BijouBlog

Greetings P(r)icksters!

Really in a weird space this week. We should be gearing up for 6 big crazy nights for the coming Memorial Day weekend. But we are still shuttered here in Chicago.

For the past 40 years, the International Mr Leather Contest took over our Memorial Day weekend bringing 1,000s of visitors to town. Which made us very busy at Touché with parties night after night and several afternoon functions, too.

We would begin with a welcome party on the Wednesday before the weekend as all the IML contestants, most vendors and others arrived early to prepare for the weekend. Then it was Thursday, Friday, Saturday and Sunday nights going strong. By Memorial Day many would be departing Chicago, but we still had great crowds that afternoon for our big cookout and even into the night on Memorial Day.

I will miss many friends this year, the guys from Off Ramp Leathers, friends from other bars that have contestants at IML and many others won’t be visiting Chicago this week. For the first time in years, I’ll have Memorial Day off.

In the beginning IML was not this weekend. The first couple of years it was held over Mother's Day Weekend. IML began as a bar event. Chuck Renslow, owner of the Gold Coast, came up with the idea of a Mister contest for Leathermen.

Back in the mid 1970s before IML started, Chicago bars hosted Mister contests as a way to attract a crowd. The old Gay Chicago Magazine helped develop this promotion of Mister contests by hosting the Mr Windy City Contest each spring. During the winter months, various bars would host a contest to select their Mr, who would then go on to compete for the title of Mr Windy City. During my tenure as manager of the old Carol’s Speakeasy in the 80’s (that was next door to the Bijou Theater), I had 2 Mr Carol’s that won the Mr Windy City title.

Seeing the success of this program, Renslow took that idea and morphed it into a leather titleholder contest. Since you only had 3 or 4 leather bars in Chicago, he made it an international competition to allow for more contestants.

In 1979, Touché was also part of Chicago’s leather bar scene, so Chuck Renslow approached Chuck Rodocker, owner of Touché, to team up and sponsor the contest. Basically the contest was held on one night with bar parties at both places Friday, Saturday and Sunday. Back then, Touché only had a 2 am license while the Gold Coast had a 4 am license. Things started at one bar and then continued at the other.

Being 1979, gay events out in public were still rare; not many places were comfortable having a bunch of queers in their place of business, it would scare off the straights. So there was no host hotel, no big dances in ballrooms, no big display of leather gear and sex toys in convention halls. The early weekend was basically cocktail parties at the bars and fuck parties at the baths (Chuck Renslow also owned Man’s Country).

But as a big advocate of his hometown, my boss Chuck Rodocker (no opportunity to shorten reference to either man, they were both Chuck R, both owners of a leather bar, people still get confused between the two of them) had the staff of Touché host some daytime excursions to add to the weekend activities. We did bus tours around town (have you ever tried to mix drinks on a moving vehicle?).

The logic back then was that Touché closed at 2 am (3 am on Saturday) while the Gold Coast was open till 4 or 5 am. The Touché staff had time for more rest to get back out and going early the next day. The problem with this was that while we may have closed earlier, that didn’t mean we would not wind up at the Gold Coast to enjoy the party there and end up closing that bar, too.

So hungover or still up after fucking some of the visiting leathermen, we would be out there herding folks onto a bus or serving up bloody marys while a local leather club or group of clubs prepared a breakfast buffet of some kind. It was a more intimate weekend than it has become.

As I stated, IML was first held on Mother's Day weekend. Again, you have to visualize Chicago in 1979. White flight had left the city pretty vacant around what we call River North today. The Gold Coast and many other gay bars were in the area, the rest old warehouses, business places that were deserted nights and weekends.

Except...... across the street from the Gold Coast was a renowned restaurant, Gordan’s, that hosted a big Mother's Day brunch every year. Folks would line up outside for the opportunity to treat dear old Mom to a nice brunch. And there we’d be in full leather gear piling guys onto buses, drinks in hand. It was quite a show and I loved being part of it.

And once the IML weekend was over, we still had Memorial Day weekend to kick off summer, just not as crazy as it has been these past few years. I’m going to have to figure out what to do with a long weekend of nothing. Kind of hard, as we have already gone over two months without something, anything. Just hoping I don’t get too comfortable with this, hope to be “back in the saddle” again next May.

So while I ponder my Memorial Day weekend plans, grab my P(r)ick this week with a nod to the men in uniforms - soldiers, sailors and marines - and wave your flags.

