"I love a Parade!" Recollections of the 1977 S.F. Gay Pride Parade

By Will Seagers

 

Hi folks! Will here. Today's blog will be a bit of a departure from the last few in that it will be primarily a "Photo Essay" courtesy of my trusty Pentax K-1000. Although considered a beginner's 35mm SLR, it was good quality and easy to use! From the mid-70s 'till the mid-80s, when it was replaced with a Nikon SLR. Yes! I used some of that "pin money" from my porn adventures to buy lots of nice toys! LOL.

Although this was not the first S.F. Pride parade, it was my first. I had only been in town since September of 1976. And, during the weeks leading up to this event, I became increasingly excited to see it. My partner Tommy as well as many of our friends went on and on about how festive it was going to be and all of the beautiful people that were going to attend. So, I immediately got out my Pentax and made sure it was in perfect working order.

Sign reading Human rights are absolute
Pride parade and all of its political beginnings.

Ornate yellow dress

The glee and beauty exposed at the parade!
 

Footwear close-up
Fashionable footwear on the floats.

Roger and Tommy watching parade
Roger Magan (left) and Tommy (right) both high as a kite! Roger was instrumental in my move to SF. And, Tommy was there when I arrived!

Tom Junnell on Oil Can Harry's float
A dear buddy and laser mouth cut up – DJ Tom Junnell from Oil Can Harry's disco.

Crysler wearing a Stud shirt
Tommy's bestie Crysler wearing an original Stud t-shirt.

Anita Bryant protest sign equated with hate symbols
The very political theme of this year's parade equating Anita Bryant and Hitler.

Orange-shaped sign protesting Anita Bryant
The “Orange Lady” Anita Bryant was getting more pie in her face!

June in San Francisco is one of the most stellar months, weather-wise. The sky could not be any bluer nor the Sun any brighter. With the temps climbing into the mid-70s, it was shirts-off weather for sure. And, that is exactly what happened - with both men and women! Although it took a decade or two for S.F. to reach the Sodom and Gomorrah heights of the Folsom Street Fairs, this parade for its time was pretty "edgy!"

Tommy and I had a leg up on a lot of the parade revelers in that we lived a mere two blocks from Market Street - the parade route. We decided to walk a few blocks downtown where the crowds were really piling up. I climbed atop a (Walk/Don't Walk) traffic signal for my photo perch. I guess I was up about 8' – 10'... a perfect vista. Although I got a lot of choice photos, I did miss out on taking pics of Harvey Milk and Mayor Moscone who both attended. As this was the era of Gay Empowerment both fiscally and politically, it was great to have our heroes with us!

One star that did not escape my lens was Sylvester. At this time he was quite a rising musical talent. Originally, he performed in neighborhood venues. But, that soon morphed into national and international attention! As I mentioned in a former blog about The Castro, Syl and I became friends. He came into the bar where I spun records (The Badlands) to say hello and drop off new releases (that I was delighted to play - on the spot!).

Sylvester at the 1977 parade
Sylvester at the 1977 SF pride parade.

Shot down Market St. with Women's Contingent in background
A long shot of Market St. (the parade route) and the many revelers!

Dykes on Bikes
The ever popular women's contiengent from Oakland, “Dykes on Bikes!”

Carmen Miranda drag
Carmen Miranda – move over!

Musicians performing on float
On this sea of floats talent abounded.

Drag royalty
San Francisco's royalty of the day in all of their splendor.

Sign reading The Right to be Human
Voicing our rights!

Sign readign Ministers for human rights
Again!

So many wonderful names and faces were in this crowd! Many became life-long friends. The experience was dazzling and it became an annual affair for me. It has been great to recreate this time capsule. I hope you enjoy! Will.

Thank you to Will Seagers for use of his photos.

 

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted careers and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model, film performer, and DJ, just to name a few. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.

