Posing

Posted by Madam Bubby

 

The word posing can evoke images of runway models and persons on instagram (including celebrities famous for simply being famous).

But there's more to posing than duck lips and giving the finger.

Posing has been an integral part of the bodybuilding world, a specific part of contests, and I might add, one can view many of these contests on youtube.

According to one source, these are the mandatory poses in bodybuilding:

1. Quarter Turns
2. Front Double Biceps
3. Rear Double Biceps
4. Front Lat Spread
5. Rear Lat Spread
6. Side Triceps
7. Side Chest
8. Front Abdominal & Thigh

 

Men's Classic Bodybuilding Poses
Men's Classic Bodybuilding Poses, source: https://www.ifbbsa.co.za/images/Criteria/men/men-s-classic-bodybuilding-2019.pdf

 

A quarter turn shows off the symmetry of the muscles as a whole. The lat is a large, flat muscle on the back that stretches to the sides.

Specifically in relation to their function in a contest, the source clarifies that “a pose which is either optional or mandatory depending or the federation one belongs to is the most muscular. During any bodybuilding show, in the pre-judging portion, the bodybuilder will be called upon to complete the mandatory poses, often several times he or she is called back out and compared with their fellow competitors.”

 

Schwarzenegger and son posing
Schwarzenegger and son, source: https://theblast.com/c/arnold- schwarzenegger-joseph-baena-famous-pose

 

Yes, they are showing off too, but it's something they worked hard to develop, whatever their intentions. It reflects discipline. It's earned body show-off time.

Now, personally, I'm not into super, super bulked up guys; I am attracted more the attitude conveyed by these poses that combines both discipline but also dominance, even arrogance. It's like that male hands on hips pose on steroids. Or rather, the body and the attitude become one powerful image.

Overall, by watching some of these contests online, I discovered a perfect way to while away time in quarantine. It's ultimately voyeurism, and guess what, it's something one can do alone. Build muscles and pose alone, and then show off the glory to others who are alone digitally. Their invisible audience can participate in the glory, which in many cases, including mine, involves a glorious orgasm.

And tying into Bijouworld's mission of disseminating and analyzing the rich LGBTQ historical materials it carries, check out our extensive selection of vintage/retro/physique beefcake magazines from the 1900 through the 1970s, including the famous Physique Pictorial founded by Bob Mizer. Some are traditional bodybuilding magazines, but some, even though they do contain information about contests and bodybuilding tips and exercises, are really vehicles for coded homoerotic imagery that became more and more prominent toward the latter part of the last century.

 

Cover of Summer 1955 Physique Pictorial
Physique Pictorial, Summer 1955

 

You can also check out a 1987 San Francisco gay bodybuilders' competition presented by the Male Entertainment Network, available from Bijou Video both streaming and on DVD.

Rate this blog entry:
1626 Hits
0 Comments

Joe Tiffenbach: The Early Years

posted by Madame Bubby

By the 1970s, the golden age of gay porn in the heady days in the aftermath of Stonewall, already Joe Tiffenbach was achieving a type of iconic status as “grandaddy of gay porn.” Who was this person who encompassed in his life many different roles in the LGBTQ community? In many ways, his life and work is a microcosm of the lives of many gay men since WWII.

Joe's varied career warrants an IMDb entry, and what it says is quite telling if one applies a historical and social context. Joe Tiffenbach, Jr. was born on December 23, 1923, the son of Joseph and Mary Tiffenbach, somewhere in Los Angeles County, California. He was to remain in California for the rest of his life.
 

Joe Tiffenbach's grave
Source: findagrave.com

Joe enlisted in the Army Air Corps in 1943; I don't know if he ever saw combat, but one could perhaps surmise his experience in the army, like that of many gay men during this period, may have exposed him more fully to other gay men. California at that time was to some degree a mecca for gay men, because many could obtain employment at different levels in the movie industry. The closet door was closed, but in that closet many gay men were able to thrive in the creative fields while participating in the sexual underground.

After leaving the service in 1946, Joe went to college (probably on the G.I. Bill, which opened up many opportunities for persons of all social classes during that period). While in college, a friend introduced him at a party to an important figure in LGBTQ history and Old Hollywood history, William “Billy” Haines. William was a star at MGM during the silent era of the 1920s. He became a lifelong friend of Joan Crawford, with whom he starred in some movies. He ended up leaving the industry in the early 1930s because he dared to defy the all-powerful Louis B. Mayer by refusing to hide his homosexuality and living openly with his life-partner, Jimmy Shields.

