late, and The Crotchwatcher in the 1970s and 1980s.
 

Gordon Grant on a beach in The Lifeguard

He also appeared in Dirty Words, billed as Falcon's first feature film (as opposed to loops). He also went by the name of Don Bowman.

According to a vintage Colt magazine, he worked for two years as a construction worker on the Trans-Alaska pipeline. Ripe fantasy material …

Gordon also did some stunning Colt photo spreads, often modeling two figures in the Village People gamut: cowboy and construction worker. Wow! Such big arms!
 

Gordon Grant cowboy Colt photo

 


He pretty much epitomizes the original Colt man, a direct descendant of all those muscle beefcake types that appeared in magazines like Physique Pictorial and Tomorrow's Man.



Gordon Grant - Backpacking to Nature - Colt photo


Gordon has passed on, but information is obscure. A couple of sources claim he died in the early 1990s from AIDS related causes, the fate of so many porn stars of that generation, but I could find nothing specific.

Still, he pretty much has entered the Mount Olympus of gay porn icons.
 

 


 

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