George Ferren, a close friend of Will's frequently mentioned in his blogs, was a major figure in the San Francisco music scene in the '70s/'80s. His current music is available for your pleasure on Soundcloud: BY GEORGE

 

Will Seagers, present day image

 


You can read Will Seagers' previous blogs for Bijou here:
Welcome Matt/Will
What's For Dessert?
On and Off the Set of L.A. Tool & Die
Wanted, Weekend Lockup and Weekends in Hermosa Beach
Honeymoon in the Palms
Birds of a Feather
The Stereo Maven of Castro Street
The Pass Around Boy
The Ecstasy and the Agony
Fitness and Fantasy: The Early Gyms
Chasing the Boys and Chasing the Sun: My Story of Sun Worship and Where It Got Me
Becoming Invisible
The Reverse Story of Dorian Gray
Pin Money
One Organ Leads to Another! Part 1
The Wheels of Steel
Feast and Famine: The 1970s to the 1980s
An Alphabet Soup of Powders and Pills
Merry Christmas (and Getting Re-Organized)
Now and Then
DEEP INSIDE THE CASTRO: The Badlands
DEEP INSIDE THE CASTRO: Moby Dick Bar
DEEP INSIDE THE CASTRO: "Just Another Stroll Down the Castro!"
Diving Into SoMa/Folsom: Hamburger Mary's
Diving Into SoMa/Folsom: Long Live the Stud!
Diving Into SoMa/Folsom: Club Life..."Hit me with your Rhythm Stick!”
A "Split Ticket" - SoMa/Folsom and The Haight!
Back to Basics: "Staying Vanilla in a Flavorful Culture!"
A Little Secret

 

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David's Sexual Underground - 5/22/23

 

activism - BijouBlog

David's Chicago Sexual Underground header

 

Greetings All,

 

It has been a rough week for me, which has put us behind schedule this week. I have been assisting a dear friend and mighty force in our greater LGBTQ+ community these past few months. When I came to Chicago in 1976, one of the first friends I made was Marge Summit, then owner of His N Hers, a popular community bar located under the L tracks on Addison.

 

Marge Summit in westernwear at His N Hers

 

Marge created a wonderful space that brought many facets of our community together to celebrate. Marge’s staff served us great drinks, prepared fabulous food including the best burger I ever enjoyed in Chicago. And Marge made a space for lots of local talent to perform, grow and succeed.

She became a dear friend and mentor to me in the service industry. Those of you who joined me for Chicago’s Original Country Dance after closing Carol’s Speakeasy should remember Marge helping us serve drinks at various spots along the way Pusch Studios, Paris Dance, Whiskey River, Bedrock to name a few.

 

Marge at the Chicago LGBT Hall of Fame

 

As an icon of our community, Marge was there when AIDS first struck Chicago. Her support for many of the early organizations that came to be in response to this emergency was fantastic. Howard Brown, Chicago House, Open Hand and numerous others were causes championed at His N Hers in the 80s with the support of the talented artist that performed at the bar.

Marge did more than just host benefits; she took action when needed. One of my favorite things she did was to push peoples’ comfort zones.

 

Frank Kellas and Marge Summit in newspaper photo, cited as being named as Organizers of the Year from Gay Chicago for their commitment to the Gay Dollar Campaign

 

To stress the economic force of our community, Marge and her leather buddy Frank Kellas launched the Gay Dollar campaign. She bought rubber stamps that read Gay Dollar and stamped thousands of one dollar bills. In the 80s, that got the attention of the Feds. They visited her and threatened her if she persisted. She did persist and straight folks were forced to be embarrassed by handing over “gay money” when shopping, dining, etc.

You may not remember there was a small grocery store at the corner of Belmont & Broadway. The owners were unhappy as the neighborhood became “New Town” with gays moving into the area. Bars, stores catering to gays sprang up. With the fear of AIDS, the owners were afraid of contact with us. Marge would get friends to join her to each grab a grocery cart and fill it with all kinds of items, the smaller the better. Filling the carts, they would leave them at the checkout announcing they were gay. The fearful owners and staff would be forced to wipe off all the handled merchandise, fearing contamination of AIDS. Sound familiar?