My first P(r)ick is A Few Good Men directed by Steve Scott. Released in 1983, this is definitely one of the best grunts fuck films of all time. The Philadelphia Gay News raved about the film on its release, "this gay sex film wins the prize for best treatment of two common gay porn themes: the repressed sexuality of an all-male military setting [including authentic costumes and underwear] and the thin line between fantasy and reality. Scott's style is at its most poetic, in both image and sound."

For a second helping check out Seamen directed by Matt Sterling for Brentwood Studios. Its four pre-condom episodes play with the theme of sailors on leave. There's a good deal of spanking, armpit and foot licking and hearty oral and anal sex. The actors' eager performances ought to get you drop-dead horny.

Before I go this week, I do want to assure you that I do get your comments about my writings for Bijou Video, even if it makes you feel some guy from a porn site is smarter than you. I’m not that smart, just curious to learn more. Thanks for the many compliments, responses to my thoughts and letting me know that you enjoy reading these blogs. I get a kick out of writing them and hearing what you have to say..

Enjoy your Memorial Day weekend and stay safe, my friends.

David

To order from Bijou, visit bijouworld.com, call 800-932-7111, or email bijou.orders@gmail.com
 

A Few Good Men (D00316) - On DVD and Streaming


Seamen (D00228) - On DVD and Streaming

The early 1970s. An affluent suburban landscape with plenty of space between spacious homes that today would be characterized as vintage. The high school that serves part of this district is a 1960s building with only two floors, bright brick on the outside, gleaming white tiles in the hallway, and wide windows, quite progressive compared to the multistory, dark brick, and overall prison-like structures that were the norm in previous decades.

Yet across the road a ragged piece of what might originally been a forest preserve served as a hangout to the cliques in that high school called “freaks” or “loads.” (I was never sure about the difference between the two in my marginalized social status.) They wore flannel shirts, faded Levis, and big boots (the girls too). They sported long hair (and I remember so many blonds). They really made a point of being distinct from the Protestant WASP jocks and cheerleaders that pretty much ran the school and who probably ended up in that day’s one percent.

And they smoked in that area, which everyone called The Hole. Now I’m not sure if any other type of activity was going on (given that name), because I was afraid to check it out, but it was common knowledge that smoking was going on, and not just cigarettes. Yes, they smoked what many at that time called grass. Diane, a girl on my French class who identified as a load, confirmed that information. Diane was a load (and I got the feeling she may have dealt the substance in hindsight).

Flash forward to college. I was a virgin in the world of illicit substances, until Denise and Punky and some other girls introduced me to the joys of smoking pot (we called it that name by that time). Denise always seemed to have it, because she got it from some big black guy named T.J. Punky too, because she was a punk gal who knew artsy guys on the North Side of Chicago. Denise and I smoked something called “Sense A Million,” which was supposed to be quite potent. I remember vaguely wandering through tunnels that connected the buildings on the campus and making claims that the overhead lights were beautiful and brilliant.

Fast forward to my young adulthood, gayling in the city both before and after coming out, and once again pot seemed to be central to my social activities. The lady who cut my hair used to deal (I had to call and ask for shampoo), and one year she gave me a leafy pot “bud” for Xmas. Another friend used to get it from some unknown dealer in the artsy neighborhood, and often weekend consisted of our own private “pot parties” at my place. We made pizza from scratch while high during the munchies phase (while the pizza was baking, we ate the standard Doritos and donuts).
 

One time this friend and I went a jack off party completely stoned. On the way to the party, we started putting the words “lava lamp” or “planet of the apes” into various movie titles. Think: Our Lady of Planet of the Apes, On A Clear Day You Can See Planet of the Apes, or my favorite, Hello, Lava Lamp. When I came up with that one, I collapsed onto someone’s grassy front lawn, laughing so hard I could not breathe. Needless to say, my wiener did not function very well at the jack off party, but I did end up that night taking home a hot black guy who dressed like a cowboy (who was also stoned or drunk and as a result, a limp dick).
 

In my more mature years, financial exigencies have prevented me from enjoying the vicissitudes of this marvelous substance.

Based on the above, I associate pot/weed/grass with a time when social activities didn’t depend on technology. Yet even though one could argue that getting stoned wasn’t exactly the best way to connect, when everyone is stoned … or even just two persons … I found that in some persons a sense of humor arise that were not always present in other situations, even a repressed poet or musician.
 

