David's Chicago Sexual Underground 8/10/22 & P(r)ick of the Week

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David's Chicago Sexual Underground header

Greetings P(r)icksters!

Long time, I know. Haven’t fallen off the planet (yet), just an incredibly crazy spring and summer. Things have somewhat settled down, but I have branched out into a new focus.

Life got overwhelming in the spring. After two years of covid interruptions, we at Touché had planned to host our Mr. Chicago Leather contest in January. That was until omicron came along at the beginning of the year. So we postponed the contest to April.

In the intervening time, I had staffing issues, trying to bring on new staff while others came down with covid and/or had time off for vacations, etc. I spent several nights behind the bar and, a couple of times, just limited hours of operation based on who was available to work.

We hosted a huge, huge MCL contest weekend. While we did not sell out the contest, the bar was packed all weekend and I literally just stood by the bar and watched my crew frantically serve the crowd. It was almost like watching the numbers turn at Mc Donald’s (remember when they used to post number of burgers served?).

All this made me behind schedule in planning parties for Memorial Day weekend when Chicago hosts International Mr. Leather. We figured we would see a pent-up increase in folks wanting to get out after this event was put on hold for two years, too. It was just that!

I was just as frantic trying to line up events, porn stars, dancers and everything else that goes into a six-night run of parties. Not kidding, it was just on Friday the week before everything would kick off on the following Wednesday when I nailed down the last details.

Then we jumped right into Pride planning, including lining up our local clubs to host our leather & kink contingent in the parade. On the heels of the Pride parade, I was also putting together my family reunion back in Ohio over the 4th of July weekend.

Coming back after that is where I took on my new focus, namely monkeypox. After IML & Pride, cases began to take off here in Chicago and it was a scramble to get ahead of it.

I first reached out to Chicago’s Department of Public Health but could only get a “leave a message” response. I could not speak to an actual live person.

Then I reached out to Howard Brown Health Center, they have a clinic just a half block from Touché.

A little history here, Howard Brown was here back in the 1970’s when I first arrived in Chicago. Back then, their focus was on STDs. It was basically a doctor and a nurse in the basement of a church. You had a drippy dick, they’d swab it and give you a shot of penicillin. Gay sex was taboo, most guys didn’t want to go to a doctor who would want to know how you got gonorrhea in your ass. Howard Brown was gay providers taking care of our community discreetly. It was drop in, no appointments, no fees, simple. You needed care and they did it.

Then came HIV/AIDS in the early 80’s. Howard Brown ramped up their efforts to care for gay men in the early days of this disease as some mainstream healthcare was paranoid of this new and deadly unknown illness. In the early days, Howard Brown would line up a medical van to pull up in front of a bar to offer free STD tests and eventually HIV testing in the 80’s. Howard Brown went from a small group of volunteers to a full fledged health clinic. Still lots of volunteers but a growing staff of doctors, nurses and more.

Howard Brown secured federal grants to treat and develop research into HIV/AIDS and continues to play a pivotal role. As they succeeded in treating people with AIDS, they took a more traditional role of healthcare, primary care, women’s healthcare as agencies like the Lesbian Cancer Project were brought under its organization. Howard brown expanded from one clinic in the gay neighborhood to several spread across Chicago. Also, HB would develop connections with other healthcare businesses; you can find a Walgreen’s pharmacy in their clinics.

I thought after our early days of working with Howard Brown on STDs and then HIV/AIDS, they would be jumping on this latest health crisis centered on our community. My first call to the clinic by the bar should have been a indication. This poor kid answering the phone had no knowledge of Howard Brown’s history or mission. He just answers the phone at this health clinic.

Eventually I got a name and email address (not a phone number) and began trying to get something set up to help keep our customers and community safe. Several back and forth emails over a week led to an actual conversation on setting up vaccine events at Touché.