Marge met the love of her life, Janan, in her later years and I was honored to host their wedding at my Country Dance at The Call. Sadly, we had to celebrate Janan’s passing there too. The past few months were hard for Marge, failing health and loneliness made it a vicious circle. I was fortunate to spend time with her, sharing memories, meals, helping her cope as she became weaker.

 

Marge and Janan

 

I got to sit with her one last time on Tuesday in her finally hours as she passed from this world knowing she would be reunited with her wife, Janan.

Marge was not part of our leather community, but she understood our side of the family. She was a great friend of Chuck Rodocker, Chuck Renslow and Jim Flint, all leather bar owners in the 70s and 80s. She stood with us as AIDs decimated the clubs and took the lives of so many leathermen.

This loss is not felt just by me but many others of our leather community of that era.

Thanks for allowing me to share this passing with you.

 

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Retrostuds of the Past: Richard Locke

posted by guest blogger Miriam Webster


Richard Locke images

 

Richard Locke - the sexy, confident, bearded daddy, with a hip tattoo of a butterfly and a physique naturally toned from working outdoors (or, as he claimed, from jerking off in front a a mirror for thirty minutes a day) - was one of the first to establish mature men as potent sex symbols in gay porn. He became an icon from his outstanding starring role as Hank, a relatable everyman hero, in the late '70s Working Man Trilogy from the Gage Brothers (Kansas City Trucking Co., El Paso Wrecking Corp., and L.A. Tool & Die). This trilogy brought a new sexual focus to average working class men who have sex with men, and their sexual lives in smaller cities and rural areas across the United Sates, which had a massive impact on gay porn.
 

Vintage Kansas City Trucking Co. poster

Vintage poster (available here) for Kansas City Trucking Co.


Born June 11, 1941 in East Oakland, California, Locke served in the Army in his early adult life, where he worked as a tank mechanic. He returned to California and eventually began starring in porn in his mid-30s, quickly ascending to star status. Locke worked on films with some of the finest auteur directors of classic gay porn (Joe Gage, Arthur Bressan Jr., Steve Scott, Wakefield Poole) and biggest stars (Jack Wrangler, Will Seagers, Fred Halsted, Clay Russell, Roy Garrett, Casey Donovan). He even had a sex scene with his real-life lover, Alex, on the roof of their Desert Hot Springs home in Wakefield Poole's Take One (1977). Locke used his real name in porn, telling Jerry Douglas in an interview for the December 1992 issue of Manshots, “I'm very proud of my work and everything I do. An artist signs his name to the canvas, and I sign my name.”

Locke's films (narrative features, experimental/art porn, straight-forward sex films/loops) and characters span a wide variety. His character Hank focuses on raunchy casual encounters throughout the majority of the Working Man Trilogy, but shows his soft side by following his dream man (played by Will Seagers) across the country in L.A. Tool & Die, and Arthur Bressan Jr.'s Forbidden Letters also focuses on a romantic storyline. (Locke also appeared in a smaller role in Bressan Jr.'s Passing Strangers.)

 

=

Locke on Will Seagers, co-star of Cruisin' the Castro and L.A. Tool & Die: "There was a magic between Will and me, and that happens very rarely onscreen... Every time we had a scene together, we came at the same time, just like the honeymoon couple. There was a magic." (Manshots, December 1992)

 

In contrast to his romantic roles and the easy likability of the trilogy's Hank, in Joe Gage's 1982 release, Heatstroke, Locke plays a mean sonofabitch, the gruff ranch foreman (though with a knowing sense of humor). In addition to his countless filmic sexual encounters, Locke gets into two memorable brawls on screen, both in Heatstroke and L.A. Tool & Die, tossing a homophobe out of a gay bar in the latter.
 

Heatstroke and L.A. Tool & Die brawls

 

Heatstroke and L.A. Tool & Die brawls (pictured above); Hank in L.A. Tool & Die: "If there's anything I like better than sucking cock, it's kicking ass."

 

In this fascinating 1978 interview with Richard Locke, conducted by his brother Robert, Richard stated his goal in making pornography: “When I was coming out, I didn't feel good about myself. Now I do feel good and I want to share that. If I can project that solid, good feeling within myself into the audience, to people who don't feel good about themselves, if they can say, 'That's what I like; that's what I want to be like, open and free,' then I will have accomplished one of the goals in my life – to bring freedom to other people, the freedom of being themselves.”

