BijouBlog

By Madam Bubby
 

Note there appear to be three types of cock heads. Also note the measurements are based on the hard dick, not the soft dick.

What is also interesting is this site is ostensibly a straight site. But then, perhaps, all men are at heart little boys who like to compare their weenies.

Now, let's look at Al Parker's cock specifically. What type of head does he have? Seems like a mushroom one to me, and based on the size of his cock, that means one big head to take.

For more cock heads and men giving head, stream scenes at www.bijougayporn.com.

Though the information in this book is quite fascinating in scope, it seems like the real appeal is for size queens. For example, the book includes a picture by Tom of Finland, whose drawings with exaggerated cocks play on the age-old fascination that a big dick is power, an aphrodisiac that makes all who come in contact with a big beautiful cock swoon. So to illustrate the point, the majority of the photos in this book are of famous porn stars with 11-inch dicks or longer: Cassidy, Dakota, Ray Fuller, and the legendary John Holmes.

Nothing is new under the sun or under the covers, for that matter. This obsession with a big cock and its potency is apparently something men never grow out of. That desire sublimates itself even today in the constant ads for Viagra and similar products. But as Dr. Ruth has advised, in a multitude of ways, bigger is not necessarily better.

But can big mean better, or even best, in certain contexts? In the case of the porn stars above, the big cock works in their favor as an immediately identifiable indicator of sexual power, prowess and sexual gratification. Isn't that why many gay men watch porn? To share in that power, and then enjoy good sex where the whole time your dick feels like it is 13 inches (even it it's not) because you feel good about yourself and your sexuality. So as I see it in the end (pun intended), sorry Dr. Ruth, bigger is better.

Lee Ryder was born in 1959 as Darras Robert Pyron. He was California born and bred, raised in Laguna, and he graduated from Esperanza High School in Anaheim.

After Mark Reynolds discovered him and featured him in All American Boys, he literally made a splash in Falcon Studio's Huge in 1982.

He starred in thirteen features between 1982 and 1986, including Bijou titles Screenplay, A Few Good Men, Giants 1, and 2 X 10.

Now, of course, if one views these films, it's clear that Lee Ryder's cock is pretty much legendary. According to one Jeff Starkey, who reviewed the movie Screenplay in tandem with Ryder's appearances at the Bijou Theater to greet fans and sign autographs back in 1984:

"Ryder's cock is long, thick, and shapely and is criss­crossed by just the right number of lovely veins. Beneath it hang a perfectly balanced pair of what appear to be 5­pound balls. When his cock appears in public, it is usually hard as a baseball bat, with its swollen head looking purple and petulant."

Purple and petulant? Wow. Perhaps those adjectives could apply to the cock, but not the person.

In an interview with Stallion magazine, known for his sexually aggressive but also unforced, natural screen presence, seems rather low­key, both veering between a quiet confidence in himself, but also showing a somewhat self­-deprecating attitude. Definitely not the “divo” attitude of so many celebrities: “Everyone wants to look at me, I am the Adonis with the giant cock and all should worship me."

In fact, in the interview, he actually seems rather pragmatic: he does it for the money, and for his business (he actually was a successful floral designer), but ... he actually doesn't see himself as a sex symbol. He just enjoys being himself, and letting a chink of vulnerability come out, being wanted.

(We also find out in the interview he had a relationship with an older guy from ages 15 to 18, who tragically committed suicide soon after they broke up.)

To add to the complexity of his character, despite his appearance at the Bijou and other venues as a gay porn celebrity, he actually admits he would rather not be recognized (he even goes to Europe to escape the attention)... and he notices, even when he does, the guys stay away, or “they stare – I guess I do show a big crotch – or they look at my eyes.”

To be honest, at least for me, the eyes can be just as erotic as, especially in Ryder's case, a dick of death. And Ryder he admits in the interview that he loves his eyes. And rightly so!
 

His eyes make love to the camera, like those of that famous movie star Joan Crawford (completely the opposite in her approach to celebrity). The eyes themselves create a unique effect in the viewer; they seem to draw you in with a promise of something intense; you think he is looking directly at you via the camera, which could satisfy your desire, but you at the same time feel like you will always want more. Perhaps it's their narrow shape but also richly colored pupils. I don't know, but I can't stop looking at his picture on the cover on Stallion magazine as I write this piece.

And I promise you, you won't be able to take your eyes off of Lee Ryder in our remastering of Huge (now Huge 1) as he beats his meat while perched on the toilet ­ ­ making it bigger, hotter and harder. He, Rick Jensen and Matt Stoker roll around on the cold concrete floor, licking each other's hairy armpits and sitting on each other's faces.

Despite these setbacks the gay liberation counterculture was in full swing, despite so many setbacks, and the gay porn industry, at that time a major outlet for expressing openly (and often artistically) gay men's sexuality, was flourishing in its film to movie theater format.