In the meantime, I was contacted by Project WISH at the University of Illinois Chicago about hosting vax events. In a couple of days, we set a day and time for our first Vax Party. Before this, the local bathhouse Steamworks had begun hosting vax events there in late June. This Project WISH would offer vax shots at the baths, usually 100 shots at a time and there was at least twice that number showing up.

Other than Steamworks and now us, folks were scrambling to find vax shots at their doctors’ offices, some city health clinics and hospitals to get vaccinated. Even Howard Brown was offering vaccines on an appointment basis, but they stipulated in the first few weeks that you had to be displaying symptoms to get a shot. As you might expect, it has been just nuts to get ahead of monkeypox. Guess we learned nothing from covid.

Anyway, Project WISH has hosted two vax nights already at the bar, with more to come every week. They run it pretty simple. Folks need to fill out a two-sided form, then line up for a shot. No restrictions on whether you live in Chicago, Illinois, whatever. Our first night was crazy; we planned to start at 9pm but when we opened at 5 that night, the bar filled quickly. (I had to scramble to get staff behind the bar and open the second room.) We learned right away to be ready.

Our second vax party was last Wednesday, and we began prepping right at 5 pm. Had to, as when I arrived at 1:30 that afternoon, there was a line outside. To make it run smooth, I stood outside when we opened and handed each person a numbered ticket and the form they needed to fill out. I was told we would get 140 vax shots that night and I handed out tickets to the first 140 in line.

Once folks got inside, they could mingle around and wait until their number was called. We tried our best to make it a party with music and drinks. Even the medical team administering the shots enjoyed the night. It took them about 90 minutes to jab all 140 doses into arms. They’ll be back today, Wednesday the 11th, with hopefully 200 doses, and back again this Thursday the 11th.

Knowing monkeypox spreads by close extended physical contact, we’ve encouraged guys to slow down at the bar. We stopped showing porn on our screens and backed off some promotions that may entice guys to get touchy feely. It has hit us in the pocketbook, but we survived AIDS and now covid. We’ll keep working to get folks vaccinated and put this pox crap down. It may take a bit more time than we hope, but we can do it. Besides, we still have covid to contend with as well. Guess you can call me Dr. David now.

I’ll be back soon, as our Pride was fun and I have stuff from that to share. First, I’m going to get another round of vax parties lined up and set a couple of days aside to go rider some roller coasters.

Take care, get your vaccines for covid and monkeypox. If you have to quarantine or just hold back till we get the pox vax out, you can still grab my P(r)ick and enjoy yourself. Here’s a couple of fun choices for you to consider.

David

To order from Bijou, visit bijouworld.com, call 800-932-7111, or email bijou.orders@gmail.com

Prick of the Week header - images from M.A.G.I.C.

M.A.G.I.C. images
M.A.G.I.C. (D01681) - On DVD and Streaming

Inches images
Inches (D00044) - On DVD and Streaming
 

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7 Years with Colt Model MARK RUTTER

By Josh Eliot

 

I popped into work to see how editing was going on my movie Easy Riders. Chet Thomas was the post-production supervisor and a good friend. I mentioned to him that I was asked out on a date by a bartender from the Gold Coast, a bar in West Hollywood. He asked me which one and I described him. “Oh my God, you know who that is don’t you?” And I was like, “What?” He jumped up and started rummaging through a large plastic bin, throwing magazines left and right. He stopped when he found Pit Stop magazine from Surge Studios. On the cover was Al Parker and Mark Rutter and inside was a full layout of hardcore shots. “Is that him?” Chet asked while I did a double take, “Yes!” Chet went on to tell me the history of my mystery date. After shooting the layout for Al Parker’s magazine, Mark Rutter was introduced to Jim French and was signed as an exclusive film model with Colt Studios.