Subsequently, William became a famous interior designer (he designed the interior of Joan's home in Brentwood, the location of the “Mommie Dearest” incidents). His wealth and social status enabled him to make his home a center of LGBTQ culture during that period. In other words, Joe entered the realm of that era's A-list gays!
 

Joe Tiffenbach's grave
Joan Crawford, Billy Haines, Jimmy Shields, and Al Steele
Source: https://garbolaughs.wordpress.com/2011/06/23/william-haines/

At Billy's home that evening, Joe also met John Darrow, a former actor turned Hollywood agent, and John's lover Chuck Walters, a director and choreographer of many famous movies with stellar casts, including The Unsinkable Molly Brown with Doris Day and High Society with Bing Crosby, Frank Sinatra, and Grace Kelly.

What happened next sounds like the beginning of a stereotypical rags to riches movie plot. John and Chuck got Joe a job in the 20th Century Fox mail room after he finished college. He didn't exactly obtain the riches, but he ended up beginning a career in the mainstream film industry, producing travel films and obtaining various production jobs on studio shoots for major films. If he didn't enter the upper echelons of Old Hollywood, he was certainly “in the know,” and definitely had made connections with some of its more openly gay figures.

While Joe was working in the Hollywood studios, he was also participating in California's gay sexual underground. Beginning in 1950, he began posing for Bob Mizer's Athletic Model Guild publication, Physique Pictorial. Ostensibly a bodybuilding/beefcake magazine, Mizer was really producing homoerotic material. The muscle beach movement that burgeoned in California (that produced such sword and sandal/muscle icons as Steve Reeves and Dick DuBois) during that period served as a kind of “coded cover” for his images of semi-nude men, often photographed nude with the posing straps painted on before publication. (Not all Mizer's models were gay, but gay for pay was of course not a novelty in this subculture where, according to uber-hustler/pimp Scotty Bowers, Old Hollywood stars, living in the closet of fame and fortune, were able to pay for gay sex.)
 

Physique Pictorial, August 1952 cover
Physique Pictorial, v.2 n.3, August 1952
Source: https://bijouworld.com/Vintage-Physique/Physique-Pictorial-v.2-n.3-August-1952.html

Joe posed for the magazine for some time, as well as for other “physique photography” studios such Bruce of L.A. Then, in what seems to be a pragmatic move, in the 1960s he began taking his own physique photos. And in the more sexually liberated climate of the 1960s and after the famous MANual Enterprises, Inc. vs. O'Day case which established that such photos were not obscene, he began photographing and filming gay erotica.

In 1969 Stonewall occurred on the other side of America, and also that year, Richard Amory produced a groundbreaking soft-core gay erotic film called Song of the Loon (available from Bjiou Video). Joe, though uncredited, was one of the cinematographers. Joe would enter this era of gay liberation as a pioneering participant in gay erotic filmmaking, utilizing his extensive Old Hollywood background in photography and cinematography.
 

Images from Song of the Loon
Song of the Loon (1969)

Part two to follow next week, detailing Joe's involvement in other gay porn films and also his contributions to a couple of famous gay porn magazines.

Find two 1971 Jaguar classics directed by Tiffenbach, The Baredevils and Sudden Rawhide, through Bijou Video, as well as one of his much later directorial efforts, our newest release, Tall Tales (1986), starring Morgan Hunter, Cory Monroe, Gino DelMar, Dane Ford, Matt Forrest, and Chaz Holderman.

Rate this blog entry:
Recent comment in this post
Christopher
I hope you are well! I just found this blog, and I am really loving the posts. Joe Tiffenbach is certainly an interesting subject,... Read More
Sunday, 26 April 2020 14:57
1976 Hits
1 Comment

RetroStuds of the Past: Focus on Jay Richards

posted by Madame Bubby

Jay Richards appears in so many Robert Prion and other gay porn movies and has such a long career span that the word prolific seems to be an understatement.
 

