Johnny Dawes, famous face in 1980s pre-condom gay porn, was born in Akron, Ohio, on March 22, 1955. His birth name was Brian Lee.
His career in gay porn started in the late seventies, was in a loop called “Toilet Training,: part of Falcon Video Pac #23. Acccording to Gay Erotic Video Index, in 1978, he made a film for Falcon Studios, Dirt Bikes, aka F Truck.
Thus began a prodigious career for many studios, pretty much the major ones of the late 1970s and 1980s, such as HIS Video, LeSalon, Mustang, and Marathon, and and other less known ones such as Ari Productions and Stardust.
Johnny has starred with a number of actors which include Jose Garcia, Magdalena Montezuma Montez as well as Sharon Kane.
Paired together eight times, Chris Burns has had the privilege of being seen most frequently with Johnny Dawes, in flicks such as Pleasure Beach (HIS Video).
The collection of movies in which they have appeared together also includes The Private Pleasures of John Holmes (Stardust), School Of Hard Cocks (HIS Video), and Revenge of the Nighthawk in Leather (HIS Video).
Dawes retired in 1986, but came out of retirement in 1989, to make several films. In fact, a vintage gay porn magazine of that period, Thrust, celebrates his return, “the return of a bluemovie sensation,” in Who's Dat Boy.
Bijou Video shows him at this versatile best in Knockout, originally released by Pan Pacific Productions. Touted as the “only homoerotic boxing film,” Knockout reveals the intense world of boxing, where a sport of knocking out merges into knockout sex. Johnny Dawes plays the previous boxing champion, and he joins Eric Stryker, playing the new lightweight boxing champion David West, and David's trainer, Mark, played by Andrew Ryan, in a three-way jack off. Johnny returns to fuck Eric on a bed; the ex-champion thus shows his real dominance by deftly topping the new champion in this scene.
Other Bijou Video classics he appears in are Games, where he plays a swimmer who fools around with Mike Davis in a locker room, and Bad Bad Boys aka Bad Boys, directed by Tom DeSimone (Mustang), where he plays a runaway who seeks solace in the company of a street gang called The Red Devils, undergoing an intense sexual initiation as well as rebelling against the gang's evil boss (and Dawes shows his acting chops here).
And speaking of acting chops, according to the January 1990 edition of Manshots, he acted in the Los Angeles production of Night Sweat; he was a documentary filmmaker (A Dance with Death) and, most interestingly, an opera historian. He wrote an article on the Jewish-American soprano Alma Gluck, who sang at the beginning of the last century, for Opera Digest.
Wow! An embarrassment of riches; so much talent in that lithe yet sculpted body (not to mention his aesthetically pleasing cock, a shiny pole of power). Overall, in his performances, he manages to combine vulnerability with an easy, confident masculinity.
Brian Lee aka Johnny Dawes died of AIDS-related complications on July 25, 1989.
He performed this finely crafted poem in the AIDS play Night Sweat, four years before his untimely death from that disease:
Oh, let night speak of me for day
Knows not how breaks with woe my heart,
Knows not how I mournful stray,
Weeping for thee, so dear thou art.
The sad night weeps with me, and lays
His tear wet cheek against my own;
Although I walk in sunlit ways,
Still doth my heart in darkness moan.
The night shall speak of me and say
All things to thee I dare not show,
And to thy dreams my love display,
Till thou art melted by my woe.
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