 

Pit Stop magazine: Al Parker and Mark Rutter

Pit Stop magazine: Al Parker & Mark Rutter

 

His scenes are in:
Genuine Leather - scene 1 with Joe Falco
Best of Colt Films 1 & 2 - scene 9 with Rocco Rizzoli (aka Giorgio Canali)
Best of Colt Films - 1 & 2 scene 7 with Ed Wiley
Best of Colt Films - 3 & 4 scene 6 with Clint Lockner
Best of Colt Films - 5 & 6 scene 6 with Hank Ditmar
Vault Classics - scene 6 with Bill Eld, Dick Trask and Long John

 

Colt models Clint Lockner and Mark Rutter

Colt models Clint Lockner & Mark Rutter

 

I was nervous as hell for this date because in the magazines he definitely looked like a bad ass, even though when I met him a few days earlier at a house party held by the Gold Coast manager, Karl Etheridge (Melissa Etheridge’s uncle), he was really nice and easy to talk to. It turns out he was nervous too, so he invited his friend Valerie (ex-mayor of West Hollywood) and her girlfriend to join us. We met at a bar called Rafters in WeHo and all got along great. We had lots of fun and drinks, and of course I wasn’t about to not go home with him on the first date - that would just be foolish. He seemed to know everybody, no matter where we went, and even managed to get himself a walk-on scene with Donald Sutherland and Leslie Ann Warren in The Great Train Robbery. Early on, he surprised me with a camping trip, but when we got there I discovered it was a huge group site with the Satyrs Gay Motorcycle Club. He would always shock me with things like that. The weekend was bizarre and quite intimidating!

 

Mark Rutter on the Great Train Robbery set and Mark and Josh camping with Satyrs Motorcycle Club

Mark on the Great Train Robbery set (top); camping with Satyrs Motorcycle Club (bottom)

 

Within two months, we moved in together. I was 29 and he was 41, but that never made me question our relationship. Mark had never lived with a boyfriend or partner, so this was huge for him. It took a ton of persuading because he had always been very independent, doing exactly what he wanted to do with no one to answer to. Let’s just say he moved in kicking and screaming, but shortly afterwards admitted it was the best decision. His cat Boba Leni got along with my cats Elvira and Little Ricky, and we lived as one big happy family for years. He continued his job as bartender, which was perfect for him because he was very social, and he never had anything negative to say about my work with Catalina Video (but he did refuse to do any kind of cameo in my movies). We took great vacations to Puerto Rico, Canada and San Francisco to visit his family. His mom is super sweet and only spoke French, so Mark translated. He was the best uncle to his twin nephews, and won over my mom and dad too.

The majority of our relationship was smooth sailing, always progressing and moving forward. Until 1994, when Mark and I attended the Gay Erotic Video Awards. It was going to be a pretty big night, as the movie Revenge of the Bi Dolls was up for numerous awards. Things were going well until former Catalina star Kevin Williams (Hot Rods: The Young and the Hung II) came over to our table. He started talking to Mark, who became uncomfortable and got up from his seat, walking Kevin over to the side. I was like, what the fuck is this? I had never met Kevin Williams, and as far as I knew neither had Mark. I went to the bar and caught up with Chi Chi LaRue, where we did kamikazes. When Mark returned to the table, I joined him and started quizzing, which I wish I hadn’t. After much push and pull, he told me that Kevin was at the Gold Coast the other night where he cornered him in the bathroom…. so he let him suck his dick. What!!! I was really kind of shocked and pissed. Sure, he sucked your dick, that’s all that happened? Right! The rest of the night turned to shit, I had many more shots and when they called my movie as winner for Best Bi-Sexual Picture, I went up on stage and made a complete ass of myself. It was like that scene from Gaga’s A Star Is Born, but at least I didn’t piss myself. I rambled on and on and on, the depravity haunted me for weeks. Some comedian co-host named “Ant” basically whisked Sharon, Chi Chi and myself offstage because, yes, I verbally graveled to them in the audience until they came up on stage! Yuk! Sally Field had nothing on me. Mark felt badly for hurting me and really worked hard to win back my trust.