Jay Richards headshot

According to Gay Erotic Index, hailing from Glendale, California, he is identified also as an Athletic Model Guild model in the 1960s under the name Ernie Matthews. I located a rare photo of Ernie Matthews on an ebay site, and he certainly fits the blond beefcake look of the period, but the dates don't add up at all. This does not seem to be the same person!
 

Ebay photo of Ernie Matthews holding a fishing pole

Possibly the same young man, credited as Jay Richards, appears in the June 1964 issue of Jr., where he is noted for his “prowess in surfing.”
 

Jr. Magazine photo of Jay Richards

Again, this cannot be the same person as Prion's Jay Richards! I am most curious how this particular error occurred.

The other Jay Richards focused on the films of Robert Prion. He appears in several films available at Bijou Video, such as: Jay as one of the hungry mansex hunters in the free for all orgy in The Wild Guys, to giving Rick Thomas a healthy rimming and fucking in 19 Good Men. In Men Who Dare, he fucks doggie style and later does a three-way. And many, many more. Overall, I think that youthful prowess in surfing is quite superseded by Jay's prowess in any gay sexual activity!

Jay has even periodically shown up at the Bijou Video office, once, years ago, autographing a photo from a magazine.
 

Autographed photo of Jay Richards

Jay is still alive. Given his almost 40-year association with Robert Prion, the owner of Bijou Video quipped, the two should be married at this point.

I haven't really been able to find much other information on him, such as an interview. Perhaps one could say he is really part of Robert Prion's legacy, and to know him is to watch the films of Prion.

Watch films starring Jay Richards streaming on our VOD site.
 

Jay Richards and another Prion model

Jay Richards and another Prion model in a later Prion video
Rate this blog entry:
4384 Hits
0 Comments

Sunburn

In the olden days, and I am talking way, way back, it was a status symbol in European culture especially among women, to be “pale.”

Imagine fair skin, and not just naturally fair skin (that Swedish skin I inherited from my mother) or what some often term an “English” complexion (which means one burns easily in the sun). To show fair skin meant you were wealthy enough to not have to work outside like peasants and slaves.

And being white and, even more than white, pale thus frail, also implied that she was naturally above those darker persons whose job was to toil outside so you could stay inside.

Thus, a lady would powder her face (which action, in addition to trying to conceal blemishes with patches that could be interpreted as beauty spots, was really an attempt to cover up smallpox scars).

Now, the same physical and social dynamic might also apply to men. The urban “fops” (both straight and gay) in eighteenth century England did powder their faces. The more rugged guys (probably “rough trade” for the fops) probably showed tans, but again, a darker skin implied a lower social status.
 

18th century macaroni in pale makeup

By the 1930s, the standard of skin beauty had changed, especially in America which contained a state with a Mediterranean climate, California. And that state was producing movie stars who dictated to the masses new standards of beauty. If Joan Crawford praised sunbathing, the ladies of America (the few who had time to sunbathe, that is) would follow suit.
 

Joan Crawford sunbathing
Joan Crawford sunbathing

(It also helped that the poisonous arsenic-based makeup women used to create the illusion of paleness was a thing of the past by that time.)
 

Ad for arsenic-based soap claiming to improve skin health

Men started showing their torsos, especially after Clark Gable (Joan's long-time lover and compatriot) was the pioneer who dared to show off his hunky chest in It Happened One Night. By the 1950s, the tanned muscle bods of the California beaches were worthy of emulation. Beach Blanket Bingo, here we are.
 

Clark Galbe shirtless in It Happened One Night
Clark Galbe shirtless in It Happened One Night

1950s bodybuilder showing off

And a skinny pale boy, the victim of sand kicking, could become a tanned bronze god by following the Charles Atlas workout routine.
 

Vintage physique magazine, Demi-Gods
Vintage physique magazine

It seemed like a nanosecond since that time to the tanning beds, salons, and steroids embodied in that woman who literally burned herself in order too attain her goal of the ultimate tan. (Is she sporting the burnt toast look?). In her case, her pursuit of an illusion produced its opposite: an admittedly grotesque “hyper real” image.
 

The tanning mom
Tanning Mom

Porn is in many ways by its very nature hyper real. Yet even though there were periods where one look was the model of beauty, such as the gay macho Castro Street clone look (which Al Parker and Will Seagers naturally embodied), the genre was able to revel in a range of skin and body types, from Peter Hunter's pale skinny twinks to the ebony muscle of Joe Simmons and their social and sexual implications.
 