Overall, I found the best “pot highs” to be a different release of inhibitions than being drunk; senses were heightened, and sometimes very amazing creative thoughts appeared and disappeared. No violence, no teary confessions, no hangover. Everything is fun, silly, and everything tastes good. Joy. Unabashed, uninhibited joy.

Maybe the cock doesn’t rise up literally when one ingests pot, but the Romantic poet Coleridge’s imaginative “fancy” did from the depths of my cannabis-intoxicated soul. That same poet wrote the famous dream-vision poem Kubla Khan under the influence of opium.
 

Maybe that could be a motivation to finally legalize that marvelous grass, weed, pot, or any other name.
 

I was looking at some footage on YouTube of Chicago in the 1940s (my nostalgia kick keeps kicking and kicking and kicking, ouch!), and I noticed, as most of the footage was of tourist sites like “State Street, that great street” and its plethora of movie theaters.

And these were not movie theaters hidden inside in decaying malls or bland multistory cineplexes with parking garages, but both glitzy and palatial structures (quite a combo!) that beckoned to passersby (yes, people walked more, it seems, to entertainment) through signs.
 

Yes, the marquee, the name in lights, oh so Old Hollywood. In fact, on one of the videos, I saw theaters whose marquees displayed Leave Her to Heaven with Gene Tierney, and on another one, Joan Crawford in A Woman's Face. Heady stuff for a gay Old Hollywood fan!

The adult movie houses, and in the gay world, often called porn palaces, followed suit when censorship restrictions were lifted in the wake of the 1960s sexual revolution. Even though such venues were usually ghettoized "red light” districts (think 42nd Street in New York City) and often shared buildings and neighborhoods with the seedier peep shows and massage parlors (live sex, less cinematic content) and the like, they still boasted the marquees and the names in lights.
 

In fact, I remember in the camp classic Valley of the Dolls, Neely O'Hara sees her friend Jennifer's (now a star of soft-core French porn) name lighting up that ubiquitous XXX signage as she wanders drunkenly through what is probably the Nob Hill area of San Francisco.

Gay XXX's home in Chicago was the Bijou Theater, and in its heyday, it showed some of the famous, finely crafted classics of gay porn (shot on film, of course). A premiere there was akin to a red carpet event, like it was in Old Hollywood.
 

Porn studios like Hand in Hand Films and Falcon and, later during that Golden Age, Al Parker's Surge Studios were definitely producing more substantive work, but the assembly-line, amateurish product with mostly anonymous participants (like that being churned out in Europe these days) were confined to peep show booths.

The Bijou Theater thus showcased some groundbreaking gay porn films, but in tandem it also showcased the stars of those films. Again, think Old Hollywood. Fans, autographs. Stars!
 

For example, when Al Parker, the greatest of them all, appeared at the the theater in the early 1980s, he did a live sex show (a live orgasm to complement so many of those on-screen orgasms), but according to Steven Toushin, owner of the theater, he spent most of the time there signing autographs and talking to fans.
 

And the uber-Daddy of them all, Richard Locke, also appeared at the Bijou Theater in 1984. Here's a description of the event, which, as with many other events that showcased porn movies and their stars, blurs the lines between on and off screen performances in an enticing, exciting way:

“The screen on the Bijou screen – a dimly lit room at truck stop, fitted with grimy cots, where truckers catch forty winks before they hit the road again. [A scene from Joe Gage's 1976 classic, Kansas City Trucking Co.] In this case, however, the truckers are not sleeping; they are fucking and sucking with a vengeance. The center of the action is the older, experienced trucker, played by Richard Locke, muscular, masculine, bearded and obviously enjoying himself on screen. The light on the movie screen fades, and suddenly a figure appears from behind the screen. A cool blue light silhouettes a muscled body and music builds. A new kind of show is in progress at the Bijou Theater — but Richard Locke is still the center of attention... Richard turns to face the audience, clad only in a leather harness, stroking his erect penis... Finally he reaches orgasm, shooting onto the mesmerized audience. He turns back, the lights fade, he exits and the film Richard Locke returns to the movie screen.”
 