 

Josh and Mark at the awards show and the following Thanksgiving

Josh & Mark at the awards show (top); the following Thanksgiving (bottom)

 

Around 1998, Mark started having medical issues and his body started breaking down. When he was diagnosed with CMV and dementia, he lost his job at the Gold Coast, which sent him into a great depression. Catalina allowed me to set up an editing suite so I could work from home and look after him as things regressed. Early morning on January 13, 1999, I was awakened by a beeping noise from his bedside monitor. CMV caused him to lose his sight a couple days prior and he was on morphine. I turned the light on and leaned over to see if he was okay, and saw his eyes wide open. I jumped on top of him and started shaking him, begging him to wake up, to come back, but after a moment I realized he was gone. I jumped off the bed, let out a blood curdling scream and fell to the floor, unable to do anything but wail for the longest time. The worst moment in my life. I am thankful that I was lying by his side when he passed at age 48.

We held his ashes until summer and buried him over his father’s grave in a beautiful seaside cemetery in Maine. Mark Rutter was an amazing man, adored by his friends and family, and I wanted to honor him with this record of our time together.

 

Mark Rutter on the cover of Colt Men

Mark Rutter on the cover of Colt Men

 

Thank you to Josh Eliot for use of the photos.

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

 

You can read Josh Eliot's previous blogs for Bijou here:

Coming out of my WET SHORTS
FRANK ROSS, The Boss
Our CALIGULA Moment

That BUTTHOLE Just Winked at Me!
DREAMLAND: The Other Place
A Salty Fuck in Saugatuck
Somebody, Call a FLUFFER!
The Late Great JOHN TRAVIS, My POWERTOOL Mentor
(Un)Easy Riders

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Wanted, Weekend Lockup and Weekends in Hermosa Beach

By Will Seagers

 

To say that I "worked" with Al Parker and his lover Richard (also known as Steve Taylor) in Wanted and Weekend Lockup is really not using the right word. I think the word pleasure better sums it up on all fronts!

My two film experiences with these two beautiful men occurred near the very beginning of the San Francisco stage of my film work. I was still sort of new to the whole "industry" of porn and all of its celebrities. I had never met or seen either of them. Boy, was I in for a surprise!

I remember meeting the production crew at a studio to be fitted for the police uniforms that Richard and I wore in Weekend Lockup. That first contact was when the magic started to happen. I could hardly wait to get into and then out of those uniforms so the real fun could start.

 

Will Seagers with Al Parker and Steve Taylor in Weekend Lockup

Will Seagers with Al Parker and Steve Taylor in Falcon's Weekend Lockup

 

We were taken to the outdoor location where our police car and arrest scene was shot. This was Al's J/O scene and where Richard and I arrested him and carted him off to the "jail cell" location back in the South of Market studio location. It didn't take long for the action and heat to start between the three of us. Clothes and uniforms were scattered all over that cell! Despite the inferno going on between us, I couldn't help but notice and admire the professional attitude in the performance... I knew I was with PROS. The film and magazine version enjoyed good press and reviews, as well.

After the shoot and much to my pleasure, Al and his partner invited me to come to their home in Hermosa Beach, CA. They picked me up at the L.A. airport in Al's new Cadillac Biarritz! He was so proud of that car. He and Richard were doing well in the porn biz and called it "The Company Car!" Once we arrived at their splendid beach house, most of the visit was in their bedroom... which was cleverly appointed with a sling! With very few breaks over that weekend, it was everybody taking turns in and out of that sling. IMHO, every home should have one. Lol. To my recollection, this was one of only two times something like that happened to me after a film shooting!

 

 

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.