Al Parker and Will Seagers in Wanted
Al Parker and Will Seagers in Wanted

The cast of Peter Hunter's Puppy Tales
The cast of Peter Hunter's Puppy Tales

Porn star Joe Simmons
Porn star Joe Simmons

Beauty in in many cases skin deep, but I think the emphasis could be on deep, because it's hard to separate the largest and most visible organ of the body, the skin, from one's deepest social and sexual identities.

I am thrilled I got some compliments about my sunburn, but I'm not going to develop that look obsessively. I'm more than my skin. Much more.

Rate this blog entry:
2300 Hits
0 Comments
Featured

Mars: The First Gay Leather Magazine

 

MARS:
THE FIRST GAY LEATHER MAGAZINE

 
Chuck Renslow

Chuck Renslow, gay activist and a pioneering figure of the gay leather community, founded Mars magazine in May of 1963. Renslow definitely pushed the homoerotic envelope of his time with this cutting-edge vintage gay physique publication that was instrumental in both creating and disseminating the image of the gay leatherman. 

The magazine combines the classic smooth muscle jock physiques of the physique magazines with what became the iconic image of the gay leatherman: a super- or hypermasculine look emphasizing a well-developed physique, oftentimes facial hair, a generous endowment, and motorcycle gear: heavy boots and jacket. 

It featured art by Tom of Finland and Dom Orejudos aka the artist Etienne and Renslow’s partner, among others. Several of the models hailed from Renslow’s photography or “physique house,” Kris Studio. 

Renslow discovered many of his models, such as Ralph Kleiner and Paul Ferguson (one of the murderers of silent film legend Ramon Navarro) at bodybuilding circuit competitions such as Mr. Chicago. 
 

Ralph Kleiner wrestling

Contents of one of the last issues, Issue 21, September 1966: 

Mars magazine, September 1966

 

This issue still offers an article on physical culture entitled “Exercising the Abdomen,” focusing on leg raises: short on text, larger on pics of a naked guy doing them (no posing strap in site, the genitalia deftly covered by the camera angle and the position of the legs; note the hint of pubic hair). Pretty desultory compared to the much more detailed articles that appeared in the more conventional physique magazines of the period. But the point is the picture, really, by this stage of the game! 


The editorial on page three and on pages 42-47 shows the still difficult issues with censorship, despite the MANual vs. O'Day decision in 1962. The text reports that Ralph Ginzburg, producer of the erotic magazines Eros and Liason (the text reads “artistically produced”) another covering term for these types of publications), was convicted on a charge of mailing obscene materials in 1963. The prosecutor was the late great Robert Kennedy; wow! 

The above tidbit shows how one is continually uncovering parts of history that change one's view of a famous personage around which certain myths develop. The Supreme Court upheld his conviction by a 5 to 4 decision. The text also gives detailed analysis of the different judges' reasonings for their decision. The argument's thrust here is the ruling's unconstitutionality, despite the nuances of the judge's interpretation of this First Amendment issue 

Guild Book Services, one of the few openly gay companies during this time period, offers their usual insert in this magazine. The review of the book Homosexual: Personal Case Histories of Homosexuals is most interesting, as it seems to offer, for the reviewer, a really wild gamut of deviations (including BDSM), distasteful but without an overtly moralistic commentary. Though the comments of the psychiatrists that accompany these stories probably endorse the gay equals sick hypothesis prevalent during this period, which one could definitely claim is supported by the unusual evidence here! 

This issue, focusing on a motorcycle theme, contains stunning homoerotic leather/fetish art by Luger, Orsen, and Tom of Finland. On pages 10-11, there is a classic Etienne,which he painted for a local bistro in Chicago (the legendary Gold Coast Bar?). 
 

Gold Coast Bar mural - Etienne

 

Pictures from the movie Motorcycle Hero (take of more of the clothes and one would have a gay porn movie, but then, in this case, the leather gear would stay on). A young man dons his sleeping friend's (what a woofy hunk) leather gear ... and ... much is left to the imagination. 


The magazine ceased publication in 1966 or 1967. 

Rate this blog entry:
6485 Hits
0 Comments

Contact Us | 800-932-7111 | Join our email list

Go to top