Now, the above event may be unique to the dynamic of gay porn and its purpose of sexual exploration and gratification, but what happened after that movie/performance links to that Old Hollywood world:

“After his live show, Richard meets his public, signing autographs and talking to a group of eager fans. He is friendly and unassuming as he talks. One young man asks Richard to autograph his back and tells Locke that he will have a tattoo made of the signature. (A later encounter with the same man proves the truth of his boast.) One by one the crowd drifts away and another day's work is finished for Richard Locke, erotic entrepreneur.”

Amazing, and so exciting! Joan Crawford would have been thrilled (perhaps more by the method rather than the content!). Richard, like she did, was working a publicity machine, one of his own making. And he understood that what fuels that machine are the fans and their fantasies, hopes, and dreams. The young man with the tattoo in the quote above was living embodiment of these emotions.

Yet, unlike Joan, he skillfully kept his “divo-hood” on the screen, but at the same time let that larger-than-life screen persona become real in the flesh when he appeared live in that brief moment of ecstasy.

Some say home video (and then the internet) and the tragedy of AIDS killed this world. Perhaps, on the surface, yes.

But in hindsight I think it's a deeply complex issue revealed in today's cultural climate as red carpet events still unfold, and the culture of celebrity has become something like a 24/7 fuck fest. But the cinematic magic that thrives on finely-crafted illusion that elicits an audience's deeper intellectual and emotional responses gets lost in a weird combination of special effects and banal cynicism.

The great porn stars like Al Parker and Richard Locke created and crafted a visual and sexual magic in their films and in their performances and in their audiences.

Bette Davis said in her movie The Star, “If you're a star you don't stop being a star.” And thanks in great part to the Bijou Video's preservation and revitalization of their legacies, Al and Richard still shine.

Look for their movies on DVD at BijouWorld.com and streaming at BijouGayPorn.com, including our brand new release The Best of Richard Locke!

I was looking through a 1982 book (yes, that's a while ago) by Dennis Altman called The Homosexualization of America, which discusses the birth and development of a specific “gay culture,” tying it into developments in the 1960s and 1970s such as the women's movement and the marketing of sex in popular culture.

This description of a typical gay neighborhood from that period really got me thinking, especially from a twenty-first century perspective: 

“Such areas are marked by a certain sameness: they seem at first to be populated almost entirely by men under the age of forty-five, dressed in a uniform and carefully calculated style and dedicated to a hedonistic and high-consumption lifestyle. The main streets of what are often termed the ghettos—Christopher Street and Columbus Avenue in New York, North Wells in Chicago, Castro and Polk in San Francisco, Santa Monica Boulevard in Los Angeles—are lined with shops selling high-camp postcards, coffee pots, pillowcases, T-shirts, and even food (in the ice cream parlors and “Erotic Bakeries”), with dim noisy, and smoke-filled bars, and with the new-style gay restaurants, full of potted palms, with large front windows and health-food menus.” 

Now, specifically from a Chicago context, North Wells is no longer a gay area (and hasn't been for some time), and Boystown on Halsted Street, though it does conform to some of the description above, seems to be watering down its wild gay nightlife image. Both areas have been solidly gentrified (think strollers, tourists, and sports bars) for some time now. In fact, many gays, having been priced out of these areas, have moved north to less expensive areas like Rogers Park, or, in the wake of increased social approval, moved to the suburbs where many of the jobs have gone and to raise their own families. 
 

But what gets me thinking even more deeply (after laughing at the visual in the quote above of “potted palms”) is the queston of whether physical geography really does matter anymore when we are thinking of a gay neighborhood or even a gay culture.

After all, it's obvious that connections via the Internet and social media can easily transcend physical limitations and socioeconomic boundaries. A gay guy living on a farm in a “red state” area might of course want to visit a gay-friendly urban area in a “blue state,” but if he's got Internet connectivity, he wouldn't feel as isolated. And urban gays are at at point now, where instead of hanging out at bars or cruising bathrooms, they can hook up instantaneously via Grindr. The “hedonism” Altman observed can end up becoming “virtual” rather than real! 

It's ironic though, as members of the LGBT community are trying to jump through (and quite successfully) one of the last social hurdles in their journey toward full acceptance as equal citizens, same-sex marriage, that face-to-face interaction seems to be an option, not a necessity. As what were once gay ghettos disappear, I do wonder if the very real and nitty-gritty sense of community which gave birth to Stonewall and banded together to confront the decimation of the AIDS crisis will disappear as well.