 

Will Seagers, present day image

Will Seagers, present day image

 

You can read Will Seagers' previous blogs for Bijou here:
Welcome Matt/Will
What's For Dessert?
On and Off the Set: L.A. Tool & Die

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FRANK ROSS, The Boss

By Josh Eliot

 

I spent hours at a time staring across the street at a filthy looking restaurant called the Go-Go Kitchen. It wasn’t the restaurant that caught my attention so much, but the exterior door next to it. A door leading to an upstairs apartment where every shade of rabbit fur coat was walking through it, sometimes with a man, sometimes without. It couldn’t have been more obvious. I’m no fool, I saw Dawn: Portrait of a Teenage Runaway starring “Jan Brady” on NBC in 1976. In that movie, Dawn became a sex worker, and she always wore a rabbit fur coat while walking the Sunset Strip in Hollywood. I’m not sure whose name was on the lease for that apartment, but he must have had a lot of “daughters” with a suspiciously similar dress code.

It was 1980 and I was working in the ticket booth at the Screening Room Theater, a place with quite a history. The first full-length adult hardcore feature legally shown in the United States premiered there in 1970, and today there’s a plaque on the building stating so. The film was Alex de Renzy’s Pornography in Denmark: A New Approach. It was billed as a documentary, which helped it avoid legal troubles.

 

Screening Room Theater exterior and plaque

Screening Room Theater exterior and plaque

 

In the 1980s, the Screening Room was a XXX Gay Cinema with live shows on stage. As I sat there analyzing the sex workers' behaviors, I felt two hands begin to rub my shoulders; it was my boss, Frank Ross. In addition to managing the theater, Frank became well known as an actor, producer and director. Some of his features include: Face to Face (aka San Francisco), Black Pack, Black and Bi and Made in the Shade and its sequel. He was a true New Yorker, a bit intimidating, with handsome looks and a tattooed muscular body.

 

Face to Face poster and Made in the Shade VHS cover

Vintage poster for Face to Face (aka San Francisco) and VHS cover for Made in the Shade 1

 

When he interviewed me for the job, he struggled with the idea of whether or not to hire me, because I had just turned 18 the week before. He was very protective of my naivete and took time before exposing me to all the different areas of the theater and its playrooms. As weeks passed and we became more comfortable with each other, he started sharing stories of his sexual adventures. His trysts blew my mind but helped me get more comfortable with accepting myself. I envied my co-worker who was already comfortable in his own skin and would go up to the projection booth and play around with Frank regularly. A dancer named TK, who would talk with me in the booth after the live shows, invited me to go to the Trocadero Transfer with all the dancers. He knew the doorman, so I got in no problem.

 

Trocodero Transfer exterior, Divine's honorary membership card, and a fan dancer

Trocodero Transfer exterior, Divine's honorary membership card, and a fan dancer

 

It was my first time seeing fan dancers, being in a club this size and bonding through party favors with the dancers. At sunrise, we were all at the beach where TK and I went into a cave by the Sutro Baths and played around. Sutro Baths and Lands End Beach are notorious gay cruising spots. When I came into work the next day, Frank had this shit eating grin on his face, like a proud papa. I guess strippers do kiss and tell. Frank totally patted himself on the back for kicking my ass out of the closet, and I guess after months of his influence, he did.

 

Sutro Baths and Lands End Beach images

Sutro Baths and Lands End Beach

 

Frank’s most infamous film as producer was made while I worked for him. He was excited to tell me the details, about a prison guard and convict who are handcuffed together during an escape. “Oh, like The Defiant Ones,” I said, “I love that movie.” He was impressed that I made the connection and invited me to watch them film on the movie set. The shoot was the next day, around the corner at the Bulldog Baths on Turk Street.