Later in his career, Locke toured the country performing live strip/jack off shows for enthusiastic crowds (including at the Bijou Theater), published two books (Locke Out and In the Heat of Passion), authored a play (Loving), mountain climbed, and lived in a sparsely-populated part of the desert outside Palm Springs, where he did body work as a licensed masseur in the city and, out in the desert, worked with his interests in rural and self-sustaining/do-it-yourself living by building a geodesic domed home with a working solar and wind power system.
 

Richard Locke striptease from a suit into leather gear

"Here's another one of my gimmicks: to take the ordinary and mundane and make it erotic. When I went to Washington, I took a business suit with me, and I stripped out of that suit into leather. Everybody in Washington has to wear a suit because they work in the government, so I took their 'ordinary' and eroticized it." - Locke in Mandate, October 1987

 

After his 1983 HIV positive diagnosis, Locke turned his focus to activism. In the '80s and '90s, he used his platform as a popular porn star to tirelessly spread information about safer sex practices and health services during the AIDS crisis, in radio and magazine interviews, at seminars, and even at his strip show appearances (which featured creative and practical safer sex activity demonstrations).

Magazine clipping reading Richard Locke: Responsible Sleaze During the AIDS Crisis. The legendary King of Sleaze is changing his sexual style, and offers some tips on how to do it without becoming a celibate monk!
Richard Locke safer sex inspiration images from Advocate MEN

“I'm very positive about stopping fluid exchanges... Still, I have a great sex life... I was on radio station KPFA for about 15 minutes before they censored me. I said, 'testicular fornication.' The moderator said, 'Well, what's testicular fornication?' And I said, 'Ball-fucking.' We went off the air for 45 minutes.' (Advocate MEN, March 1987)

 

Richard Locke nude, holding a condom

“One of the things [Locke] does in his shows, he says, is to jerk off that legendary scholong and then toss (unused) condoms at his audience. 'And I say – remember when your mammas told you to wear your rubbers? Well, now your daddy's telling you!'” (Advocate MENMarch 1987)


During this period of time, he additionally worked with support groups, raised money, protested, publicly advocated for condom usage for individuals as well as porn studios (saying he was blackballed in the business as a result), visited patients in hospital wards, and much more that is likely not chronicled. This beautiful article - “Two Kinds of Hero: Richard (Butterfly) Locke” - provides some insight into that chapter of his life.

Locke was inducted into the Hall of Fame at the 1994 Gay Erotic Video Awards. He died of AIDS-related complications in 1996.

Richard Locke was known for being a charming combination of strong, caring, bright, unpretentious, and entirely genuine; a down-to-earth guy and a confident, unapologetic gay man – qualities reflected in many of his movie roles. Bijou owner Steven Toushin described him as a very kind man and director Joe Gage (in this interview discussing his films, including commentary on Locke) called him “the last of the true live-and-let-live hippies.”
 

Richard Locke images

“The nice thing about film is that I will live a long time, even after I die. 'Cause it's there.” (Manshots, December 1992)


Through Bijou Video, you can find Richard Locke in our fresh new release, Heatstroke (DVD | Streaming) as well as in a number of other classics we carry, including the collection The Best of Richard Locke (DVD | Streaming).

Online Sources and Further Information:
My Brother the Porn Star: An Interview with Richard Locke
Keep on Truckin': An Interview with Joe Gage
Two Kinds of Hero: Richard (Butterfly) Locke
Ask Any Buddy podcast: Kansas City Trucking Co.
Wikipedia – Richard Holt Locke
Gay Erotic Video Index – Richard Locke
 

Heatstroke and The Best of Richard Locke DVD covers
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Joseph D. Kahoonei
Aloha This Daddy Was A Gem. One Of My 1st Cocks I Had Was From A Handsome Man That Reminded Me Of Sir Locke. A Wonderful Memory.... Read More
Tuesday, 13 July 2021 18:50
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