 

Bulldog Baths ad and token

 

Bulldog Baths ad and token

 

The infamous bathhouse had a real prison cell set, and he was very excited about it. It was too nerve-wracking for me, so I never went to the set. What a huge mistake! The feature turned out to be Wanted, starring Al Parker and Jack Wrangler. Frank Ross was producing and Steve Scott (Inches, Performance, A Few Good Men, Screenplay) was directing! Let me put this in perspective… this is how I see it: you have Steve Scott who is like the Martin Scorsese of gay porn, Al Parker is the Robert De Niro, and Jack Wrangler is Leonardo DiCaprio. The best of the best for that era, there is no topping that cast or crew. A huge regret not going to that set! FUCK!

 

Wanted DVD cover featuring Al Parker and Jack Wrangler

Wanted DVD cover featuring Al Parker and Jack Wrangler

 

I don’t know if my life would have taken a different direction had I gone to that set or not, but after leaving my Screening Room job in 1981, I wasn’t exposed to the Adult Film Industry again until I was hired at Catalina Video in 1987. Sadly, I recently found out that Frank Ross passed away on May 20th 2021, which made me think back about our time working together. Because we worked on different coasts, he never knew that I ended up working in the same industry as him. I wonder how he would have reacted.

But do you know what the real burning question in my mind is?

Are there still girls going in and out of that door next to the Go-Go Kitchen?

 

 

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002.  

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Welcome Matt/Will

By Will Seagers

 
Man's Image introduction of and nude calendar featuring Matt Harper (aka Will Seagers)

Man's Image introduction of and nude calendar featuring Matt Harper (aka Will Seagers)

 

Born in Jersey City, N.J. in January of 1951, I spent the early part of my youth in the northern part of the state and my teens at the Jersey Shore. The very beginning of my teens was when I realized that I was gay and enjoyed it at every chance! Also, in my family's move to the shore I made a life long friend, Michael, who was also gay. Although we had no sexual relationship, our friendship made it a lot easier for both of us to better understand our blooming sexualities.

My education was fairly typical for the times. Parochial school for the first two years and then public school through high school. My 2nd grade public school teacher was from France and helped to create a life long interest in the country, language and culture of France. Oui, je parle français!

College years were not productive. I was in the tumult of coming out and exploring my sexuality. I studied engineering and journalism. I did not have the discipline for either of them. During these years I lived in Jersey City and would take the "PATH" train over to Christopher Street and see what trouble I could get myself into. That is where I was "discovered," while cruising the streets, by Man's Image Studios and Lou Thomas. (Lou, with Jim French, started Colt, and later went on to start Target Studios in 1974). Lou and I hit it off and remained friends for years.

 

Portrait of Will Seagers

Photo by Lou Thomas

 

Realizing college was not right for me at the time, I decided to take a break. I went to work for Eastern Airlines as a flight attendant. I spent two years with them. First in New York at JFK, where I got to utilize my French in flights between NY and Montreal. The following year, I was based in San Juan, Puerto Rico.

After my stint with the airlines, I moved around the country a lot in the '70s. I moved back to NY in '74. I had several more episodes of being "discovered" on the streets. Two of the photoshoots were actually straight. One for a hair magazine and the other for a ladies' magazine, Viva.

 

Will Seagers on the cover of a men's hair magazine, 1975
Will Seagers on the cover of a men's hair magazine, 1975
 
Photo from Viva Magazine

In Viva Magazine

 

After NYC came Tempe, Arizona (near Phoenix). My roommate/friend from San Juan had won a scholarship at A.S.U. and wanted to know if I wanted to move out there with him for the school year. Not tethered to NYC by anything serious, I agreed. My first gig was bartending at the Newtown Saloon and then the local disco - Maggy's, both owned by the same men. That lasted for most of my one year stay in Arizona. My final gig in AZ. was working for a man named Phil in his porn warehouse. He owned most of the "Book Stores" in the Phoenix area. It was interesting to view the workings of the porn industry.

In 1976, I received a phone call from Lou Thomas asking me if I was interested in working on Fire Island for John Whyte. It was perfect timing; Arizona was winding down.

I worked in The Pines for John Whyte for three summers... glorious ones at that! Mostly as a bartender, waiter and life guard; my job was loosely structured to say the least. Lou Thomas imposed on John Whyte to "borrow" me for a few hours one afternoon while I made a flick with Bruno ("Bruno and Will" in Bullet Videopac 6). It was a hot and steamy flick and I went right back to work that afternoon after a quick cleanup! Lots of other movies were shot in a similar fashion on Fire Island. 1976, my first season on F.I., I met Chuck Holmes, owner of Falcon Studio. He invited me to come to San Francisco and work for him. I took him up on that and wound up living in S.F. for 14 years... 3 were bi-coastal with summers on Fire Island.

 

Promotional photos from Jack Deveau's Fire Island Fever (Hand in Hand Films, 1979)

Promotional photos from Jack Deveau's Fire Island Fever (Hand in Hand Films, 1979)

 

At the end of the first Fire Island season, 1976, a large group of the guys from John Whyte's "Boatel" moved en masse to San Francisco. I had a job waiting for me with Chuck Holmes.. so I was set! I couldn't believe S.F. - I thought that I had died and gone to heaven! The men, the men, the men! Lots of work with various studios commenced, including working with Al Parker and his lover. This went on for over a decade, intertwined with various other full time jobs including manning San Francisco's first gay gym, The Pump Room, and becoming an electronics maven at Eber Electronics in the Castro, which was my first real selling job.

Shortly after moving to San Francisco, I met the first love of my life, Tom Beebe. He knew exactly who I was and placed no expectations on me in terms of my "film career." We lived together in his small one bedroom apt. in the South of Market neighborhood for thirteen years until he passed from AIDS.

Music. Another big part of my life. During the last year that I worked on Fire Island, I had a wonderful affair with a man named Michael. Michael moved to San Francisco, as well. He was instrumental in creating the club Dreamland. He asked me to be part of the family and work on lighting. I had been making tapes and circulating them around town with success. Eventually, I was asked to DJ at the club. Easter Sunday Tea Dance 1980 was my debut. I played there briefly and then moved to playing music at the bars in the Castro... primarily The Badlands and Moby Dick Bar. I could feel a change coming. On Labor Day Weekend of 1991, I left S.F. and returned to the east coast to start a new version of myself.

After a few brief solo years, I met my spouse Alan in 1995. We met on the dancefloor of NYC's Roxie - a NYC dance club. It was the very weekend I returned from a non-productive year in South Beach. From this point on I rekindled the salesman part of myself as well as the musical part. I sold pianos and organs and taught the basics of organ techniques. I still have and play a massive Allen Theater organ. I also revisited the consumer electronics field in Santa Fe, N.M at The Candyman, where I managed the audio/video department.

Now at 71 and retired in the Southwest, I frequently reminisce about this great adventure called my life!

 

Will Seagers & Richard Locke on the cover of Drummer in an image from Joe Gage's L.A. Tool & Die (left); Will Seagers on the cover of Playguy Vol. 1, No. 1 (right)
Will Seagers & Richard Locke on the cover of Drummer from Joe Gage's L.A. Tool & Die (left); Will on the cover of Playguy Vol. 1, No. 1 (right)

 

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.

 

Will Seagers, present day image

Will Seagers, present day image

 

Thank you to Will Seagers for providing the photos featured in this blog.

 
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Jim Steele
OMG! OMG! OMG! I am delighted to learn that he is alive and well. I was so in love with him! He was my ideal of a 'real' man. When... Read More
Saturday, 19 March 2022 03:59
BJ
yeah! glad to read this post, and yeah to having "Matt/Will" write it himself - thanks for sharing some of your life with us - and... Read More
Sunday, 20 March 2022 14:17
Joseph D. Kahoonei
Aloha. I Am So Happy To Know That Mr. Matt Harper Famously Known As Will Seagers Led A Great Life. I Always Looked Out For Him In... Read More
Sunday, 20 March 2022 18:32
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